jason-cobb
A magnificent album that somehow managed to push through to the mainstream. Who knew that tales of messy sex, chopping up body parts and dead monkeys would be so popular? Everything is perfect about Doolittle; the songs, the musicianship, the production. Kim Deal's bass is an absolute beast and holds it all together. Note how the quiet, loud, quiet thing predates Nirvana by a couple of years. One of the few albums that I could play on rotation and not get bored.