One day my wife asked me if I knew who Lou Barlow was. She said she works with a woman who's his sister. Of course I knew who he was. I grew up a huge fan of Dinosaur Jr. and J. Mascis. But, it was a long time after Sebadoh formed before I started listening to them. And when I did this album had already come and gone. Harmacy was the first Sebadoh album I ever purchased, but it never grew on me and I'm pretty sure I sold it to Amoeba. Listening to this now, it still doesn't grow on me but it's way better than Harmacy. This is quintessential 90's alt-art-crap, hard to listen to today but cutting edge in the world it existed. This and other albums like it, proved anyone with something to say could be a musician, grow a following and build an album in their basement. "Corporate Rock Sucks!" was the rally cry This is the stuff at the other end. I suppose Indy Art Rock showed Corporate rock, but what it really did is prove that there's a market for lo-fi songs expressive songs like 'Fantastic Disaster' because what else are people going to do? Surf Insta and create Tik Toks? I'll never completely understand whatever happened between J. Mascis and Lou Barlow. Someone said JM threw a cymball at LBs head during a performance and walked out. I couldn't find any of that online, but I didn't search much 'cause I'm consumed with infinite Tik Tok scrolling.