Such a big and vibrant sound, and a compelling protest album. I remember listening to this when I was in the peace corps not wanting to ”live in my father’s house no more”. Also, I spend a lot of my time both staring at and trying to avoid black mirrors, a modern curse. The sound holds up and manages to shake off the late 2000s/2010s Ho-Hey-ification. My one gripe that pulls this album out of being a 5 is that it relies heavily on, and is derivative of, Bruce Springsteens singing style. It could have done with teaspoon less of that.