This is such a prog record! I was kind of stunned when I saw the cover art and then looked at the track list and realized that A) this isn't the album "Bohemian Rhapsody" is on and B) I don't know damn near any of these songs on this record. And I call myself a fan. Pssh... In my defense, none of these tunes jump out as singles or anything really approaching the radio hit level songwriting of their classics. They're just of a different (again, proggy) breed. Overall, I liked it. But like most things of this ilk I will have to listen to it numerous times to begin to appreciate what they're doing here. And I plan to! I mean, there's a fucking Queen song called "Ogre Battle." I've got work to do. Some fun stuff on the Wikipedia page for this one, too: "Rather than the conventional Side A and Side B, the album was split into "Side White" and "Side Black", dominated by May and Mercury compositions respectively.[22] Although some have interpreted it as a concept album, Queen biographer Georg Purvis stated that it is "not a concept album but a collection of songs with a loose theme running throughout."[9] Mercury later confirmed this in a 1976 Sounds interview, citing that "it just evolved to where there was a batch of songs that could be considered aggressive, or a Black Side, and there was a smoother side".[23] The "White" side is very diverse: four of the five numbers were composed by Brian May, one of which is an instrumental. Freddie Mercury sings two songs; May sings one; and Roger Taylor sings the closing track, which is his only composition on the album. John Deacon played acoustic guitar on "Father to Son" in addition to normal duties on bass guitar. Mercury composed and sang all six songs on the "Black" side." I'm surprised there was such a clean division of the songwriting duties. That seems like the kind of thing that would cause some bands to have their egos hurt and lead to a break up. Glad that didn't happen here.