While most fans would probably describe Tears for Fears' third album "The Seeds of Love" as their masterpiece, I have a slightly different view. They may have taken production up a notch with "The Seeds of Love", but I believe their songwriting had already reached the very highest standard with "Songs from the Big Chair". As is often the case, my personal history certainly plays a part in my assessment. The songs, sound and lyrics of this album struck a chord deep in the heart of my 17-year-old self. It was music from my time, made by two guys only a few years older than me. The sound of "Songs from the Big Chair", produced by Chris Hughes in a perfectly tasteful 1980s style (so well, in fact, that it still sounds fantastic today), was exactly what I loved back then. Something between Pop and Rock and New Wave. The five singles – “Mothers Talk”, “Shout”, “Everybody Wants to Rule the World”, “Head over Heels” and “I Believe” – were released, in some cases, long before the album. I played “Mothers Talk” and “Shout” on repeat before the album was released. The tracks that weren’t released as singles were by no means inferior; rather, they showcased the band's ever-changing facets – real deep cuts. The clever use of the two vocal parts, both Curt Smith’s tenor and Roland Orzabal’s velvety baritone, is particularly noteworthy, as is the fantastic drumming by Chris Hughes and Manny Elias. I can’t help but reminisce when I listen to the album. But even without the nostalgia, "Songs from the Big Chair" is a piece of music history from a remarkable band.
