Filled with sharp political critiques, this album completely surpassed my expectations. There’s this constant tension of giving and taking hope away. It starts with simple chord progressions, but the percussion and lead guitar make an appearance at the most needed moments. Highlights: "She’s Got Her Ticket": A change in tempo and a total breath of fresh air. "Behind the Wall": An a cappella track in the most "nude" form I can imagine. It addresses domestic violence in a way that almost feels like a haunting lullaby.
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