Eno always interests me. You're always going to get something interesting from him. It's not always what you want, but he's not afraid to experiment. This is really dreamy in places, without straying into hippy shit territory. Here He Comes is gorgeous.
I always love about half of most Eno albums. Kings Lead Hat is a great stomp, and the touches of Young Americans and his interest in Talking Heads and the US new wave scene generally work well here. It's the quirkier English eccentric stuff that I find slightly less convincing. Although I am sure those ideas got recycled later on and worked better after a tryout here. Eno is a genius in my book, but his song-based albums are always a mix of miss and hit for me.