‘The Black Saint and the Sinner Lady’ is widely regarded as the masterpiece of Charles Mingus. It was released in 1963, which was perhaps Mingus's most creative year. During this period, he also recorded and released ‘Mingus Mingus Mingus Mingus Mingus’ and ‘Mingus Plays Piano’. Musically, it is classified as 'Third Stream', a fusion of jazz and classical music. Even more than 60 years after its release, the album still feels avant-garde. There are hardly any successors to the album, not even from Mingus himself. Whilst he continued to work on a fusion of jazz and classical music, he never returned to this particular musical language. Free improvisations (or is it composed improvisations?) alternate with chamber music-style moments and big band sequences. With this album, Mingus set himself apart from his mentors, Dizzy Gillespie and Duke Ellington, whilst also creating a sound that was entirely different to that of John Coltrane or Miles Davis, for example. As unique as Mingus is, and as unique as this album is, I find it difficult to fully appreciate it. I like individual sequences, but the free-jazz passages leave me somewhat at a loss. There's simply too much happening at once for me to take it all in. Ultimately, it's perhaps another one of those great classics that everyone raves about but very few can truly understand or appreciate. It's a milestone, but like The Brothers Karamazov, it's a classic that I don't get much out of.