Can see why it was called Modern Sounds, the big band feel, makes it bright, sharp and punchy. None of these tracks sound like Country and Western songs, so I'm assuming they are standards/classics in C&W which makes Charles reinterpretation of them so striking, he's placing a big band aesthetic over them, making them feel new and impactful. Charles has great phrasing, he can stretch and hold a note so well. Not many words in some of the lyrics, but he lets them float over the music. He also hold and bend notes so well, to fit to fill the phrasing and tempo of each song. More a fan of the uptempo numbers, but the slower ones show off the versatility of Ray’s voice/tone.

Can see why it was called Modern Sounds, the big band feel, makes it bright, sharp and punchy. None of these tracks sound like Country and Western songs, so I'm assuming they are standards/classics in C&W which makes Charles reinterpretation of them so striking, he's placing a big band aesthetic over them, making them feel new and impactful. Charles has great phrasing, he can stretch and hold a note so well. Not many words in some of the lyrics, but he lets them float over the music. He also hold and bend notes so well, to fit to fill the phrasing and tempo of each song. More a fan of the uptempo numbers, but the slower ones show off the versatility of Ray’s voice/tone.

Can see why it was called Modern Sounds, the big band feel, makes it bright, sharp and punchy. None of these tracks sound like Country and Western songs, so I'm assuming they are standards/classics in C&W which makes Charles reinterpretation of them so striking, he's placing a big band aesthetic over them, making them feel new and impactful. Charles has great phrasing, he can stretch and hold a note so well. Not many words in some of the lyrics, but he lets them float over the music. He also hold and bend notes so well, to fit to fill the phrasing and tempo of each song. More a fan of the uptempo numbers, but the slower ones show off the versatility of Ray’s voice/tone.