This is the album that transformed ambient music from a concept that some artists used to toy with to a de facto music genre. Brian Eno's sensible minimalistic approach in those four compositions became a roadmap for ambient records in the late 1970s and it's still very much referentiated to this day. The piano improvisations stitched together, the vocal loops and the beautifully crafted synth sounds all come together to create an album that grows inside you like a very powerful feeling and leaves you calm, but also pensative. As a electronic music record, it also explored that dicotomy of a human-machine relationship, evoking the uniqueness of giant flying metal machines mixed with small helpless humans on the go. Altought the attempt to remove the tension of an airport terminal through music didn't really work on a practical level at the time, when it was used as an art instalation, airports enviroments changed a lot in the last 25 years and I'm curious to see how it would work like that again after all this time and in this world we currently live in. Nonetheless, it's a masterpice, an album that goes straight to the heart.