Alternative rock, dance-punk revival, new wave, art rock, synth-pop, dance-rock. The genre labels for The Killers’ debut album "Hot Fuss" explain my problem with the band’s sound and my lack of interest. Because, honestly, I don’t hear any new wave here (how could I? It’s a genre label from the eighties), above all, I certainly don’t hear any art rock, and terms (and concepts) like dance-rock (sic!) and dance-punk (SIC!!) are enough to put me off for good. What I hear is that typical highly agitated vocals that eventually became established in alternative rock, along with a wall of sound made up of guitars and a few keyboard sounds that clash with the singer’s bleating. Of course, Brendan Flowers can sing well, but I wish he wouldn’t yell every note at full throttle. This music lacks variety and dynamic changes; almost everything seems to be cranked up to the max. I’ve heard worse, but “Glamorous Indie Rock’n’Roll” (that’s a track on the album) is absolutely not my cup of tea.