Roots

ROOOOOOOOTS BLOODY ROOOOOOTS

Ok This is so fucking good. Best Metal album yet! Holy Shit so much creativity. And the energy is absolutely off the charts, would love to mosh to these guys.

‘You’re probably gonna think I’m crazy, but I’d like to record a concept record and it’s gonna be recorded with the Brazilian tribes’ - Max

There are some interesting things happening rhythmically here and the riffs are pretty heavy and fun, but I just can't cope with the vocals. The older I get the more trouble I have with such abrasion. The gutteral shrieks and howls just turn me off.

Ah, now we're talking. Compared to other albums here, we'd need a truckload of stars to make this album justice. Damn good stuff

I can honestly say I’ve never heard anything in my life quite like ‘Roots’, across metal, or any genre really. It’s dripping with atmosphere and leans heavily into its Brazilian heritage: for example, I love that ‘Ratamahatta’ is sung in Portuguese. Or that the band went out to central Brazil and recorded with the Xavantes tribe, and that that music appears on the album. Or that they incorporated native instruments into the music: you can really hear the samba rhythms in the drumming across many parts of the record. It’s not perfect, but ‘Roots’ is ambitious and creative, brutally exhilarating, raw, and primal in a way many albums and artists are not. It’s a record that still floors me nearly 30 years after I first heard it.

The metal choices on this list all feel like the contributors haven't listened to a metal album in 25 years. It has big "how do you do, fellow kids" energy. This album, though, is one of the best metal albums to grace this list. Unlike the hordes of painfully obvious inclusions, dated choices, and household names, this album continues to hold up. Five stars.

A fantastic blend of traditional Brazillian music into groove and nu metal. Even a little death metal influence in there. I haven't listened to this record in a very long time, I forgot how much I loved it.

4.7 - Wow, I had very low expectations for this (yet another nu metal album?!) but I actually think it's amazingly innovative. Somehow the fusion of indigenous Brazilian beats and instruments, corny and misguided as it may look on paper, actually comes together and provides for some amazing moments. I especially love the instrumentals "Jasco" and "Itsari" that act as a sort of intermission in the middle of the record. Unlike other nu metal records I've listened to, this one is almost absent of the "I-hate-my-stepdad-and-want-to-kill-everything" vibe. Instead, Sepultura takes on headier topics such as civic disobedience ("Ambush" and "Dictatorshit") and ecological decline ("Endangered Species"). The record ends on a high with "Canyon Jam", a drum circle that sounds like it was recorded in the middle of the Amazon under the moonlight.

I'm a big Sepultura fan and I listened to this just a few days ago in the car. So not actually going to listen again today... although coincidentally, as I load this project today I'm watching a live video of them from 1996 and tons of Roots material is on it, so eh. Normally I'd rate it in relation to the rest of Sepultura's (Max-era) catalogue and it'd get a 2 or 3; compared to their previous albums it's too long and half the songs have a dumb jam feel to them. When it came out I wasn't surprised it sounded like it did, but I was still disappointed - I knew there was zero chance it'd sound like Arise, but I was hoping it'd be more like Chaos AD than it was. The nu-metal sound was just everywhere, all my favourite bands seemed to be doing the mid-90s in a way I didn't like and I remember hearing Roots and thinking "oh for christ's sake, Sepultura as well?" These days I like it more than I did in 1996 (and the title track has always been A+) but it's still at the bottom end of their catalogue. I gave up on Sepultura after this album, simply because Max left the band and the album after it was just crap. I do have to give Kisser, Paulo and Green a tip of the hat because they've stuck at it for so long since, and their last album is actually really good, but I'm just a Cavalera tragic at heart. Roots was basically end of the line for me. But then again, compared to the absolute SHIT this project throws at me 6 days per week, Roots is a fucking masterpiece. I'm not judging it by other Sepultura albums today; I'm rating in comparison to the same late 60s folk/pop/rock yawnfests I hear over and over every day. And on that scale, Roots gets a 5/5.

I've listened to about 70 albums of the 1001. This is my biggest discovery yet. Once I got used to the screaming I was amazed by the guitar work. There's a lot of "the prodigy" vibes. So many great riffs I often wish they would repeat them more often. Then the latin folk mix in Ratamahatta got me convinced fully. I even showed to my wife and kids who also digged it. Not sure we would listen to it as a family but they "got it". Highlight: Bloody Roots, Ratamahatta, Jasi/Itsari, Canyon Jam.

For a genre I don't normally listen to, this slaps. Can deny the talent of the band.

Music is pretty good if a little hard for my tastes. The raw guttural screaming that passes for singing is just not to my taste. I have to admit that musically there's some pretty impressive playing. 2.5

me before: no metal bands Sepultura: ROOTS! BLOODY ROOTS! me after: one metal band

What an album!

Rooots!

So angry with good flow.

Groovy fucking metal. This hits hard with a sound that sits at home.

I haven’t heard Sepultura since high school, and I forgot how great they sounded.

Used to listen to this and Chaos AD with some friends in high school. A most unique fusion of musical elements and influences. I dare say one of the most creative and adventurous metal albums of all time. An album that brings the modern and traditional together in a deep and meaningful way.

So outside of my comfort zone. So interesting.

A excellent blending a traditional music and heavy metal. A mix few have ever even tried for, let alone achieves at this level.

Raw fury!

All the stars aligned to make this a perfect Monday morning album. Sounds counter intuitive but for some reason it all fell into place perfectly and set me up for a solid week.

FINALLY some metal.

embarrassing I haven't heard it before great start to the next three years :))

Man I love this album, it is definitely in consideration to be my favorite metal album. The louder you make it the better it sounds! Air drumming and stank face can also increase your enjoyment of this album. Everything on this is so heavy, the last 2 minutes of Roots Bloody Roots is some of the best/heaviest music ever recorded (I have been listening to this song basically once a week for the past 5 years). Max Cavalera's vocals are crazy and he may be my favorite metal vocalist primarily due to this album. And of course I can't forget about all of the indigenous Brazilian instruments and chanting, it is such a creative and unique sound. The only thing I can say negatively about this album is that they probably could have cut a song or two in the second half for better pacing, but I love them all so I don't really care. Also my vinyl copy of this album has demos on side 4 instead of Canyon Jam, so that is kind of a bummer (but it does have Kaiowas so that is a plus). Also shout out to Johnathan Davis and Mike Patton on Lookaway

With a mix of samba, soca and baticsds and lyrics in portuguese and english and including indigenous music this is easily top 3 of the greatest death metal albums ever and shows us the diversity Brasil has. At the highth of their musical career it shows how much they matured as musocians not just showing off their insane musical ability but actually making better arrangement choices and understanding only playing fast and with range it makes a good death metal song. Inviting other musicians from around the metal scene using their fame to spread this album and push sales around the world which it did. Its really hard and intense but very well done. Having 2 classical guitar songs right in the middle of the album lind of like an interlude to have the listener relax and rebbot the brain for the second part of the record which is even more intense than the first part. Great move by the producer. Sound of recording is clean and crispy

This is so fucking sick. Makes me want to bench press a blue whale. Heavy, but not in that annoying "SATAN BLOOD DEATH! MY PARENTS ARE GETTING A DIVORCE" kind of way (Looking at you, Slayer). Mixing the screaming and insane guitars with Brazilian tribal music somehow works incredibly well. Favorite track was either "Ratamahatta", "Endangered Species" or "Roots Bloody Roots". Honorable mention goes to the 13-minute bonus track "Canyon Jam". A 2.76 global rating? Made me think I was going to be listening to Poundland Megadeth or something.

So primal. This album rules.

I love this album, though a lot of that is for nostalgic reasons. They really jumped on the nu-metal bandwagon with this album, but 16 year old me didn't care about that in 1997, I just loved playing this and Chaos AD over and over. In addition to being a gateway metal album from my formative years, Sepultura was also one of those bands that kind of opened my eyes to a wider world beyond the small conservative community I grew up in. To this day, I just love Max Cavalera's voice, and Igor Cavalera varies up his drumming so much that even songs with the simplest riffs end up being some of the most dynamic.

"Roots" is the sixth studio album from Brazilian heavy metal band Sepultra and the last one with vocalist and rhythm guitarist Max Cavalera. I was expecting a lot to hate about this album. Oh, and there is a lot of hate in this album but I actually found quite a bit to like. It figures. Sepultra is classified as both groove and nu metal. I think that's what scared me is that I don't like most nu metal. I heard both but more in the groove metal category which is more tuned-downed guitars, slower tempo and screeching/raspy lyrics (Pantera). This album continues where their album "Chaos AD" left off with slower and more latin tempos and goes further into Brazilian music rhythm and textures. The band actually went into the rainforest to write and record with the indigenous Xavante people which had a major influence to the lyrics and music. The percussion and rhythms are definite highlights in this album. The assault starts with their first single as well, "Roots Bloody Roots." Grinding, nu metal guitar. Great guitar solo and percussion. Angry, angry, angry...about saving culture. The second song and single "Attitude" continues the anger but starts off acoustically. Massive drumming. The later-song guitar is more in the groove metal area which I liked better than the previous song. The third and final single "Ratamatta" has chanting in Portuguese, multiple and tribal-type percussion and appearances by Korn drummer David Silveria and Brazilian singer/musician Carlinhos Brown. No let down on the second half of the album. Both "Born Stubborn" and "Ambush" hit hard with the guitars, percussions and themes of culture and the environment. Maybe the most interesting song on the album is "Itsári" recorded with the Xavante people...huge percussion, tribal chanting and a sitar. There is a lot going on in this album. It is hard and loud, definitely not for everyone. I am not big fan of either nu metal or groove metal but this album especially adding the percussions and added rhythms has to one of if not the best in that category for me.

Really solid metal album

Beaten with a Brazilian bludgeon

Max to the Max.

Loved this album as a youth, Brazilian death metal band bringing in a tribal sound to their recordings. My neice recently got into Megadeth and other 80/90s metal so I got her this, perhaps a little too much for her yet. I still very much enjoyed it which I cannot say about a lot of my old cds

One of the more unique yet intense metal albums I've heard. Their Brazilian roots are incorporated into the music in such a fun, clever way! It was cool to hear!

In my opinion, Roots is not just an album by a mature ensemble, but an avant-garde work whose songs are well thought out. (7/10) FT: Roots Bloody Roots, Ratamahatta

The vocals are so clear in this mix. i think its because the kick drum is so soft on the attack. Roots, Bloody Roots has my attention. Ratamahatta is a real cool groovy. Ambush has some classic hardcore metal gang vocals. I feel like I am obligated to take off a star because of a 12+ minute album closing canyon jam session, though one of the instruments is a gun?

Heavy and groovy as fuck with some great touches of Latin music to make it stand out more than your standard nu-metal. It's a bit on the long side but I had a great time with this!

Heavy and without the chaotic non-sense nosebleed-causing ruckus of other hardcore/metal bands, "Roots" is that dirty clean type of metal where the growling and screams might actually have an intelligible word here and there. In this reviewer's experience, metal generally was a pre-game music choice or something to encourage aggressive focus. Sepultura's "Roots" fits that bill. Melodic and heavy, the sounds/songs are progressive and orderly, yet when it is time to go a bit harder, so is the listener. While Sepultura certainly does not stand alone in achieving this kind of balance between the chaotic expression of metal and the demanding order of focused aggression, it should stand out that they do it very well.

The best Sepultura album. The way it mixes thrash metal with the groove elements is still unparalleled.

This album goes through so many different subtle changes in metal genres. Great Album. Some tracks don't hit as well as others though.

While I’ve never been a fan of Death Metal I have to say I was impressed with the range displayed on this album, no doubt influenced by the many guest musicians who contributed. The Brazilian rhythms really added a unique context. Roots exceeded my expectations.

It's anyways tough for me to get past screaming vocals, but when I was able to, there was some very interesting stuff happening on this album rhythm and instrumentation wise.

Our second from Sepultura, and I like these guys! I'm still not much of a metal head, and there's a good bit on here that's not really my style or gets a bit monotonous, but they really do rock. I especially like the tracks on here with a native spin. The acoustics guitars on "Jasco" and the chanting stuff on "Itsari" are really awesome. If the album had another track or two like those I would've rated this even higher. But god bless 'em, cool to get a Brazilian metal band not once but twice on here. Bumping this to a four-star because it's just really cool. Favorite tracks: Jasco, Itsari, Ratamahatta, Roots Bloody Roots. Album art: Very disturbing, what seems to be a severed head of a woman, with lots of tattoos and roots all around. Visually, the roots are really creepy, they remind me of the disgusting tendrils that the Last of Us zombies have. But thematically, it's excellent, because it's a tribute to both the urge in metal to make things scary or gross, but also the musical roots that are apparent in the songs I loved. 4/5

Heavy, heavy. A lot of screaming haha. I saved a few songs (Roots Bloody Roots, Ratamahatta, Straighthate)

Wow, this certainly shook the cobwebs off this morning! I've heard of Sepultura but never listened to them until now. What a great surprise! Incredible amounts of energy and anger here, but also much more melodic than I expected. I always imagined they were more in the "unintelligible-gutterally-screamed-lyrics" sort of territory. I've only listened as far as Itsári so far, this is another long album from this generator. That seemed a good place to take a break. I'd give an 8/10 so far. Finished the rest of the album, it did not disappoint! Although the 13 minute long meditation style song at the end may have been a bit unnecessary, still a solid 8/10 for me that I will definitely come back to.

Sepultura \m/

Rattamahatta

heavy

Not bad, I didn't know them so much.

This album was very good… once the monster voice metal stopped. Otherwise not.

Pretty solid metal with a cool Brazilian influence!

I liked this more than most Death Metal. Guitars and drums were awesome. If they could just take out the vocals I would like this alot more. Really gets annoying having someone scream growling the whole time.

The music is pretty good but the “singing” ruins it

una gran confusione, ma meglio di quanto mi aspettassi

Cool metal album with an interesting little indigenous flavor. Unfortunately, it drags on a bit too much and lacks highlight tracks. Simply not condensed enough to stand out.

I admit that death and thrash metal is a bit of a guilty pleasure. I don't love the screaming but I love the frenetic guitar playing and booming bass lines. So Roots Bloody Roots hooked me in, and the singing made me wonder if I should stay hooked. Another issue with this genre is that it all kind of sounds the same. And I don't just mean this album - yes, some songs sound similar to each other but also to so many other Slipknot, Disturbed, etc. albums. Mixing in some Brazilian / Latin music (and bongos!) gives some songs a different feel, but absent those features it can get monotonous. Ratamahatta was pretty unique actually with its use of Brazilian sounds; didn't always love it, but kudos to the band for doing something different. Conversely, I really liked the mix of thrash and Brazil in Breed Apart, but the final moments with distortion was truly irritating. Loved the music in Straighthate, needed some melody somewhere though. Got kind of monotonous from there for about 5 songs. Jasco and Itsari changed it up with some nice acoustic, almost classical Spanish guitar playing. Showed a bit of chops there. Good album as far as death metal goes, need less screaming though.

Listening to the daily album pick has become a bit of a ritual with my wife as we unwind from a long day. For once, I’m glad she’s not home for this one—Sepultura’s Roots is an intense ride. My first memory of hearing the band takes me back to 1997 when I witnessed them live at a massive summer festival in Italy. Surrounded by over 100,000 fans kicking up an almighty dust bowl, that chaos instantly earned my respect. Produced by Ross Robinson—ubiquitous in the late '90s—Roots embraces many of the nu-metal tropes popular then. However, what sets it apart is Sepultura’s incorporation of traditional Brazilian instrumentation that makes it immediately clear who you’re listening to. The opener, "Roots Bloody Roots," remains an undeniable classic. Its iconic chorus and memorable guitar progression are instantly recognizable to a generation of MTV rock fans. Yet, that relentless assault can be overwhelming over the album’s hefty 1 hour and 12 minutes, which is a shame because some of the more interesting moments are interspersed in the album's tail end. Perhaps it’s a sign of getting older, but I find the abrasive vocal style harder to digest nowadays. Still, this is the first non-European/American album I’ve encountered from the list, at least offering an intriguing change of pace. While Roots may not be an easy listen, it reflects a time when a band from Brazil travelled the world and kicked everyone's ass. Repeatedly. Did/Do I own this release? No Does this release belong on the list? Unsure Would this release make my personal list? Not for me Will I be listening to it again? It's not something I find myself wanting to revisit, but that doesn't diminish my respect for the band.

Oh, Ross Robinson. The producer responsible for what most consider to be the worst Cure album (that said, it’s still a Cure album, so it’s better than a lot of stuff out there). Nu metal was never really my jam. I went through a brief period of listening to Linkin Park and Disturbed … fine, I’ll admit it, I owned a Limp Bizkit album too. But I never got into Korn, with the exception of Davis’ work on the Queen of the Damned soundtrack. And I was definitely not into the really growly stuff that came later (Slipknot, etc.). So, the vocals on this album are difficult to get used to. And a lot of the music sounds very similar. It's somewhere between thrash metal and nu metal. If you’ve listened to Pantera, Metallica, Korn, or Limp Bizkit, you’ve heard the heavy power chords a million times. What is cool about this album: the indigenous influence sets it apart and makes it sound different from all the other cookie cutter nu metal. The drums on songs like Ratamahatta, the guttural throat chanting on Ratamahatta and Lookaway, and the flutes on Ambush are pretty cool, although the cadence/rhythm of the scatting is still reminiscent of what Jonathan Davis and David Draiman would do (I wonder if they ripped it off from Sepultura). The concept of the album’s lyrics is also cool. These songs are about the oppressed indigenous and poor of Brazil rising up and taking back what was stolen from them. It’s the anger of nu metal channeled into something meaningful rather than just angry white dudes who seem angry for the sake of being angry — more Rage Against the Machine than Limp Bizkit. The execution of the lyrics isn’t always the best — some of the words are pretty cheesy and simplistic, and I’m not sure how much of that is down to language barriers and how much is just down to the limitations of the genre. Portuguese always sounds cool, so while I don’t know what they’re saying, the non-English songs are fun. Jasco and Itsári are probably the coolest songs on the album. Acoustic guitars, tribal drums, and traditional chanting take over, and the album takes a more mellow turn for a bit. It’s nice to get a break from the screaming and bravado for a few minutes and hear a more vulnerable side (as well as the true musicianship) of the band. Then with Ambush we’re back to the typical nu metal, though the tribal drums reappear at the end. The closing track Canyon Jam is … really weird. It’s basically 12 minutes of ambient sounds and tribal instruments made to sound like guns firing and saws (?). I get the symbolism they’re going for, and while it’s cool, it’s not the most enjoyable listen (but then again, that’s probably not the point). 3/5 (maybe a 3.5) — it’s an interesting concept, and I suppose they deserve kudos for being one of the earlier pioneers of nu metal, but it’s probably not something I’d listen to again (aside from maybe a song or two).

The mix of thrash with Brazilian instruments is interesting but overall not my thing. Took some points off for the length of the album

Brazilian heavy metal. Loud, aggressive, precise, definitely virtuosic. But despite all their rage, I just don’t feel the music.

Fun fact: for probably close to a decade, I've thought Sepultura was Canadian for some reason. Turns out they're Brazilian. Huh. Anyways, this was quite the aggressive listen! Tons of energy, no doubt, and some of the earlier tracks had some fantastic riffs. Some of the more tribal sounds on display were kind of neat too. That said, 72 minutes is a long-ass record when it's this heavy. And what was that last track? 13 minutes of instrumentation that sparse isn't for me. I didn't hate this listen, but I just don't see myself ever listening to it again. If it was half as long, it would have easily earned 3 stars.

Yo…the 90’s were fucking weird, man. Don’t take that as an indictment of this record, that’s not how I mean it. What I mean is that the 90’s, at least in the US…it felt like the sky was limit, like you do anything and there was a pretty good chance it could be huge. I don’t know if that really tracks for people who weren’t alive or cogent enough to experience that decade, but just think about the musical landscape throughout the final decade of the 20th century: grunge/alt/indie rock all exploded, hip-hop at a peak, electronica, punk and ska, nu-metal…shit, even swing music had a comeback in the 90’s. The level of creativity in that decade feels like it’s been unmatched since. Everything feels a lot safer these days, like people aren’t willing to take chance on things. It’s why there’s 900 Marvel movies…it’s a known quantity, consumers know what it is and the people making it know they will make a metric fuck-ton of money on rehashing the same thing over and over. Everything has to fit into a little box and be easily identifiable. I mean there will always be people who aren’t satisfied by the status quo, but in the 90’s, it often seemed like the entire point of everything was “let’s upend the status quo.” I don’t really know where I’m going with this, but I hope I’m not the only one that feels this way. This is just going to be another of my weird nostalgia-based reviews that ends up being more about me than the record. With that in mind, “Roots” by Sepultura. I saw these dudes on this tour and it was pretty damn good to 16-17 year old me. 27 years later, its not really for me any more, but I appreciate their willingness to do something completely different and unique. In fact, this record is probably a catalyst for a portion of my musical taste in some way. Roots was probably the first record I can remember loving that wasn’t completely tied to an American/Anglo musical sensibility. It was an eye-opener, in that regard. Anyway, this is probably the best of the nu-metal records I’ve gotten on the list, but even back in the 90’s, I preferred Chaos A.D.

Didn't get very far in. I really struggle with this genre, can't really differentiate one band from another.

For my 500th album: my first DNF in a very very long time

"Sepultura" is the Portuguese word for "grave" which is also a place I'd rather be than listening to this assault on the living. Or perhaps will end up after (if) I finish this album. So yes - the name checks out. 0/10 wishing for a 0 star rating.

Well… after three pieces, I’ve decided this is NOT an album I have to listen too before I die.

This was amazing, with an awesome tribal closer. Definitely early alt / groove metal and I am all for it. I also liked the couple of instrumental interludes they had near the end, same with the acoustic driven tracks near the end as well.

What had always nagged me a bit about the tracks I knew - and quite loved - from 'Roots' was, in this and my personal limited experience, the obviousness of Sepultura cruising in the wake of Nu Metal, most notably the sound of Korn, but now that I've listened to it in full, I'm happy to bury that thought. This is a legit album, the fantastic overlapping section of a Death/Nu/FromBrazil Venn diagramm. Fuck yeah!

HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

Groove y nu metal. Me compro el vinilo, venga.

Heavy Heavy Brazilian Thrash Metal and I love it. Roots Bloody Roots is one of my favourite metal songs of all times. Everything about this album is great and if you haven't heard it especially if your a metal fan get it listened to.

Fantastic, love the intensity. I'm just going to disregard the last "song" entirely.

I think there’s a valid case to made that Roots is the greatest metal album ever made, aside from Black Sabbath’s Paranoid. The investigation of Brazilian culture both sonically and lyrically are ambitious but largely successful, and it helps that Sepultura were metal masters by the time they made this. From a musical standpoint, I think this is as good as metal was in ’96. The gutturals, the down-tuned riffs, the rhythm section that incorporates Latin grooves – all of it is top notch, and still sounds impressive today. While it didn’t invent nu-metal, it’s definitely coming to the same conclusions as Korn did, just from a radically different angle. But I also find Sepultura’s approach to this sound more sensible? more logical? At least more interesting. But I’m also a nu-metal apologist, so take it with a grain of salt. The only reason anyone would hate this I think is because extreme metal in any sense of the word is too scary for their ears, or because they just find metal lyrics a bit silly. And while that’s fair, thankfully, I was introduced to pig squeals, gutturals, and ridiculous lyrics when I was 12 listening to screamo bands before I even dove into “real” metal, so I’m actually upset more extreme metal isn’t on this list. But at least we have Roots, and Roots is a high water mark.

Clássico eterno

vai brasil caraio 💪💪 só força

Heavy as hell, I think this would have broken my head a bit if I had heard it when I was 14! However, with more knowledge of heavy and extreme music, I now love it and value its place in the progression. A clear influence on Korn, Slipknot, and many other bands I love, perhaps the most interesting and comparable being the wonderful Alien Weaponry - who would hopefully see the compliment in being thought of as a Maori Sepultura!

Roots Bloody Roots – 5 Attitude – 4.5 Cut-Throat – 4.5 Rattamahatta – 5 Breed Apart – 4.5 Straighthate – 4.5 Spit – 4.5 Lookaway – 4.5 Dusted – 4 Born Stubborn – 4.5 Jasco – 4 Itsári – 5 Ambush – 4 Endangered Species – 4.5 Dictatorshit – 4.5 Canyon Jam – 4.5 Average – 4.5⭐ Quite a Unique Listen Makes me feel like I am lost in the Jungle and slowly going Insane Loved it👍

This shit fuckin RIIIPS.

One of the best albums ever released

Pure raw aggresive metal. Heavy af, some great riffs and pure headache material

This is a true gem. Had no idea this was out there

💖 breed apart 🗣️ 9️⃣

An extraordinary recording - reactions to this ranged from glee to terror. The music makes you want to duck out the way from the aural assault and then punch the air with the sheer exuberance of it all. The addition of traditional Brazilian music adds depth and this genuinely stands out. Thrilling, really, and a vital album.

Goed hard. En dan dat laatste nummer, wat iets apart is, maar toch goed op een of andere manier

Groove y nu metal. Me compro el vinilo, venga.

Max himself didn't want to lose the connection to his ancestral roots. Especially, his later works with Soulfly expanded even deeper Fav Track: Lookaway

Fantastic album that I ahve listened to many of the songs from but never the entire album

Wow. Was für ein Metal-Album! Großartig!

Great metal album. Will need to hear more of them

Loved this, raw, exciting, innovative

Not Sepultura's best album it's still really great. This gives me hope that their other albums will be on the list of 1001 albums you have to listen to. Roots really show a drift from Sepultura's previous style but manages to keep the aggressiveness. There's some really great songs like Roots Bloody Roots and Cut-throat. The creativeness and the production is impressive.

Brazilian metal is obviously some of the most metal out there, and this album in particular has some of the best riffs. It is also cool that you can trace the influence of Portuguese and Brazilian music styles in many of the songs. The second half of the album gets a bit too indie, but I'm going to ignore that and just give it 5 stars.

Finally some good stuff! Incredible album! Just don't care for canyon jam.

Oh so THIS is where all my favorite metal tropes came from

ROOOTTTTTTSSS! BLOODY, ROOOOOOOTS!!!

Fundamental para minha formação com o peso do rock.

Incrível! Ainda mais sabendo que é de uma banda brasileira - e de Minas Gerais! Um estilo que pouco conheço, mas que me agradou bastante. O álbum tem referências indígenas belíssimas (aliás, a última faixa é um deleite). Ouvirei de novo.