I feel like it’s at its best when it gets experimentally technical. At its worst it sounds like Fallout Boy or MCR playing an early Muse song. And, while I’m not a fan of the former bands, I am a fan of the latter band, especially in their early years. And I love technical prog-rock, as long is it isn’t too busy and whiny. So I guess I actually liked it quite a bit, overall. The parts I didn’t were at least versatile in their own way.