The Byrds are super consistent regarding '60s country rock and folk acts—especially ones with pop leanings. There is a psychedelic twist here, apparent in the lyrical themes of the opener and the instrumentals of songs like 'Natural Harmony' or 'Old John Robertson'. The offputtingly ethereal sound of 'Draft Morning' paired with those morbid lyrics and harrowing snippets made for a gripping political song. I'd go as far as to say that the vocal harmonies and instrumentation of the calmer parts of this song reminded me of the late '80s and early '90s dream-pop sound. 'Space Odyssey' might be the most mind-blowing track here - a subtly grating, clipping drone and theremin-sounding thing drive this very ominous sci-fi song. This is the type of experimentation you'd expect out of the Beatles from this time. It's a black sheep here though, most of the other songs are relatively soft and easy on the ears - 'Goin' Back' and 'Get to You' are two of the many gorgeous tracks here. Maybe I dismissed The Byrds after enjoying Gene Clark's solo work so much more (A man who's not even on this album much, if at all - he had left by this point). But this album kicked ass - it's how I like my warm '60s music. Like a cozy hug on a cold morning.