**Super Fly** is so ridiculously atmospheric that you don't even need to watch the movie for it to paint the picture: neon lights, a black Cadillac Eldorado, and streets that only seem to exist after midnight. **"Think"** is the best example of that—it doesn't leave you reflecting on the lyrics you've already heard; it hijacks your attention so completely that, for a few minutes, the music itself is the only thing worth thinking about. Then there's **"Junkie Chase,"** which, if it's actually supposed to sound like a chase scene, somehow ends up resembling two cartoon characters breaking into an awkward dance routine instead. And one thing I really appreciate about **"Pusherman"** is how easily it can be read beyond its literal subject: swap the drug dealer for a dictator or an authoritarian state, and suddenly the song becomes an unsettling portrait of how power manufactures dependence rather than merely describing addiction.
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