A breezy intro to the title track, then a very cool riff comes in with backing synths, and we transition suddenly to the pre-chorus. I like the melody in the verses too. Jet is more hard rocking, and Bluebird is laid back and understated with a sax solo and vocal harmonies. The sax reappears briefly in Mrs. Vandebilt, but it's the bouncy, rollicking bassline and sing-along chorus that makes the track. Side one ends with a plodding, moody riff and organs in Let Me Roll With It. On side two, we lose some momentum during the quirky Picasso's Last Words, but closer Ninteen Hundred and Eighty Five is as good as anything that came before, built around a simple piano motif. Excellent guitar solo too. The Beatles this ain't, but it greatly exceeded my expectations.