3.5 - Back in the early 2000's, with the advent of legal and unfettered access to ALL music, there was this surge in bands whose seemingly sole purpose was to recombine nuggets from passé genres unearthed within the depths of YouTube. This album reflects that rummaging spirit, melding Elton John-informed piano balladry ("Marie") with Pink Floyd-styled psych-prog ("Return to Oz") with bits of 70's swamp-funk. A thick irony binds everything together as well as lots of cheeky falsetto. Mostly this sounds like the playlist for a "Pimps 'N' Hoes"-themed house party.