Siding with Alex here on one front: there is that rad xylophoning (God, that better be a real word) going on in “Hong Kong Mambo” and then the brass comes in like a tsunami alarm and I can’t reach for the volume knob fast enough. Kills it for me. Tito Puente is one of the great all time names though. If I had that name I wouldn’t give two shits what anyone thinks about anything.