Global Statistics

Brings back vivid memories of when me and my mate Ray went on a trip to Dresden. We met this rotund goth in a bar, head to toe with tattoos and piercings, real filth and after a while took her into the disabled bogs for a spit roast. We were both pumping away in her with Napalm Death on in the background and her wailing "MEIN GOTT" at the top of her lungs. I remember spaffing all over her back just as Siege of Power kicked in. As i shoot over her, she takes Ray's cock out of her gob and says "do you want fries with that?" in a faux American accent. Anyway, we go outside and there's this gammy little geezer in a wheelchair sitting there furious, giving me daggers, because he's had to wait so long, so I lean into him and I go "I hope you have as much fun in there as we just did you little cunt".

This is the 4th Springsteen album I have gotten out of 70, 2nd this week. After listening to the album I ate at a McDonalds, read a Ronald Reagan biography and punch a commie in the dick. MERICA!

Sorry Boomers/Gen X, I was like 20 when this came out so it's one of the best things to ever happen to me. Sorry it's not King Crimson or whatever.

5: The moustache that appear on Art if you put your thumb on Pauls face on the album cover. 5: The songs.

Music for incels to wank furiously by

Oh fuck yeah, now we're talking. Wait no, I swear I'm not being pretentious. This is the lowest rated album on this site because I guess mostly people aren't very fond of German people smashing metal plates together - who would have guessed. But halle-fucking-lujah, this is something this list needs more of. Albums that make you go "well, that was an experience and now I'm a changed man". Nobody is lying on their deathbed wishing they heard more crappy 80s post-punk or late 60s psychedelic rock. THIS is what we all deserve to be listening to as we embrace eternal oblivion. I'm giving this a high rating not only because I genuinely really love it, but also to help Kid Rock move to his rightful place as the actual worst album on this list. Together we can make a difference. Save the turtles.

Most 60's groups had three choices: copy the beatles, copy the beach boys, or sexually abuse minors. These guys changed the game and did all three- Four stars!

The only enjoyment I got from this was reading the review about the brothers in Dresden and their lovely and talented tattooed friend.

Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Favorite tracks: Around the world, around the world. Around the world, around the world. Album art: Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. Around the world, around the world. 4.5/5

Hey, reader! If you can't find the full album anywhere, email me at sodaco3@gmail.com and I'll send a zipped file of the songs. John Zorn. Hmmm.....let's talk about John Zorn. He's a jazz artist (saxophone) who specializes in avant-garde jazz. This alone will turn away quite a few people, and I can't blame them: avant-garde art is inherently pretentious with it's "ooo, look at how I deconstruct certain pervasive elements in art and rearrange them for new experiences". It's pretty anarchist, and anarchists SUCK! Given this, I'm pretty surprised that Zorn is even on this list. I would've went with his much more popular "Naked City", but maybe that was too "jazz-rock" for 1001. Regardless, most people are going to walk away not enjoying John Zorn's work. So, what is he doing with this album? Well, he's got a 5-piece band built of two alto-saxophones, a bass, and TWO DRUMMERS! Neat. Double drummers is always risky but it's avant-garde so we'll let it slide. Cool production note: each saxophone is playing in a different channel (Zorn is in the right; listen for his licks!). Also of note is that everyone playing is improvising, giving a sort of full sound that surrounds the listener like a chaotic hug. Can you feel it? Zorn's compositions are interesting, as he opts to do these much shorter tracks that don't stick around for long before moving on the the next one. Zorn is heavily inspired by the hardcore punk scene in New York, London, and Tokyo at the time, particularly the rise in grindcore (see: Scum by Napalm Death). That sort of quick-and-dirty, attack on the ears is something that was very much inspired from grindcore and can be seen crossing over in jazz through Zorn. Again, most people will not like this, but for what it's worth I think it's a cool approach to jazz. By the 80's, Jazz had pretty well split; smooth jazz was on the rise with the likes of Kenny G, producing the most accessible, commercial music possible. Meanwhile, Jazz was being used more as a prop for other genres, such as acid jazz in the UK being a combination of electronic beats with jazz (great for clubs), or hip-hop producers incorporating jazz samples in their beats, leading to the rise of jazz rap in the late 80's and early 90's. This comes AFTER the prominence of avant-garde jazz actually, so Zorn is late to the party and very much on his own. Regardless, his approach to jazz with the mindset of hardcore punk makes for a fresh and thrilling listening experience. Overall, I think there's a lot one can take from this album, but they'll need to be open to the weirdness of it all. Do not expect structure, melodies, and rhythms that ground most songs. Instead, listen for how each instrument is playing off the others while also being totally independent from the song. There are times in this record where the stars align and you can hear the purposefulness of Zorn's band coming together in creating some really rad shit. But you gotta be open to it, or you'll just walk away thinking it's a total stinker. If you liked this record, consider listening to Ornette Coleman's stuff! I recommend "The Shape of Jazz to Come" and "Free Jazz", both records that did NOT make this list because Coleman ISN'T ANYWHERE ON THE LIST, DESPITE HIS NAME BEING HONORED BY THIS ALBUM. FUCK YOUUUUUUU 1001 ALBUMS!!!!

YE-(and I cannot stress this enough)-HAW

Hehehe balls

If I wanted to hear the same bullshit on repeat for an hour I’d speak to my wife

Really enjoyed this. Of course by enjoyed, I mean I tolerated it. By tolerated it, I mean I'd rather smother by body in chilli and get fucked by all members of The Incredible String Band wearing condoms laced with razor blades, whilst my Internet search history is read to everyone I've ever met, than ever listen to this ever again.

You have two choices. Either: - recognize that this is one of the greatest albums of all time - be a contrarian twatwaffle So what if Roger Waters decided to be Putin's cabana boy in later life? So what if he released a bullshit de-Gilmourized crummy watered-down (heh) remake? Dark Side of the Moon, as released in 1973, is a flawless, timeless album. If I only get to pick one record to bring to your deserted island... to be honest, I'm picking Bitches Brew but this would be a close 2nd choice.