My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano). The album was made immediately after the Who got their first singles on the charts and, according to the booklet in the Deluxe Edition, it was later dismissed by the band as something of a rush job that did not accurately represent their stage performance of the time. While it didn't sell as well as later albums, peaking at #5 on the UK charts and failing to chart in the US, critics have since retrospectively rated it as one of the best rock albums of all time, especially noting its hard sound unusual for the time, and presaging various hard rock styles such as punk and heavy metal.Wikipedia
I really thought we were out of the woods. Are we being punished? Why is our list haunted? Here we are, the fifth (and, God willing, final) Who album on the list at a rate of one every 22 albums. I keep having this recurring nightmare where I wake up to find this project called 1001 The Who Albums You Must Hear Before You Die. Not a single Beatles album yet, but five from these wankers. How's the music you ask? It's fine, a strong debut that I'd enjoy more if it didn't follow four albums of diminishing returns. I actually have this one on vinyl but I'm just so tired. If I give this a 4-star rating will you chaps please leave me alone??? I'm sick to bastard death of you!! Favorite tracks: My (list is trapped in an endless loop of Who album) Generation, Please Please Please (stop), I Don't Mind (if I never hear another Who album again) Album art: It's fine, whatever. Stop staring at me, pricks.
I really liked this album more than expected. I’ve always considered myself a fan of The Who (my HS freshman year go to band), but I had always focused on their later work and greatest hits. This album seems transitional for the era - bridging late 50s/early and early 60s pop-rock/ crooning / doo wop with the harder and more experimental sounds coming later in the decade. “My Generation” and “The Kids are Allright” were radio staples from my youth. I also really liked the James Brown cover “Please, Please, Please” and Bo Diddly’s “I’m a Man”. The closing track “The Ox” was a really pleasant surprise! Phenomenal drumming, and I’m thinking that John Bonham picked up some style cues from Kieth Moon here. Overall great, and a solid 4 1/2 stars. Rounding up because it’s The Who.
I apparently had no idea who The Who were my entire life. Like obviously I knew of THE WHO but outside of Pinball Wizard and some other hits in the '70s I guess I couldn't have told you one song. If you had put on My Generation without telling me who it was I would scratched my head confused about why it sounded like the Beatles but wasn't the Beatles. I had a lot of fun with this one. It was definitely a piece of music history that helps make sense of everything else. For instance—the bridge from Blues to Rock is plain as day. Also, they were Mods?! Still some missing pieces there. It's funny b/c they don't sound threatening at all from a contemporary perspective. However, I get the threat when considering their live performances (they popularized smashing their instruments? Really not the music I thought would have set off that trend). Highly recommend watching the Smothers Brothers My Generation performance if you haven't done so already. Generally, this album just works on a lot of levels for me.
I’m rapidly learning that I’m a much bigger Who fan that I thought, and it’s not like my collection is insignificant. After Who’s Next, this sounded exhilarating in ways it never has before. So I say praise be to this little game for forcing me to listen harder. In brief, this album sounds like war. And not just 60’s war—war from the future and war from the past. The guitars in ‘Good’s Gone’ are laser warfare, the drums in ‘La La Lies’ a battle tattoo. Calamity, carnage, and violence runs deep and throughout. Daltrey rips his voice in two on ‘Please, Please, Please’, ‘My Generation’ ends with a near collapse. And ‘The Ox’ is pure metal, no? Virtuosic, fast, and noisy as hell. The drums are a constant pound, but everything else is wiry and erratic. Distortion, feedback—it’s all there. But none of this album is remotely murky or sludgy. The sound is clear as a bell, and the harmonies are often sweet if not soulful. As ever, The Who are thespians, and once Daltrey starts playing dress-up he comes alive, dragging his voice long and wide to match the frequency of the guitar in ‘Good’s Gone’, playing a wrongly accused man in ‘It’s Not True’. As for the title track, it’s hard to overstate its genius. The claps, the stuttering, the ffffff-uck you fake out. So pleased to listen to this afresh.
The kids are alright, but only because this is The Who's generation and not mine. No, had it been mine, the kids would be in the back of SHACK's van and definitely not alright. Footballer = Leighton Baines
I like a lot of The Who’s music, and really love a handful of their tunes. I think Pete Townshend is one of the best guitarists and songwriters in rock history. Love his voice, too. Roger, John, and their drummers and keyboardists, are all excellent. That being said, this is not an album I've listened to a lot. I do get its importance in rock history, and it has some fun mid-60’s “mod rock” songs, but overall I like their later stuff a lot better.
Inutile de vous rappeler que je connais personnellement Robert, l'homme sans qui ce générateur n'aurait jamais vu le jour. Celui que j'appelle familièrement Rob fait d'ailleurs lui-même partie du classement des 1001 contacts à ajouter sur les réseaux avant de mourir. Quand il ne choisit pas un énième album de Costello ou de Morrissey à rajouter à sa liste, il peut nous proposer par exemple un album des Who. Et qu'est-ce que ça donne ? J'ai envie de dire ouais, pas mal. Le morceau My Generation a fait secouer ma tête pleine de savoir, et ça c'est déjà une victoire.
2 If the Beatles didn’t exist, this would still just be ‘ok’. Genre-wise, it’s all over the place. Never been a Who fan. Still am not.
Always ranked The Who as one of my least favorite classic rock bands of all time. This just further cemented that. Just can’t get into them, no matter how hard I try.
It was fun listening to My Generation in full. An iconic song on a great album. This was really enjoyable all the way through.
Very enjoyable, lots of new Who for me here.
Classic. I love The Who and this is a great example of what made them popular and also a window into London at that time. I wish I had a time machine. I’d go straight to 1965.
Rock & Roll. Contiene una de las mejores canciones de todos los tiempos.
debut album... look at that fucking hair. An overall solid album. I wasn’t a huge fan of the soul covers because they didn’t really sound like The Who, but the original songs were great.
No mentiré, nunca había escuchado un disco de the Who, tampoco mentiré sobre el hecho de que me prendió bastante. Lo increíblemente digerible y directo que es me hizo escucharlo sin interrupciones. Lo que seguro pasó por rebelde en su época parece ahora mainstream con retazos de sonidos necios y no hay nada malo con ello supongo porque apela a mi búsqueda de lo catchy y de la fácil escucha, lel. Percusiones divertidas, guitarras proto-pesadas (me lo acabo de inventar jaja). Track favorito: The Ox. Mención honorífica: The kids are alright, por el corito pegajoso. Mood: contento y conflictuado después de tomar ácido y una tacita de té negro con leche en la mañana (porque pues no saber si rechazar o no lo inglés) sobre un pastito de Glastonbury o lo que existiera en dicha época en el Reino Unido.
classic who. listened to it in mono. very good while woodworking on chase's shelf commission. will go back in the future to see if there is a stereo recording.
Stereo version is incredible. Later songs added to the special version should be excluded, but first 10 songs are almost perfect. Surprised this is a 5 for me
As good as it was the first time I heard it!
Classic with much more blues than I realized.
yaaaass lord, yaaassss
Klassiker men flere fede numre og god rock. Dog lidt tynd lyd
Legends. Amazing debut album. Hard Rock at it’s finest.
Keith Moon and good vocal harmony make for an incredible album. 5/5
My Generation is probably one of the best of the mid-British invasion era albums that wasn't recorded by the Beatles. It’s so good, and I imagine as fresh sounding today as it ever was. The tight, punchy arrangements, the attitude, the crunchy sonic assault of Townshend, Moon and Entwistle. That’s a great rock band, and they’re just getting started here. I love how well the band works together and around each other, each with his own specific set of musical skills. It’s not their best album, but wow what a start. Roger Daltrey is an engaging and unusual front man. He's not a conventional singer of that time, but not delivering at full rock star intensity yet either. He's got a sneering delivery that probably launched a hundred punk bands. His pissy, stuttering vocal in "My Generation" is singularly awesome and like nothing else I can even think of in music. It's like he's so mad he can't get the words out. Daltrey’s style of delivery paired with Townshend’s lyrics in a song like “The Good’s Gone” is some sort of special chemistry that no other band ever had. It’s a moment of emotional honesty, but delivered with a meanness and intensity that’s rather unsettling. Songs like that speak to a youthful frustration and anger that long made this music a touchstone for what it means to be young. On the subject of vocals, I have always loved the alternating leads of intense-Daltrey and sensitive-Townshend, which vary depending on the mood of the particular song. I also love how when they go for harmonies, it comes off sometimes as slightly off-kilter. Lennon and McCartney they are not even trying to be, but it works. Townshend's guitar on the album is, of course, brilliant. It's grinding, jangly, crunchy and even distorted at times. John Entwistle is the steady backbone of the band who holds everything together. And if you ever wondered for a second why Keith Moon is such a beloved drummer and why the band lost its mojo after he died, check out “The Ox.” “My Generation" is full stop the best song of the album and a strong contender for best rock song ever. It's the Ur-anthem of youthful rebellion and captures a mood that no other artist has ever been able to fully duplicate. That song deserves five stars all on its own (ten stars actually). The next best tracks would be the hooky, more pop leaning “The Kids are Alright” and “A Legal Matter.” Calling these songs classics feels insufficient. Take your five stars, sirs. Fave Songs: My Generation, The Kids Are Alright, A Legal Matter, The Ox, Out in the Street
Clearly I am partial to Rock n Roll.
I started this album with 4 stars in my mind. "My generation" deserves 5 stars for its existence and the rest of the album looks like an excellent classic rock album. I finished it with the certainty that the whole album deserves 5 stars. This is not only classical, but it's also raw and it preserves its force even after some decades. Listening to this album as a whole is a real experience to understand the mindset of the 60/70's in a way that just a few cultural products are able to do.
The who is present in my life always from now on after I have had listened to this entire album. Absolutely amazing.
This album is great.
bezveze od mene sta mi je tolko trebalo da napokon poslušam vise od dvije pjesme, oduševljena sam
excuse-moi, zašto ja dosad nisan ovo nikad slušala?!! odličan bend, super pisme. sigurno cu poslusat i druge albume
Rock & Roll. Contiene una de las mejores canciones de todos los tiempos.
Annoyingly but probably unsurprisingly I let my momentum slip over the past couple of weeks which has resulted in me missing the opportunity to give my 500th Album the fanfare it truly deserves. This journey has been truly joyous to date, and I've discovered some incredible music, genres and artists that I would never have paid attention to if it weren't for Mr Dimery and his list (not to mention the absolute genius who created and maintains this amazing website - for this I thank you dearly). Listened to this on the plane back from Melbourne, and while not wholly overwhelmed I am happy that my halfway point was at least a band with some hefty 60/70s street cred. Five stars for five hundred (obviously).
Loved the Beatles vibe
An album I've already heard, and definitely enjoy. Outstanding sound, especially for the time, and absolutely iconic.
This album provides a telling historical perspective of where The Who came from and also provides a glimpse into where they were to go. They were the original punks and the raw energy and attitude shows why the punk bands to come in the latter half of the 70s viewed The Who as their inspiration and the OGs. There are a few onslaughts of drums, bass and feedback that is their signature. It's one thing to have this onslaught in The Ox, but to have this in the last minutes of My Generation, their single, shows they wanted the message of who they really were to be LOUD and clear. The more extreme onslaught of noise is in The Ox which was the inspiration for Jimi's experimentations with feedback and also led other OG's, such as Velvet Underground to experiment with noise on White Light / White Heat. Loud and insane was what The Who was about and this album gives a glimpse into the insanity that would have been a Who concert at the time. Their subsequent albums were toned down as Pete's writing became more sophisticated but their live shows remained more like this album. Live at Leeds was ultimately released to show that their live concerts remained true to their roots. To put this LP in perspective, at the time this album was released, The Beatles released Eight Days a Week. The Who clearly had a different brand. The James Brown covers highlight their branding at the time which was "Maximum R&B. Pete's solo on Please, Please, Please shows his original and underrated abilities. The Kids are Alright was always an enigma. It’s a great song and a lot of Who fans love it. As a single it did well but the band never played it live until at least the 90s (probably their fifth tour after their final tour - lol) The song was the title of the movie about their live concerts but the song wasn’t played in the movie. I guess the tune was a little too user friendly and not consistent with the loud guitars and sloppy drums attitude that they wanted to be known for. The modus operandi of the day was to release singles that were never included on albums. From a historical perspective this dilutes the quality of the albums. In this regard The Who released two singles I Can't Explain and Substitute just before and just after the LP. These were the first two songs to start their live shows for decades.
Haven’t listened to this since high school, but man, Keith Moon is a monster in this one. Great energy for the whole thing with a few really excellent songs outside of the titular one.
It’s been a long time since I’ve listened to the whole album. You always hear the songs that were hits. But listening to it in context of where they were in their career and the time, you can hear a connection between what they used as their inspiration, the style they developed, and how they influenced others. Many of the the songs clearly build off of rockabilly and blues sounds. But then there are the songs that begin to reveal their own style and the style of the 60’s. Songs like Much Too Much, My Generation, and The Kids Are Alright. The big surprise was The Good’s Gone. It could have easily been a grudge era song and sounds surprisingly modern. All in all, the album has quite a mix of Who sounds without a theme that later albums had. .
Spectacular classic! The song that made clear the discontent of a generation that was fed up with the past.
You can hear the Greaser in the Rocker on the expanded singles
Maximum R&B. Surprising number of great covers.
The original content and the covers are great!
Just great!! They were so much ahead of their time that they are still on the wave. A classic!
This album fucking rocks
Really liked this album.
Much prefer this to latter stuff
I think I could sense some of the influence that this album/The Who would have on later generations emo and punk music. Great album, maybe a little repetitive and unnecessarily long, though.
7.5/10 FT: My Generation
Classic album. Love it.
хороший альбом, для своего времени, как образец мод-попа имеет достаточно оснований для любви среди ценителей, но критиками переоценён однозначно.
I enjoyed that, even if it wasn't supposed to be so long
Who’s good? Yes.
Surprisingly diverse in sound. The Kids are Alright is a poppy track, Please Please Please is soulful, and the title track it, well, game changing. Not an album I listen to much, but one hell of a debut.
The Who é sempre muito bom
Awesome band. Forgot how much I enjoyed listening to them. Great album
I wish they'd all just ffffffade away.
Classic rock at its best!
I got a sense of The Who at their purest. Listened to this so loud that i got tinnitus.
Love all the blues on it
It is the who.
Tres bon album. The who ne me decoit jamais. 4.5
The Who were all over the place finding an identity in the 60s. Their debut is a great rock prototype of what the genre of rock would expand into later on.
Pensé en que éste y el disco anterior (Live at the Regal de B. B. King) salieron en el mismo año y pues ya se oye tan distinto, pero igual, ¡es 1965! Supongo que el debut de The Who causó revuelo porque se oye un sonido fresco, hasta medio sucio quizá y en definitiva un sonido que todavía hizo/hace de las suyas en muchas bandas teen de rock. Muy complacido tras escucharlo, nunca había oído un disco completo de The Who. Gran apertura y gran cierre, del lanzamiento original con 12 pistas. Otros tracks que me gustaron: "La-La-La-Lies", la que da título al disco, "The Kids Are Alright" y "A Legal Matter". 8.5/10
7/10 bonito, my generation buena canción
Very good. I knew more songs than I expected. Classic that aged well
yea this is good. I wish it wasn't mono, its a little flat. My Generation is a killer single. Please, Please, Please, Please Me is a good cover. THAT GUITAR TONE ON THE OX!!!
Ich bin ja Fan, deshalb nicht zurechnungsfähig. Weil aber die Restaufnahmen – Cover, Old School-Blues-Sachen – das Ganze bisschen runterziehen, gibt es einen Stern Abzug.
Ahead of its time, a few all-time classics and rest of beautiful pop-rock songs.
4.0 - Solid British invasion blues-based rock 'n' roll from the 60s. Spectacular drum sound, soulful vocals, interesting guitar and piano fills.
Good album, swingy!
Similar to my review for Bad Company, this album had a lot of classics and was an enjoyable listen. Again I wish we had some stars to deal with, I would put this a bit lower than 4/5 (but definitely higher than 3/5). I will reserve a higher rater for other The Who albums.
Great album! The Who is good, turns out!
Mod rock rabioso, con riffs superidentificables. Entretenido
Iconic. Very influential album IMO. Put The Who on the map. Loved my generation!!!!
Pretty good. Especially if you consider the album's context in rock history (which I had to read about on Wikipedia)
Great fun, US soul covers and My Generation!
An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. While the execution was sometimes crude, and the songwriting not as sophisticated as it would shortly become, the Who never surpassed the pure energy level of this record.
Never spent much time on The Who. Glad this generator made me. Excellent debut album that was a trend setter.
18th May 2021 Listened to this in the morning in our front room whilst doing some work. Really like their cover of I'm A Man, felt a little out of place but some great instrumentals to close and the obvious classics.
Great album, total mix of styles from Beatles to Johnny Cash to early punk.
Fairly typical early British Invasion stuff. The Kids Are All Right and My Generation are perfect songs.
Not my type :/
This album has a lot of hits and is overall really good. Of course I love My Generation , I Don’t Mind, and The Kids Are Alroght. The rest of the album is pretty rockin as well.
A classic album, but not quite yet fully developed into musical trailblazers they are remembered as. Too much of a boy band pop influence on this album, and it only gets a 4 because their next several albums are all 5s.