I think the Nagel artwork on the front should be considered a warning for how bombastically 80's synth this album is gonna be. I previously was not a big fan of the title track but it won me over on this listen (I think it's because it partially sounds like a news bulletin that keeps trying to start). The Saxophone on Rio really popped off for me this time. I have similarly positive thoughts for the rest of the album. Given some of the new wavey similarities here and there you could maybe find some of the stronger tracks make others obsolete but I think there's more than enough standouts on here to make this album a standout regardless