There are a lot of great moments here, but they are just that…moments. The songs here seem to lack the cohesion that Genesis captured exceptionally only two albums prior on “Foxtrot”. A lot of songs on “Lamb” don’t seem to have that cohesion; their movements come and go, often quickly, and they don’t really seem to fit together sometimes. As a concept record, it feels clunky and probably could have been paired down to an excellent single album, rather than a feature film-length double lp. The album for me hit its peak in the back half of the first record, starting with “In the Cage” and the following 4 or 5 tracks. By the 11th track, I started losing interest. By track 15, I was ready to lay down on Broadway and let traffic take its course. It’s too much. I mean, people weren’t really wrong about prog, were they? This is definitely a pretentious, overwrought collection of songs with rock music presented in a similar vein to a Broadway musical and at 90 minutes long, it starts to feel like homework after a while.