You guys pretty much covered it all on this one. If I can go one step further, I almost think you could take 30 seconds from "So What" - the 15 seconds before the trumpet comes in, and then the 15 seconds after - and play that to any human being on Earth as a gauge for their tolerance of jazz. I really like a lot of Duke Ellington and that swing stuff, but there's no question that when people think of jazz as a genre they're thinking of the kind that's on display on this record. So, if you don't like that trumpet intro, then this ain't for you. If you do, then please drive through the gate. It's also nice that jazz is popular with audio nerds and these albums always tend to have really good remasters. Listening with headphones, I could hear what I assume is the reverb of the actual room they recorded in at times (especially with the sax on "So What.") Other times I could make out the faintest use of the brush on the snare drum, almost sounding like a record hiss or something. Took me a second to even realize what it was. Lastly, as someone who played trumpet in middle school and for one year of high school, I feel supremely qualified to comment that it's actually really hard to make a trumpet sound intentionally sad like it is on "Flamenco Sketches." Unintentionally sad? Yes. Daily. And I was first chair!