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WireVery very good. Hard to pick out standouts because a lot of the tracks are snippets, but the flow is great.
Very very good. Hard to pick out standouts because a lot of the tracks are snippets, but the flow is great.
This was nice enough, not something I’m likely to return to though.
Some iconic tracks, good vibes songwriting, beautiful production but occasionally schmaltzy. Didnt hear enough in the songs that werent hits to really make me want to come back, but I would never object to anyone playing this.
layered, emotional, sexy. i dig her vibe generally, and like her other records there’s a lot to absorb here. suffers a little from 80s production methods.
is this supposed to be a beacon of country music? i’m likely not tuned in enough to the genre to understand why. didnt like this much
a formative record. was the first time i heard prog rock modernized in a way that felt like a continuation of the genre and not a 70s nostalgia trip.
haunting and powerful
some seminal songs, straight to the point rock n roll. hard to argue with its merits, but its a little basic sounding for me.
contains all the weirdness and humor we come to associate with FZ, but only occasional brilliance.
fantastic. title track contains one of my favorite builds ever.
Very very good. Hard to pick out standouts because a lot of the tracks are snippets, but the flow is great.
still hits after all these years. kickstarted a new wave of rock music in the early oughts.
classic progressive rock. a beautiful record.
now they know how many holes it takes to fill the Albert Hall