My 1001 Albums Journey

Personal listening statistics

Journey in Progress

Discovering music one album at a time

20
Albums Rated
3.35
Avg Rating
5
5-Star Albums
2%
Complete
1069 albums remaining

Rating Speed

1.1
Per Week
122
Days Active

Reviews

20
Written
100%
Review Rate

vs Global

-0.08
Avg Diff
3.35
Your Avg

Rating Distribution

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Rating Timeline

Your average rating over time

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Which era do you prefer?

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Your Taste Profile

1970s
Favorite Decade
Rock
Favorite Genre
UK
Top Origin
Balanced
Rater Style
0
1-Star Albums

5-Star Albums (5)

View Album Wall

Taste Analysis

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You Love More Than Most

Albums you rated higher than global average

AlbumYouGlobalDiff
Goo 5 3.24 +1.76
Never Mind The Bollocks, Here’s The Sex Pistols 5 3.46 +1.54
Violent Femmes 5 3.5 +1.5
Led Zeppelin III 5 3.96 +1.04
Purple Rain 5 4.02 +0.98

You Love Less Than Most

Albums you rated lower than global average

AlbumYouGlobalDiff
The Genius Of Ray Charles 2 3.63 -1.63
Frank 2 3.45 -1.45
...And Justice For All 2 3.43 -1.43
Pretzel Logic 2 3.39 -1.39
Bluesbreakers 2 3.16 -1.16

Popular Reviews

Sonic Youth
5/5
'Hey Goo what's new!' Sonic Youth crossing over into more college-radio friendly alternative/indie rock. The opener hits all the right notes for the 1990s. Maybe they were listening to the Pixies around this time, the songs are leaner and tighter, especially for the opener 'Dirty Boots'. Kim Gordon gets some great moments on this album, kicking off with the haunting 'Tunic (Song for Karen)', and the classic 'Kool Thing'. There's still plenty of distortion and feedback for those looking for the more experimental Sonic Youth sound. Check out the end of 'Mote'! This song itself is sung by Lee Ranaldo, and reminds me of some of Husker Du's work. Even though the album sounds more radio friendly, 'My Friend Goo' hints that they're also taking the piss out of the college scene (as Nirvana often did). What a change into 'Disappearer' - such great guitar work. Things get more dissonant and noisy from then on - 'Mildred Piece', 'Cinderella' and the closer 'Titanium Expose' let Moore and Ranaldo lean into their guitar work, creating dense layers of angular and harsh riffs and solos. It's a classic and never gets old.
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