This sound is so developed and innovative for ‘66. It’s clear that it made a huge impact on music at the time. The cacophony they’re able to create is amazing and paved the road for every chamber pop album to come after it. There are so many bangers on this, and very few misses. The grooves are always tight and sound really special. What keeps this from a five for me is the lilting vocals, the type taking center stage in “god only knows”. If they could embrace the magic of the final 30 seconds of “I’m waiting for the day” I would be all over this.