Hold on to your hats, because this album is an absolute thrill ride from start to finish! If you're looking for high-octane, heart-pumping alt-rock, then "Whatever People Say I Am, That's What I'm Not" is the album for you.
From the very first track, you're hit with a wave of frenetic energy that practically leaps out of your speakers. The opening song is a wild, raucous romp that sets the tone for the entire album. And the energy level doesn't let up from there - the band keeps things cranked up to 11 for the majority of the album.
But don't think for a second that this album is just mindless noise. There's a method to the madness here, and each track is packed with clever lyrics and catchy hooks that will have you humming along for days. And even when things do finally start to mellow out a bit towards the end of the album, the band never loses their edge or their passion.
In short, "Whatever People Say I Am, That's What I'm Not" is a powerhouse album that will get your blood pumping and your heart racing. So if you need a shot of adrenaline in your music collection, this is the album you've been waiting for!
I was a bit unsure of this as I started listening, frankly I think it starts off pretty weak with Jailbreak (an OK song) and Emerald (pass) We then get a couple of great songs in a row including a great love song Still In Love With You. We also hear the famous The Boys are Back In Town, which is the rare live version that I enjoy as much as the original. Ending is a bit weak imho, but not bad overall. Definitely would relisten to a few tracks, but not the whole album.
Ladies and gentlemen, prepare to rock your socks off because we've got a real gem here. Superunknown, the iconic album by Soundgarden, is an absolute masterpiece that deserves a five-star rating and then some.
Let's start with the man himself, Chris Cornell. I mean, come on, his voice is a generational talent. If there was a Mount Rushmore of rock singers, his chiseled chin and chiseled pipes would definitely be up there. And that's not even getting into the incredible range and power of his voice, which can soar to the highest heights and plunge to the deepest depths with ease.
But let's not forget about the guitar work. Holy shredding, Batman! The riffs and solos on this album are out of this world. Kim Thayil, you are a guitar god among mortals. And the rhythm section? Don't even get me started. Matt Cameron is one lucky drummer to have played for both Soundgarden and Pearl Jam, and he brings a thunderous energy to every beat.
And can we talk about "Black Hole Sun" for a minute? That song just fits perfectly into this album like a glove made of velvet and thunderbolts. The haunting melody and chilling lyrics make it an instant classic, and it's no wonder that it's become one of the most iconic songs of the '90s. I used to think it was just okay, but after hearing it in the context of Superunknown, I now appreciate it on a whole new level.
And don't even get me started on "Spoonman." That driving beat and funky rhythm make me want to jump up and dance like a maniac. If you're not tapping your foot or banging your head to this song, then I don't know what to tell you.
In conclusion, Superunknown is a must-have album for any rock fan. It's got everything you could ever want: killer vocals, mind-blowing guitar work, and a rhythm section that will make your heart race. So crank up the volume, put on your dancing shoes, and get ready to rock out like it's 1994 all over again.
If you're looking for dreamy, mellow music to unwind to, look no further than Beach House's Teen Dream. This album is the perfect soundtrack for a lazy afternoon, a productive workday, or a relaxing drive. The songs are infused with a laid-back vibe that will put you at ease and help you escape the stresses of the day. The vocals are ethereal and the instrumentals are mesmerizing, making for a truly captivating listening experience. With Teen Dream, Beach House has crafted an album that is both calming and enchanting, and one that will leave you feeling peaceful and content. So kick back, press play, and let the music take you on a journey to a more tranquil state of mind.
Ah, Technique - the musical equivalent of a time capsule from the late 80s/early 90s. This album is like a melting pot of genres, with songs that blend alternative rock, new wave, and electronic dance in a way that's both exhilarating and sometimes a little jarring. It's like the band went to a musical buffet and decided to try a bit of everything.
While the genre-hopping can be a bit confusing at times, the best songs on the album manage to amalgamate the various styles in a way that feels cohesive and satisfying. "Fine Time" is a prime example of this, with its catchy synth hooks and guitar riffs that are just begging to be danced to.
The one constant throughout Technique is, of course, the unmistakable voice of Bernard Sumner. Whether he's crooning over a slow, moody track like "Love Less" or belting out the upbeat, funky "Run", Sumner's vocals are the glue that holds the album together.
Themes-wise, the album seems to be about finding joy and freedom in the face of adversity - a message that feels especially relevant in today's world. "Round & Round" urges listeners to keep moving forward despite setbacks, while "Vanishing Point" encourages us to embrace change and the unknown.
Overall, Technique is an album that requires a few listens to fully appreciate. But once you get past the initial shock of the genre-hopping, you'll find that it's a fun and eclectic ride that captures a specific moment in music history. So put on your dancing shoes and let New Order take you on a journey through the 80s and beyond!
Not interested in Fascists. Pass.
Peter Gabriel's self-titled debut album, released in 1977, is a groundbreaking work that defies easy categorization. From the energetic "Modern Love" to the haunting finale "Here Comes the Flood," the album showcases Gabriel's unique vision and artistic sensibility.
"Modern Love" is a standout track, with its catchy chorus, driving beat, and classic rock vibe. The organ backing adds a distinctive touch, and Gabriel's vocals are full of energy and passion. The song is reminiscent of the works of Bruce Springsteen or Elvis Costello, with its themes of youthful rebellion and romantic longing.
"Humdrum" is another highlight, with its chilled-out atmosphere and sweeping synth sounds. The song's dreamy quality and ethereal vocals create a sense of otherworldliness, and the production is top-notch. The combination of acoustic and electronic elements is a hallmark of Gabriel's style, and it's on full display here.
"Here Comes the Flood" is a stunning closer, with its epic scope and theatrical flair. The song builds slowly, with Gabriel's vocals rising in intensity as the arrangement grows more complex. The guitar solo is a thing of beauty, showcasing Gabriel's talent as a musician as well as a singer and songwriter.
And then there's "Solsbury Hill," arguably one of the greatest songs ever written. The song's themes of personal liberation and self-discovery have resonated with audiences for decades, and its catchy chorus and memorable guitar riff have made it a classic of the rock canon. Gabriel's vocals are heartfelt and sincere, and the production is impeccable.
Overall, Peter Gabriel 1 is a triumph of experimental rock and pop music, and a testament to Gabriel's unique talent and vision. The album's diverse range of styles and influences make it a fascinating listen, and its songs have stood the test of time. Whether you're a longtime fan or a newcomer, there's something to love in this classic album.
Daft Punk's "Homework" is a classic album that defined an era of electronic dance music. It features iconic hits like "Da Funk" and "Around the World," which still sound fresh and funky decades later. However, upon re-listening to the album, it becomes apparent that these standout tracks overshadow the rest of the album.
While "Homework" was groundbreaking at the time of its release, it doesn't quite hold up to the test of time. The sound is dated and the tracks can feel repetitive or formulaic. That being said, there are still some hidden gems to be found. "Revolution 909" has a catchy beat and "High Fidelity" is a funky instrumental track that showcases the duo's musical skills.
Comparing "Homework" to Daft Punk's more recent album "Random Access Memories," it's clear that the latter has a more polished and cohesive sound. "Random Access Memories" is a masterclass in production and features collaborations with a wide range of talented artists. It's an album that can be enjoyed from start to finish, while "Homework" has a few standout tracks that overshadow the rest.
In conclusion, while "Homework" may not have the same staying power as some of Daft Punk's later albums, it's still a classic that paved the way for electronic music as we know it today. The standout tracks are still funky and fresh, and the album as a whole is a fun and nostalgic listen. It may not have the same listenability as "Random Access Memories," but it's still worth revisiting for its place in music history.
Once in a blue suede moon, an album comes along that not only defies expectations but gleefully shatters them with an almost impish delight. 'Brutal Youth' sees Elvis Costello, the bespectacled punk poet laureate, leap back into the fray with an album that oozes sardonic charm and a mischievous smirk.
From the very first note, Costello and his trusty band of musical mercenaries take us on a rollicking rock and roll joyride. It's as if the snarling spirit of the Attractions has possessed a tight-knit garage band, with Costello's biting wit and lyrical genius orchestrating the chaos like a punk-rock puppet master.
Some standout songs for me start with 'Kinder Murder'. 'This is Hell' serves as the perfect soundtrack for an infernal mosh pit, while 'Clown Strike' lets the listener know that this carnival is not for the faint of heart.
'You Tripped at Every Step' offers a slightly mellower reprieve, with Costello demonstrating his penchant for blending sweet melodies with biting lyrics. 'Sulky Girl' sees our protagonist donning his best sneer, as he channels the essence of 70s punk into a potent and infectious tune.
As we venture further into the album, 'My Science Fiction Twin' blasts us into orbit with its otherworldly tale of doppelgangers and identity crises, while the ironically-titled 'Just About Glad' sends us off with a delightfully sardonic farewell.
In a world where many aging rockers settle into complacency or fade into obscurity, Elvis Costello has not only defied the odds but done so with a triumphant, tongue-in-cheek swagger. 'Brutal Youth' is a testament to his enduring talent and a delightful reminder that sometimes, old punks never die—they just rock harder.
So, if you're in the mood to relive the rebellious spirit of yesteryear, strap yourself in and brace for impact. Elvis Costello's 'Brutal Youth' is a wild and witty joyride that'll leave you grinning from ear to ear, and just about glad to be alive.
Diving into the world of Dire Straits' eponymous debut album, one finds oneself on a rollercoaster ride of musical landscapes. The album, at times, may seem as uneven as the cobbled streets of the Wild West End, but fear not, for there are moments of pure brilliance that shine through like a full moon in a cloudless sky. This 1978 classic may have its rough edges, but that's all part of the charm.
It is within the sonic waves of "In the Gallery," "Wild West End," and "Down to the Waterline" that the band's undeniable talent is most evident. These stand-out tracks paint a vivid picture of the band's raw energy, while also showcasing their extraordinary gift for melody and storytelling. "Down to the Waterline," in particular, serves as an intriguing precursor to the album's pièce de résistance, "Sultans of Swing."
Mark Knopfler's guitar prowess is an ever-present force throughout the album, as he effortlessly combines fingerpicking and flatpicking techniques, creating a unique sound that few rock guitarists can replicate. His signature style feels like a lovechild between Chet Atkins and J.J. Cale, resulting in a sonic hybrid that's both familiar and entirely refreshing.
"Sultans of Swing" is the crowning jewel of this musical adventure, transporting listeners to a smoky bar where a band plays with passion and precision. Knopfler's dexterous guitar work is the star of the show, with mesmerizing licks that dance through the track like a river cutting through a canyon. The song is a testament to Knopfler's innovative playing style and an ode to the beauty of musicianship.
Though the album's undulating nature may leave some listeners feeling a bit seasick, it's important to remember that Dire Straits' debut is a testament to their potential and a window into their creative process. It's a collection of tracks that showcases their strengths, while also highlighting areas for growth. And let's face it, any album with "Sultans of Swing" on it can't be all that dire, now can it?
In conclusion, "Dire Straits" is a ride through the Wild West End of rock music that's well worth the journey. So, buckle up, fellow music enthusiasts, and enjoy the ride as Knopfler's guitar prowess and the band's distinct sound transport you to a time when rock 'n' roll was still finding its footing. And who knows? You might just find yourself humming "Sultans of Swing" long after the album has come to an end.
Ladies and gentlemen, buckle up your blue suede shoes and prepare for a blast from the past! I recently embarked on a sonic journey to the dawn of rock and roll with Little Richard's iconic album, "Here's Little Richard." It was like hopping into a musical DeLorean and finding myself in a smoky 1950s dance hall, jiving to the beat of a revolution.
Now, let's address the elephant in the room: this album is as dated as your grandma's doilies. But that's the charm of it, folks! You're listening to the foundations of rock and roll being laid, and if you can appreciate that historical context, you'll find yourself bopping along to the tunes.
The album is chock-full of classic songs and sounds, like an old-timey jukebox that's been dusted off and cranked up to 11. It's a veritable treasure trove of nostalgia, and I couldn't help but be transported back to the era of sock hops and poodle skirts.
However, like a vintage vinyl, there's a bit of a crackle to this listening experience. While I could feel the energy Little Richard brought to those 1950s dance halls, the vibe didn't quite translate to 2023. It's like trying to do the Twist in a world of twerking – a fun novelty, but a bit out of place.
In the end, "Here's Little Richard" is worth spinning at least once as a learning experience, like a crash course in Rock and Roll 101. It may not be an album I'd return to regularly, but it certainly left me with a newfound appreciation for the roots of the genre.
So, folks, if you're ready to take a step back in time and witness the birth of rock and roll, give "Here's Little Richard" a listen. Just remember to bring your dancing shoes and a healthy dose of nostalgia!
Alright, let's dive into the world of Green Day's Dookie album. This album was a game changer for the punk rock scene and has become a timeless classic that still resonates with listeners today. It's no surprise that you feel nostalgic listening to this album as it truly captures the spirit of the early '90s and the energy of youth.
One of the most remarkable things about Dookie is that every single song on this album is an absolute banger. From the iconic opening track "Burnout" to the catchy "Basket Case" and the raw energy of "She", there's no doubt that this album was made to be listened to front to back. Green Day really hits it out of the park with their musicianship and songwriting, bringing together a cohesive sound that combines punk rock, pop, and grunge elements in a way that feels fresh and exciting.
As you mentioned, the standout member of the band is the drummer, Tre Cool. His speed and precision on the drums are truly something to behold and add a unique flavor to the overall sound of the album. The guitar work from Billie Joe Armstrong and Mike Dirnt is also excellent, with each member bringing their own distinct style to the table. The result is a band that sounds like they've been playing together for years, even though this was only their third album.
But it's not just the musical talent that makes this album so special. The lyrics and themes of the songs really capture the feelings of being in your early twenties and dealing with the general malaise of life. Tracks like "Longview" and "Welcome to Paradise" explore themes of boredom and frustration, while "She" and "F.O.D." deal with the ups and downs of relationships.
Now, let's talk about the elephant in the room - the infamous hidden track. While some may argue that it's a throwaway song, it's important to remember that this was a common practice at the time. It was a nod to the era where fans were used to waiting through minutes of silence to hear something extra at the end of an album. It may be jarring to hear it slapped onto the end of the last song, but it's all part of the experience of listening to this album and adds to the overall charm.
In conclusion, Dookie is a punk rock masterpiece that has stood the test of time. It's an album that captures the energy and spirit of the early '90s while also exploring the themes and emotions that are universal to all generations. Green Day's musicianship and songwriting are top-notch, and each member brings something unique to the table. Whether you're a longtime fan or discovering this album for the first time, Dookie is a must-listen that will leave you feeling energized and nostalgic all at once.
Had a really hard time getting through the album. I felt the recording quality was poor and the music was just not my taste.
I thought it was"Elastica" by Elastica is a very generic album that embodies the typical Britpop sound of its era. The only real standout track is "Connection", which features a catchy guitar riff and an infectious chorus. Overall, the album is okay for background music with a bit of energy, but it's not an album that I would actively seek out to listen to again. The music video for "Connection" captures the same level of energy and excitement as the rest of the album.
Ladies and gentlemen, buckle up and prepare for a journey down the yellow brick road to the Emerald City of Rock, where the Wizard of Pop, Sir Elton John, graces us with his most iconic album to date. As we embark on this magical musical adventure, we'll reminisce on classics, uncover hidden gems, and perhaps even find a few tracks that didn't quite age like a fine wine.
As soon as the needle hits the vinyl, you're instantly captivated by the opening track. With its epic feel and a touch of flamenco flair from those ever-charming castanets, it's clear that we're in for a treat.
This album is a treasure trove of classic hits, including "Candle in the Wind," "Bennie and the Jets," "Goodbye Yellow Brick Road," and "Saturday Night's Alright," which are sure to get your toes tapping and your heart swelling. But don't be fooled, my friends – the magic doesn't stop there. This auditory wonderland also houses some criminally underrated gems like "Grey Seal" and "I've Seen That Movie Too."
Alas, every album has its kryptonite, and this one is no exception. A few songs, such as "Jamaica Jerk-Off" and "Your Sister Can't Twist," may have you reaching for the skip button. Time hasn't been kind to these tracks, and they might leave you wondering if the Wizard of Pop was temporarily dethroned during their creation.
Ultimately, this album is a beautiful, glittering snapshot of the 70s. It may have some quirks that stand out like a disco ball in a minimalist living room, but its nostalgic charm and timeless appeal make it a must-have addition to your collection. So, dust off your platform shoes and oversized glasses, and let Sir Elton whisk you away to a land where rock reigns supreme and the yellow brick road never ends.
Depeche Mode is a lot of hit and miss for me, and this album was a lot of miss. I did like "Never Let Me Down Again" probably the most out of all the tracks, although Agent Orange gets bonus points for sounding like the soundtrack to Terminator 2.
Nice low key music to have on in the background. I don't know enough about the genre to comment on the quality but I didnt mind listening and would go back.
Heavy AF.
Fun to listen to on occasion, but not heavy in the rotation. Music wise it is fantastic, I just can't deal with the screamo stuff!
Honestly shocked at how much I enjoyed this album. The whole album has a very specific sound with the synthesizers often using the same voice, and I think put through effects pedals. I love that he uses a real drummer as it really adds a different sound to the usually synthpop sounds.
Complete banger.
Fairly generic 60s rock. I didnt think it was anything amazing.
What is there to say, one of the most perfect albums of all time. Filled with raw emotion, hurt, and love... and some of the best diss tracks in music history.
Ministry's "Psalm 69": A High-Octane Thrill Ride Through Industrial Chaos
If you ever wondered what it sounds like when heavy metal thrash and club music have a lovechild, Ministry's "Psalm 69" is your answer. This album isn't just music; it's a full-throttle experience, akin to an action-packed scene set in a gritty, neon-lit nightclub.
The standout track "Jesus Built My Hotrod" is well-known and for good reason, but it's the unexpectedly mellow "Scare Crow" that steals the show. It's a groovy oasis amidst the album's frenetic pace, earning a well-deserved spot on any "Bad Ass Slow Rock" playlist.
While "Psalm 69" might not be an album you'd play from start to finish on a regular basis, it's perfect for those 2 AM drives when you need something to electrify the night. It’s a classic example of industrial music’s raw power, weaving together the relentless energy of metal with the pulsating rhythms of club beats.
In short, Ministry’s "Psalm 69" is for those who like their music loud, intense, and unabashedly bold – a perfect soundtrack for the nocturnal adventurer.
Coldplay's "A Rush Of Blood To The Head" is like a nostalgic journey, a time capsule that transports you back with its chill, early 2000s vibe. The album opens strong, frontloaded with iconic tracks like "The Scientist" and "Clocks," which are as recognizable today as ever – thanks in no small part to that unmistakable piano riff in "Clocks."
However, this album is more than just its hit singles. A track like "Daylight," the least listened to on Spotify from this album, stands out with its captivating string section, proving that Coldplay's strengths lie beyond their simpler, pop-oriented tunes. This contrast between their more developed tracks and the popular hits showcases the band's ability to weave complexity into their signature sound.
The core of Coldplay's appeal, however, undoubtedly lies in Chris Martin's distinct vocal quality. His voice adds an emotional depth to their music, though not every experiment with it hits the mark – as noticed in "Green Eyes," where the prolonged notes might feel a bit grating.
While the album doesn't necessarily feature standout lyrics, it's the overall sound and feel that leave an impression. It's the kind of album that's worth putting on rotation, not just for the well-known hits but also as a soothing background ambiance.
"A Rush Of Blood To The Head" is a testament to Coldplay's enduring appeal, balancing pop sensibilities with more intricate compositions. It's an album that will likely appeal to both long-time fans and those new to the band, perfect for both attentive listening and as a soundtrack to your day.
From the moment the needle drops on Billy Joel's "The Stranger," it's like stepping into a world where every song is a mirror, reflecting back fragments of our lives. Having spun this album countless times, its familiarity breeds not contempt, but deeper appreciation, especially for its first seven tracks, each a standout in its own right.
The title track, "The Stranger," resonates deeply with me, echoing the multitude of 'masks' that we all wear. In my profession, at home, with my kids - there's a different face for every occasion. The real me, much like the real anyone, remains an enigma, a sentiment Joel captures with a haunting poignancy.
Then there's "Vienna," a track that feels like a life lesson set to music. The line, "You can get what you want or you can just get old," is a stark reminder of life's fleeting nature, urging a slower pace, something that's often lost in the hustle of our daily routines.
A fascinating aspect of "The Stranger" is the contrasting portrayal of relationships in "Just The Way You Are" and "She's Always a Woman." The former, often seen as a sweet serenade, subtly reveals a man’s desire for an uncomplicated relationship, averse to change or challenge. The latter, mistakenly swooned over as a love song at concerts, actually paints a picture of a rather difficult woman. This misinterpretation by listeners adds a layer of irony to the album's exploration of relationships.
However, perfection is a tricky business. If "The Stranger" had concluded with "She's Always a Woman," it would have been a 10/10 masterpiece. The addition of "Get It Right the First Time" and "Everybody Has a Dream" feels like an unnecessary epilogue to an otherwise flawless narrative. These tracks, while not inherently bad, don't match the emotional intensity and introspective nature of the preceding songs. They disrupt the album's flow, transforming what could have been a perfect score into a slightly flawed classic.
In summary, "The Stranger" remains a profound and deeply personal listening experience. It's an album that speaks to the multifaceted nature of our identities, relationships, and the passage of time. While it might fall just short of perfection, its impact and resonance are undeniable, securing its place as a timeless piece in Billy Joel's discography and in my music collection.
Listening to Prince's '1999' is like being invited to a wildly eccentric party thrown by a musical mad scientist. Released in 1982, this album showcases Prince's experimental genius, blending synths and drum machines to create a sound that's both a product of its time and a glimpse into the future.
The album’s use of synths and drum machines, signature elements of the 80s, give it a slightly dated yet charmingly nostalgic feel. You can't help but wonder how these tracks would sound with the sleek polish of modern technology, but there's an undeniable raw energy in this vintage production that's captivating.
True to its era, '1999' is a party album at heart, weaving themes of celebration, hedonism, and a hint of existential dread, particularly in the title track. This blend of carefree revelry with deeper musings reflects the spirit of the early 80s, making the album a vivid snapshot of its time.
While '1999' predates my own memories, it doesn’t evoke personal nostalgia but rather a curiosity about the era it encapsulates. I can't help but feel that experiencing these songs live, with The Revolution bringing their palpable energy, would add a new layer of vibrancy to an already dynamic album.
Prince's '1999' stands out as a testament to his innovative spirit. While it firmly belongs to the era of shoulder pads and neon, it's a fascinating exploration of a musical genius at play. It's a party in a disc, a funky, quirky journey that leaves you intrigued about the past and excited about the magic of live performances
If you are like, "That cover looks bad ass" then you'll love this album, it evokes that vibe.
So, as a die-hard fan of Pink Floyd's "Dark Side of the Moon" and "The Wall," my journey through "The Piper at the Gates of Dawn" was like stepping into a time machine - one that was a bit tough to navigate.
This album is a testament to Pink Floyd's roots, showcasing the embryonic stages of their evolution. It’s dominated by Syd Barrett's unique style, a stark contrast to the band's later works. His influence is a constant presence, offering a glimpse into what Pink Floyd was before they became the band that many of us know and love. It’s a piece of history that shows where they started and hints at where they were going.
However, the vibe of the album is undeniably dated, and at times, it ventures into territory that feels, well, corny. The psychedelic sounds and whimsical lyrics about buttercups and unicorns are far cries from the introspective and philosophical themes of their later albums. It's like listening to the teenage diary of a band that would grow up to write epic novels.
I would recommend "The Piper at the Gates of Dawn" to Pink Floyd fans as a once-off listen. It’s important to experience where the band came from, to appreciate the full spectrum of their artistic journey. But once you've taken this trip back to the 60s, you might not feel the need to take it again.
What to say about this album? It is one of the best rock albums produced. There are a many different explorations of classic American forms of rock music on this album, mostly done masterfully.
This is an album everyone should listen to at least once (and probably many times after that)
Fairly generic R&B from the 90s revival era. Not bad background music for the house or bedroom.
