Really simple productions based off of today's standards, but it was made in 1999, which is cool. It can get really beautiful at parts, with some epic chord progressions out of nowhere. Simple and constant use of samples (usually from blues singers) with a bouncy beat to support it, usually with a bass playing simple roots, a bouncy rythm, fat drums and sometimes guitars, pianos, synths. Nice experimental productions. At the end, the album gets really introspective and conceptual, and Moby really went off harmonically and with his sound design. Col
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