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jason-cobb
I wanted nothing to do with this. More to the point, I wanted nothing to do with Mozza. It's a decent album though from a time when Mozza wasn't being a complete twat. Rusholme has an ACE rhythm going off. I almost danced. Nine songs at 39 minutes is the perfect length for an album. It wasn't quite as strong as I remembered. I'm pleased that I have managed to move on from believing that The Smiths would have a legacy that would last 50 years plus.
3
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boombox-generation
Another album that passed me by at the time. I loved The Smiths when they first appeared all over Peel, but my interest waned over time, as they felt a bit same-y after a while. I didn’t mind this, but the songs did sound like Smiths songs, for good or ill. I checked out the lyrics as this played, due to Morrissey’s reputation as a wordsmith. Not bad, but he did / does have somewhat of a preoccupation with death, it seems. The fact he is a first class ar*e these days has stopped me re-evaluating this band and to be honest, this feels to me to be of it's time. A lot of the values and feelings that Morrissey tries to capture and sum up here seem long gone, not least in Morrissey’s ever-narrowing world view. The cabaret version of His Latest Flame didn’t do much to convince me either. I quite liked the closing, title track until the squeaky voices came in. For me, a mixed bag.
3