Jesus Christ, Eileen. Come on already! I can't believe we listened to a DMR record without the one song the entire world thinks of when they think of DMR, if they ever think of DMR at all. And I'm going to stop typing DMR now. All that aside, I liked this record in a way. Specifically, I actually liked the horns. I can't say that about many rock-ish records with horns, but I liked them here. The vocals kind of drive me nuts and I kept thinking there ought to be a word to describe this type of singing, the way people threw around the term "yarling" when talking about the way Eddie Vedder sang on those first Pearl Jam records, that the guys in Creed and STP initially copied. There's also gotta be an indie band that had a moment in the oughts that sounds exactly like this band, but I can't think of who it is. Anywho, it was interesting even without Eileen.