This one’s got a cool vibe. I like it, but I’m not blown away. It’s solidly in that laid-back, late-night groove territory where everything just sort of coasts along – good company, good drinks, and nothing too demanding on your attention. Jimmy Smith’s organ tone is as smooth and smoky as ever, and there’s a real ease to the playing here. I appreciate that kind of looseness – it doesn’t feel like it’s trying to dazzle you, just settle into a nice swing and vibe out. I think the title track is easily the standout. That slow, bluesy stroll it takes feels like something that would be playing in a dimly lit bar around midnight. It’s warm, slightly cheeky, and has a great sense of space. The rest of the album, though, doesn’t quite rise to that same level for me. Everyone’s clearly great at what they’re doing – you’ve got Kenny Burrell on guitar and Stanley Turrentine on sax, and their parts are tasty – but it all just feels a bit... samey after a while. The grooves are nice, but they don’t really build to anything or surprise me. It’s a pleasant listen, but I did find myself drifting off a bit.