"Steppin' out" just blatantly ripped off part of the melody from John Lennon's "Imagine" at the end. The bass from Steve Miller's "The Joker" is replicated with only slight variation in "Summer and Lightning." There were many, many other moments on this album that felt distinctly familiar, and I'm sure if I cared to listen to the album again, I would identify other connections. (I wrote this and then finished listening, hearing a direct quote of "Rhapsody in Blue" on one of the last tracks.) Musical borrowing is fine and can be really interesting when done well, but hearing it over and over on this album made me wonder if ELO can actually come up with any good ideas on their own.