1001 Albums Summary

1. Band on the run - perfect opening track, every segment builds on the previous, love the crecendo of the bridge that leads into the 12-string. Perfection! 2. Jet - No wonder this is still on the setlist. The opening riffs dark, melicious aura is infatuating before breaking free with the chorus. Rhyming suffragette with jet deserves a bonus point. 3. Bluebird - beautiful melody, vivid percussion and graceful harmonies. Feel like this track is coming in a bit early, a slow track like this should be closer to the end. Full marks for the track, deduction for the placement on the album. 4. Mrs. Vanderbilt - Fun sing-along song, a bit more forgettable than many other tracks, but still fits nicely in the album without feeling like «filler». The chorus with the saxophone coda is also *chef’s kiss* 5. Let me roll it - The song, awesome, the live version, powerful, the studio recording, severely lacking. If they did the intro and chorus with the same power as jet the studio version would be the go-to. At least we have the live version from citi field! 6. Mamunia - I always forget this track is on the album. This is the only real filler song on the album, though short and sweet, McCartney was on a good streak at this point and there could and should have been a better track here. 7. No words - A beautiful, haunting, track that shows that McCartney can write about love without being sappy. The lead guitar effect is also sonically perfect! 8. Picasso’s last words - Iconic track, always great when Paul does a biographical song, really hooks me with the storytelling. The instrumental makes it feel like it’s sang around a campfire, and McCartney invites us into it, pure magic. 9. Nineteen hundreed and eighty five: that’s how you close an album! The scaled riff, the haunting chants, the constant restarts. This is solo mccartney at his finest, perfect ender! If you’re gonna listen to one Wings album, this is it! Definitive McCartney in every way. While it’s not perfect, it has

Amazing opening track. Appreciate the structure of the album, yet the songs do seem to meld into one another, with not as many hooks or memorable moments as he has come to be known for through Bitches brew and kind of blue. Good effort by an outstanding artists, but still, only good!

Cool period-album. Feels like a mix of influences from the 60s in a great way. Nothing really sticks out as fantastic though. It’s aggressively mediocre+. Nevertheless, top tracks include: people, down to zero and tall in the saddle. Not something I’d run to buy at the store, but a pleasant listen. It has all the marks of a great album, it just misses the mark in a way that’s hard to contextualise!