3.4 - The first two tracks got my hopes up but the record takes a sharp nosedive after that, and the quirky arrangements mostly sound annoying in a try-hard-y way (see "Greenman"). By the end, I struggle to understand why Dimery chose to include this record as it doesn't fall into his common "record-out-of-left-field" tropes (e.g. a late artist's "return to form", a genre-defining work, a record with a cult-like following, etc.).