Why would a band turn Black Sabbath’s “Iron Man” into a sultry lounge song? BECAUSE THEY CAN. This album grew on me with multiple listens. Nina Persson’s vocals, combined with certain retro flourishes, sound like they are right out of an early 60s jazz room, only transformed into something completely fresh, and layered with fine musicianship and crisp production. Almost a 5 but I’m sensitive to lyrical content that objectifies women. Even if it’s con/sensual.