My favourite Zeppelin album - a masterclass in rock 'n roll, and a cautionary tale why you need to rehearse before you go into the studio. This legendary album was recorded AND mixed in 36 hours! It's also one of, if not THE, best debut of all time. Coming out the gate with heavy artillery with the scorching "Good Times Bad Times," which tell you in its first couple minutes why Zeppelin are such a fucking badass band - John Paul Jones' earthshaking bass breaks; Jimmy Pages' pyrotechnic soloes; John Bonham's depth-charge beats and Robert Plant's divine vocals. It also raises some the issue of the dark side of rock music, too, most importantly white musicians ripping off black musicians for profit and without giving credit. I'm not the world's biggest Zeppelin scholar, but I feel like they could've done a better job giving credit where it's due. How many people realize "When The Levee Breaks" is an old blues tune from the 20s? That's sort of the definition of cultural appropriation. Still giving this album 5 stars, though.

My favourite Zeppelin album - a masterclass in rock 'n roll, and a cautionary tale why you need to rehearse before you go into the studio. This legendary album was recorded AND mixed in 36 hours! It's also one of, if not THE, best debut of all time. Coming out the gate with heavy artillery with the scorching "Good Times Bad Times," which tell you in its first couple minutes why Zeppelin are such a fucking badass band - John Paul Jones' earthshaking bass breaks; Jimmy Pages' pyrotechnic soloes; John Bonham's depth-charge beats and Robert Plant's divine vocals. It also raises some the issue of the dark side of rock music, too, most importantly white musicians ripping off black musicians for profit and without giving credit. I'm not the world's biggest Zeppelin scholar, but I feel like they could've done a better job giving credit where it's due. How many people realize "When The Levee Breaks" is an old blues tune from the 20s? That's sort of the definition of cultural appropriation. Still giving this album 5 stars, though.

I'm into it. Nice mix of '50s rock 'n roll, '70s post-punk, and 80s new wave and pop. Best of all possible worlds.

I will now sell three copies of The Beta Bands Three EPs. Im gonna get in my time machine and seed Primal Scream more heavily on Chicagoland radio in the mid-80s and early 90s. Illicit discos will take over backyard punk shows. Buttondown polyester florals will replace hand-me-down bowling shirts. Smashing Pumpkins will lean into 70s light rock and The Bee-Gees earlier, becoming as much of an influence beloved bonehead 70s rock. A new festival circuit begins a solid decade before the Millennial revival.