Marquee Moon

Absolutely loved this. A revelation for me and if I get 5 albums like this from the 1001 where I know very little and then get educated then it’s worth listening to alll the shit. I hear so many of my fave bands today in this album, the guitar work is special, the tunes are special, I’m only sad it’s taken 45 years to hit my ears ⭐️⭐️⭐️⭐️⭐️

All your favorite rock bands fucking love this album.

Thank you Television for not letting Brian Eno ruin this album!!! They recorded demos of several of the songs and didn’t like Eno’s production. So the band waited for a better suited recording arrangement. I’ve had this album in my library for a long time, and I’ve gone through spurts of repeated listening. I love the guitar work on this album. The twinkling diddle-liddle-liddle-liddle-luh throughout Marquee Moon (song) is a great hook. And the little, repeated licks that go against the grain in several songs, which I found out are called countermelodies, are exquisite. The bass deserves recognition too, like on Elevation and Prove It for instance where it carries the melody at times. Listening to Marquee Moon (song) more closely now, I find it to be an unappreciated master piece. The repeated premature truncation of the chorus on Elevation is unsettling, but in a way I truly appreciate. Have you ever had a conversation with someone about what era you’d want to go back to for the music? Reading more about Television’s history, 1975 at CBGB in Manhattan is now on my list of potential answers. That year, Television shared a residence at the CBGB with Patti Smith when she had just recorded her album Horses. Oh what a time and place to be!

New York, CBGB, 70's. If that trio isnt a 5, tell me what is.

This album is a world unto itself. I've listened to a lot of music, but there's nothing else quite like this. Such a unique and often bizarre blend of post-punk-infused pop with a hint of psychedelia.

Marquee Moon is, of course, the cornerstone of the art punk side of post-punk. They gave an energetic boost to the otherwise very dark and dingy sounds of Joy Division, Bauhaus, The Cure, and....oh, huh? Marquee Moon came out before all those bands? Huh. Well, even if they aren't the cornerstone! They put out some quintessential post-punk. Compositionally unique, it sticks with me even after repeated listens. They'll explore cool new bridges or verses and then move on to another, refusing to stick around too long leaving you wanting more. But then you get even more punk-y goodness that you can forgive it.

No further proof needed of Marquee Moon's mind-altering inventinveness than the fact that a significant number of people seem to think it sounds like the Strokes. Come again?

Meh. I've never been into Television. I don't think that they are bad or unskilled, but it's never grabbed me. If I want to listen to New York style new wave from the late seventies, it's going to look for something like early Blondie.

This album is just an inventive, intricate, and idiosyncratic mix of classic-guitar-hero-dad-rock, punk irreverence, and jazz interplay. I knew I was gonna give it this but this Aussie gives it five runs to Bunnings Warehouse out of five.

A really special record, in my opinion one of the best guitar records ever. Verlaine & Lloyd’s duelling guitars are particularly notable on Friction & Elevation but the epic title track is a thing of wonder. No filler at all here.

Am I missing something? What’s the big deal with this album?

PREFS : TOUT MOINS PREF : RIEN

I am not a massive fan of intricate guitar work, but this album just sings from start to finish. Delicate but tough, lyrical and unique. I love love love Verlaine's voice, and his lyrics, too. There's nothing quite like this album, and that is one of the many reasons I love it.

I actually quite like this album overall. Television is an essential part of that initial, American post-punk exploratory period that birthed bands like Violent Femmes and The Replacements. It's nihilistic and nonsensical at times, sure. But that's just true to its post-punk underpinnings. It also hits with some strong, jazz-rooted drums and more than a few prog-rock-leaning instrumental sections. Is it an amazing album? No. But it's pretty damn good. The title track, Marquee Moon, in particular, is great from both a technical and musical perspective.

Side 1 is post punk perfection. Side 2..... is really not.

Title track still bangs but I realized I find the vocalist a bit too shrill for a full album.

Amazing album front to back, all killer no filler. Truly one of the best albums ever created, not only based on the quality of songs but also the composition of the album itself. Absolutely exceptional album.

A truly classic from the great New York punk rock scene.

This feels like the definition of "proto". Sonically it's roots really resonate far and wide, and in its own right it is surprisingly strong. Plus it fits my flavors in some really strong ways.

Wow. What a find. Never listened to them before but after Venus I knew this album was going to be a good one. I don't throw 5 stars around willy nilly, and certainly not for an album I've only heard once, so this is a strong 4.

Fun, jazzy, angular, theatrical. Your favorite band's favorite album. Paved the way for a lot of great music. Favorite tracks: "Friction", "Marquee Moon", "Elevation", "See No Evil"

Weird songwriting, yet impossibly cool. The lyrics are a masterpiece of tonality. Some of the hooks and melodies are to die for. I have to realise that one of the ways I judge an album is if I want to party with the band. I definitely want to party with Television.

ой классно! -> ой похуй -> что за группа?

This is a pretty great record. Television is a complete blindspot for me but seems like they should be in my wheelhouse. The guitar interplay is great. The vocals aren't amazing but they mostly work in the context of the songs. Cool record.

Not something I would have chosen to listen to, I find this post-punk isn't a good release of anger or sadness or any emotion it just winds you up. I really appreciate some of the guitar parts and the vocals but all together I do not like the songs. I wish the guitar parts, which are really cool and impressive, could be combined with some more melodic parts as well then I would love it. Guitar parts in Marquee Moon for example absolutely gorgeous and so impressive, but could it be put with more melodic instrumentation and then it would be a masterpiece to me, also we do not need 10 minutes of this fuck saaaake. I get why a lot of people think they're amazing though and they seem to have been extremely influential from research (I hadn't heard of Television before). This is apparently one of Tom's favourite albums of all time though...

Enjoyable enough but nothing that makes it standout. Suffers from lots of bands coming after that do it slightly more to my taste.

That's it. I'm done. Fuck this list. This was supposed to be fun, and it has been a slog to get through 80% of these albums. Music shouldn't feel like a chore to listen to. This guy's voice is like nails on a chalkboard

¯\_(ツ)_/¯

An all timer. From the opening chords of "See No Evil," it's clear that Television was forging a new, unique sound that blended elements of post-punk, new wave, and art rock. Side A leads up to the iconic title track, a showcase of guitar excellence. Side B is no slouch, despite perhaps lacking a heavyweight track. “Elevation” opens the second half in a moody fashion with its minor key never letting go of a somber demeanor in addition to that angular, off-tempo guitar recording multiple times in each chorus. "Guiding Light" is surprisingly direct and heartfelt, which hits harder now given Tom Veraline's recent passing. "Prove It" provides some light-hearted fun but is still wound tight as a corkscrew. "Torn Curtain" is an appropriately weighty, minor key closer. Perfection. This album just turned 46 years old two days ago! I even have an enamel pin of the album cover's back. RIP Tom Veraline.

Tom Verlaine’s lyricism on Marquee Moon, influenced by French and Bohemian poetry, filled to the brim with puns, double entendres, and other clever witticisms, could’ve been enough to establish the record as a classic in itself, but then, the interweaving, lyrical guitar playing of Verlaine and Richard Lloyd could’ve done the same. There are very few records I love as much as this one. It has had an immeasurable impact on the way I think about guitar playing, lyricism, even music itself. High praise, I know, but it’s entirely deserved. Standout Tracks: See No Evil, Venus, Marquee Moon, Prove It, Torn Curtain

The Strokes before the Strokes

Bought this in '77 so really know it well, Love Toms work and you can see the influence of Television on the New York Punk scene through later bands like Talking Heads et-al. I Love the Idea that Joey Ramone could have been in the band at one time, wonder what kind of fusion that would have made? Richard Hell was a contemporary who didn't make the cut also, luckily for us as we then got the Voidoids! You can here the influence of The Velvet Underground on this album too. Love "Venus" "Friction" and "Marquee Moon". An influential album rightfully on the list here.

Angular and hooky and melodic and oh so influential, this is music for intelligent folk. It’s also the Rosetta Stone for New Wave and indie rock, a source document that would be plundered in the decades that followed. The vocals are pretty mediocre (and not too pleasant to hear), but the vibes, mood and tempo are compelling, as is the lack of studio trickery. The title track is an epic of understatement, how you can go big in rock without being utterly bombastic – it’s a minor miracle that it was recorded in one track. “Elevation” and “Guiding Light” (oh, the lilting outro) are also fantastic, simultaneously entrancing and ear-wormy. It’s amazing how much they could mine from a pretty simple and straightforward approach. One for the ages and rounding up because they have been criminally overlooked and underrated.

"Friction" is one of the horniest songs I've ever heard. "Marquee Moon" pioneering the brain-fuck off-time guitar part solo intro. Also pioneering self-indulgent guitar wankery at the end of the album

One of my favorite albums. Love every track. So simple yet entrancing and melodic. I think a lot of it comes from its jazz-like structure, despite only using rock instruments. This isn't like anything out there. Explores several themes, none of which overstay their welcome, and never tries to be flashy. Atmosphere is wistful and mysterious, sometimes very dark, which works perfectly with Verlaine's haunting vocals and creepy lyrics. This is best exemplified in "Friction," from the beginning tune to the guitar interludes between every line. It amazes me how each track stands out in these remarkable, memorable ways. It helps that there are only 8 tracks, each deserving full attention. The mixing is as best as it could be, you could hear everyone clearly, as subtle as they may be. A bad production job would have likely dulled the contributions of the drums, which I feel play the major role in carrying the power and tempo in this album compared to most. When the drums change, you know we're moving into new territory. The second side doesn't get enough love. Starting with the garage-style wild opener, it feels like the first few tracks are building up the mood to the titular masterpiece, but we abruptly shift to the post-apocalyptic second half. Again, with each track I can pull out 10 things that I obsess over. And yet there's always a commendation about the vocals, guitar solos, lyrics, and drums... no one's being dragged behind in any of them. "Elevation" carries the themes we saw in "Friction" and "Marquee Moon," but "Guiding Light" really mellows the tone for the rest of the album. When people say Marquee Moon is one of the most influential album to the alternative and indie scene, the song I typically thing of is "Prove It;" there's something so standard about that song that really sets the benchmark of how rock music should sound like, simple yet constantly evolving, with dynamic vocals and solos that naturally come in and out of the song's riffs, closing with an extended satisfying ending. Also, it has the abrupt stops, which is one of my favorite things about punk music. Finally, the album closes with the gothic, eery "Torn Curtain." Absolutely love the yearning chorus and the isolating guitar. Best choice to close the experience.

10 Albums You Actually Need to Hear Before You Die Chapter 7 Gimme Friction: Television’s “Marquee Moon” Back in early 2002, during the height of Strokes-mania in New York City, I was shopping for records in Greenwich Village after seeing a show at the Upright Citizens Brigade theatre on a Saturday night. The shop I was in - I forget the name now, sorry - was in the basement of a three story walk up and was packed to the gills with records. On the counter by the register, the shop owner had a record on display, Television’s Marquee Moon, with a Post-It note affixed to it with these exact words scrawled on it: “Fuck The Strokes - This is the *real* sound of New York City” …and that was all it took to sell me on this record. Thank god for the curmudgeonly record store owners of the world.

Another one of those punk albums that's influenced a lot of my favourite music and more broadly favourite genres. Can hear plenty of Wire in here to the point it sounds like the same drummer. Talking Heads were for sure listening too. Don't get me started on who of my favourites it's touched but Parquet Courts is the clear call out here.

one of my favourite albums oat? and on my birthday? what a lovely little treat

I know this record so well, and have read so much about it, review feels redundant, so I’ll leave three passing observations. 1. The clean, lapidary and chiming sound of the playing camouflages the fact that it really swings. My two-year old went ape over the first minute of the title track. 2. I used to disregard the second half, probably due to the vulnerable tone after the brasher first half; of course, now I might prefer it. 3. If, like I did, you think this is the only Television record worth checking out, here’s some happy news: Adventure and the self-titled are great records, and the live “The Blow-Up” is sorcery, especially “Little Johnny Jewel”.

I could write 10,000 words about how phenomenal this record is. Not only one of the best records of the post-punk era, or even the 70s, but arguably one of the greatest rock records of all time.

I was a tad worried by this album's opening track being a bit too stereotypical rock, but as soon as Venus presented itself (a song I know very well) it was "smooth" sailing from then on. You can hear so much of the DNA found in the music industry in this one album, with complex percussion, fantastic guitar solos/riffs, and lyrical content that seems to actually be trying to say something. That isn't to say none of these things existed in music prior, because obviously that isn't the case, but this album takes all of those features, whether it be its poeticism, or its almost jazz instrumentation, and makes it unabashedly a rock statement. Its almost like the anti-punk, with its long songs and complete and utter dreariness when examining the world and itself, but still has this rebellious energy that can easily be found in New York at the time, but somehow this just makes it feel all so devastating. Very little artists would be able to pull off a song like Marquee Moon, yet Television did it on their first try, and that is breathtakingly impressive. This may not be an album to dance to, or an album to jam out in the car with your friends to, but its still an album to FEEL something with, and considering it bore an entire genre of its own (albeit with some help of the likes of Brian Eno and Pere Ubu years before) its no wonder that this is considered essential listening today. It just strikes you the longer it goes on that you are listening to one of the highest forms of musical art, and I cannot express how amazing yet oddly terrifying that is at the same time.

I've been thinking about how to review this for a while (or "Horses", if it came up first), concerned I would go into an old man rant about how people don't make records like this anymore. I've settled on this: Records of this quality and importance are like elements of the periodic table; once they've been discovered by the pioneers who made them, we should all be happy that Platinum exists, not sad that no-one will isolate it for the first time again. Pretentious, moi?

Great album recommendation. As for someone who likes the Strokes, this album is a gem. Some fine production and guitar works here. Also Venus sounds amazing, currently my favourite song. 10/10 album right here

I have this on vinyl and is played at least once a month as It's one of my favourite albums. You can hear how it's so influential on many other bands.

That "Marquee Moon," guitar riff is so damn infectious it has kept me coming back to this album over and over. Come for that riff and stay for a group of punks that can actually play guitar. I feel like their guitar work was well beyond what most of their fast and loud contemporaries were doing. It was also just really catchy to me. I think Verlaine is a fantastic songwriter as well. Interesting imagery and delivery. That being said I feel like a few of the songs on the back half of this album were just not as fleshed out lyrically and more of a showcase of how well these guys could play guitar. For that I've got to give this one a 4.

Marquee Moon is the debut album by Television, originally released in 1977. Wow, this was good. Pretty much no one sounded like this in 1977. The closest I can think of off the top of my head is Talking Heads maybe? This must've been such a breath of fresh air in the punk/alternative scene at the time. This record has a mix of shorter songs and some longer jams, but it's always interesting instrumentally and lyrically. Television really avoided falling into post-punk cliches that a lot of bands unfortunately were victim of. I also had no idea they were American. This record sounds very British. Very fun listen.

So I was aware of Television and “Marquee Moon” in the late-70’s, but I was way more into blues-based heavy rock, as well as progressive rock back then… That said, I always had a very positive vibe about the band and that album in particular… So this was my first time listening to the album start-to-finish, and I thoroughly enjoyed it… It’s very clear that there is something incredibly original about this album – and there something very special about it as well… For me, the best songs on “Marquee Moon”, sound like the bridge between the traditional rock world as it had progressed to that time – and what would become the alternative rock genre that would follow… Not so much the lyrics, and clearly the vocals are not the strength of the album, but musically is where you can really notice the difference… It is worth noting that the vocals DO fit the music style pretty well – even if they are not the best from a singing perspective… I like that they had 3 shorter tracks on each side, with the closing track on each side, being the longer, more intricate compositions… IMO, the longest tracks are by far the best – but there is goodness throughout… My favorite tracks include – “Friction” – 4-stars out of 7… “Guiding Light” – 4-stars out of 7… “Torn Curtain” – 5-stars out of 7… “Marquee Moon” – 6-stars out of 7… Mainly for the music, and incredible originality… Probably a 3.75 in my book, but because of the originality and significance, I’ll clock it in at a solid 4…

The album generator didn't save my review, so all my lovely readers have been deprived of the genius flow of words that could have so enriched their lives. Who am I kidding? We are all just tiny ants shouting into the void - hear me! I matter! I have value to add! Who am I kidding? Ants all work together as part of an interconnected whole, a community, a society where no one is more important than anyone else, everyone is valuable to the whole and everyone gets on with life without complaining. It's a great album, birthing that New York sound that all your indie kid modern bands love so much. It's not for ants though. They are better than us in so many ways.

Simple melodies yet intricate guitar work. It's a fascinating listen.

A very jagged and angular listen. You can almost feel the elbows digging into your sides as the guitars move up and down the frets. That's the muso wank verdict. And I' not even a muso. But hey! Marquee Moon doesn't require a PhD in the Inky Press to appreciate it. It still sounds like no other album, apart from the endless post-punk copyists that followed... Stick with the best, stick with the original. Superb.

A classic that I came to late, 10 years ago, perhaps. It's a very good album and the guitar interplay between Verlaine and Richard Lloyd is often gorgeous and always engaging. I was tempted to give it an automatic 5 stars for it's reputation and they fact that I mostly think it's brilliant, but...... Tom Verlaine's voice keeps it from reaching the highest score. Now I can usually look past a unflattering vocal performance if the songs transcend the subjectively week vocals and I mostly do, but ultimately I can't quite get to 5. 4 .5 🌟

Another absolute classic which must have been a lightning bolt moment back in '77, perfect marriage of punk sensibilities and aesthetic with the artsy contemporaries like Talking Heads and Roxy Music. 10 minute songs?? Guitar virtuosos?? And from the 70s, but no caped keyboard players or fairytale lyrics in sight?! For me the highlights are all in the first half, in particular Venus and Marquee Moon. The album peaks with that transcendent title track, although the soft and stirring Guiding Light is a highlight from Side 2. A stronger closer would have bumped this to 5* for me but can settle with 4.5* and bottomless admiration.

Another one I haven't listened to in years. I can now hear the influence/crossover of/with peers like Patti Smith and, more than anything, Talking Heads.

could be worse but also rly doesn't need to exist

Protopunk wonderful essence

I saw Television in Birmingham - supported by a group called Blondie…

Iconic and influential album. Going into the album, my expectations were high, because I knew about the album's reputation, and I was already familiar with the amazing title track. Now, after listening to the album, I can say that the album lived up to my expectations. All the songs have great melodies, and even though some of them are long, they don't feel like they drag on for too long. The only complaints I have is that the vocals and the guitar tone doesn't change much throughout the album, which results in some of the songs blending a bit together for the first couple of listens.

some of the most modern rock guitar riffs I've heard so far! The first few tracks had sick lead strums, it is weird to say this sounds like Beach Boys influence? 63'-> 77', maybe that's who TV listened to growing up? Idk Will listen again 10/10

Brilliant.

Great album very influencing

Bien !

Another album I own on vinyl. This album is fascinating for so many reasons. Television emerged in the same scene that gave rise to the Ramones, Blondie, the Talking Heads, and Suicide, among many others. Television doesn't sound like any of those bands (though to be fair, those bands don't sound anything like each other). This album feels both radical and yet very much of its time. It's absolutely stellar both musically and lyrically. Lots of musical energy to provide some grounding for the poetic lyrics. It's another weight on the scale that has swung (very much to my surprise) to the conclusion that the 70s were the best musical decade. 5/5

Truly amazing. The music is way ahead of it's time.

V. good. Punk sound, good vocals + drums

Fucking incredible guitar work. Yet another album that I’d been meaning check out for years that I wish I’d gotten to sooner.

Good one, swift and straight to the heart

Went through a very heavy Television phase in college. It’s the jam!!!

Never listened to before, Know the title track, great album.

This era of 70s post rock or glam whatever you wanna call it was the friggin bees knees. This album is an easy fiver.

Another longtime fav of mine. Lots have be said of this album and it indeed is great. What downt get said as much as how good the guitar playi g is, it's a down right jam album with excellent production.

A classic - still listen to this fairly regularly.

One of the greats right here, the guitar is so influential.

Great Album. Way ahead of its time. Could say it was made this year and it would fit.

I’ve herd this once before and I liked it so hopefully it will be the same quality… See no evil starts off sounding like it won’t be great but after the chorus comes on the song just radically turns into a banger. Venus is a banger especially the instrumentation on here, class! Friction just has like these small extra sounds that make it really cool and the guitars solo is one of the all time best. The 10 minute long title track is the main reason why this album is great though it’s one of the few long songs that is actually so good that you kinda wanna hear even more than you’re given. The bass line in elevation brings that whole song together making it one of the best. Guiding light is a great slow tune but probably the album’s worst but that’s just because of how great the other songs are still great though. The penultimate track prove it is another great display of this album I can’t really say anything that hasn’t been said in this review before but do know I love it. The drums at the start of the final track torn curtain really set the atmosphere for this amazing flawless closer, one of the best songs ever! Yeah this album is amazing no song is bad and while I’ve given a lot lately this is a definite 5/5.

I bought this album in the mid-80's when my local university radio station was clearing their collection when it went off the air. I got this and their second album, Adventure and really didn't get much play on my turntable at the time, but rediscovered these albums in the past 10 years and was blown away by what I've been missing. A post-punk classic, Marquee Moon has been influential to many bands in the 80's, 90's...up until now! The guitar interplay between Tom Verlaine and Richard Lloyd is incredible and the songs resonate with you every listen. What a great record!

Mama likey

Great album. Have it on vinyl. Have listened to it a bunch.

Really, really enjoyed this. Can't believe it came out in 1977, sounded like early Strokes!

One of the greatest post-punk albums of all time. 9.4/10 Best Tracks: "See No Evil" "Venus"

Another one of those albums that I listen to over and over. It is a perfect soundtrack to a hwad clearing walk when I need to get lost in my thoughts.

It's got it all

Truly one of the best

Need on vinyl.

Very cool! I like that kind of music a lot and this was just what i love

the best!!

One of the finest albums of the period

The more I listen to this album the more I like it. How crazy that this came out in 1977?! I only knew the title track before this, and I genuinely thought it was a modern song. I'm vibing with this _a lot_. I may be feeling generous this week but I do love this album.

Opening track was particularly good

Narzekalem na punkowatosc punkowatosci na liscie i lista postanowila odpowiedziec czyms epicko punkersko protoplastycznym, bo albumikiem z 77 grupy zwanej television, na ktorej wczesniej nie bylo mi dane sie poznac, ale nadrobilem i urzeklo mnie to co uslyszalem, nie jest jest to wulgarny energiczny punk pelen buntu polaczonego z darciem mordy i napierdalanka po gitarkach, jeden z najbardziej smothowych punko basow jakie chyba kiedykolwiek slyszalem tworza taka linie melodyczna, o jakiej drumujace melodyje nie moga snic, na to jeszcze wpadaja gitarowe solowki na przemian z kounter melodiami, ktorych istnienie dopiero na tej plycie tak odczulem, bo jakos nigdy nie zastanawialem sie nad kounterowymi melodiami i ich zastosowaniu w muzyce popularnej, a ten album robi dobry how to tego wlasnie wykorzystania budowy melodii, tak jak sugeruje okladka banda liczy 4 czlonkow, dosc klasyczne w punkowaniu, ale tym razem wokalista jest takze utalentowanym grajkiem gitarowym i klawiszowym, ktore kreci solowe popisy, czuc takze ze teksty sa pisane ekskluziwnie przez pana Verlaine, chociaz nie jest to konceptowy krazek, to jednak motywy biedaka grajka hamerykanskiego w duzym miescie czuc dosc bardzo, zwlaszcza po retrospekcyjnym charakterze niektorych trakow, no i narkotykach rzecz jasna, co tez oczywiscie nawiazuje do poczatkow szolbiznesu dla czlonkow telewizji, pisalem ze wokalista robi robote podczas solowek, ale glowny gitarowca wcale mu tutaj nie ustepuje i licytuja sie co trak kto bardziej epickiego solowca wystuka, jeden z albumikow sluchany tylko od poczatku do konca, bo tak wciaga, ale na plejaka dodam ponad 10 minutowego epika ktory najlepiej sprzedaje o czym jest ta plyta, czyli tytulowy marquee moon, do tego dochodzi prove it, elevation i venus milowskom, na ktorej dosc ciekawe chorkowanie sie pojawilo, jak teraz pomysle jak influencyjna to musiala byc plyta, mam przed soba tyle wyspiarskich punkerow, ktore podobny konter plej probowaly ogrywac, gadajace glowy i pozostan w swietle, to tez dobry przyklad influencjowania tym wlasnie materialem, mam nadzieje ze reszta dyskografii jest rownie epicka i energia frontowego zawodnika przetrwala

I'd forgotten how amazing this album is. The hypnotic, driving bass with the guitar work pulling it along. If I'm nitpicking, I'm not totally sold on the singing but does convey masses of character and attitude, and the title track is so amazing and titanic that it overshadows the songs coming after it.

100%. This is a perfect album.

Masterpiece!

This is a great album. Not much more needs to be said, it's simply great.

Absolute classic. This and their live ROIR tape The Blow-Up were mind blowing. It was too bad that Little Johnny Jewel was difficult to get ahold of until the reissue.

Guitar solos galore. Fun.

it was pretty good, 4.5/5

great album

A pop-rock album that I absolutely loved every second of. The instrumental sections of this album are very dynamic and the guitar play goes from garage rockers to experimental. The guitarists complement each other so well and their sound is deeply layered; definitely the highlight of the album. I can understand how some might view the singing and songwriting as subpar or stale, but really its secondary to the music as a whole. I can imagine how ahead of its time this album was at its release, not just for punk rock but rock as a whole. The sequencing of this album is flawless and there is not one bad song on the entire album. Favorite tracks: All; Marquee Moon, Torn Curtain if I had to choose.

9/10

The title song is a highlight on one of the best albums ever - what some players manage to express with a guitar is amazing and still sounds as fresh as ever- but the rest of the songs is excellent as well.