...And Justice For All

I just can't shake the image of goateed suburban dads rocking out to this while sitting in their garages and neglecting their wives while drinking cheap beer and wiping grease on their pants. They wonder why their wives don't want to fuck them. Maybe if you stopped cosplaying as a tough guy and embraced the life your career in dentistry has allotted you you might find a warmer embrace in bed. That said, it's still kinda fun. Very technical and clean. I dunno, maybe I should shave my beard into a goatee. I'm giving this three stars as I wipe my greasy hands on my pants and try to go pork my wife.

Four albums by Metallica in this list is just a joke. Even the editors make apologies for this one (“tinny sound,” “overprocessed,”). Clearly they’re the experts on this genre and this band. Other than a very few redeeming bits (the opening section of “One,” which sounds briefly like actual, you know, music), I just hear repetitive sound and structure, grunted vocals, sophomoric lyrics, thrashy breaks with quick flips back to speed (what editors call “riff salads”). For all the extremity, it’s quite paint by numbers.

I was 17 years old when this album came out. A friend introduced me to Metallica, via this album and also Master of Puppets. At the time, I described the experience of listening to Metallica as a kick to the gut, and I meant it in a positive way. I cannot stress this enough, how huge this album was. Among metal fans, Metallica was probably a known quantity at this point. But for the rest of us, they were new, startling and so refreshing in a sea of hair bands. It was like someone turned on the lights and everything was different after that. A freaking revelation. The intensity and the speed is obvious, the dark imagery, the social commentary, but with real musicality as well. I compare this to my experience listening to Napalm Death recently, and the contrast is worth noting. ND's music is designed to repel all but a very small audience. But Metallica had an awareness of where the boundaries were in metal at the time and they just pressed against the line constantly until they moved it. Some have pointed out that Metallica had a more progressive approach to their music, which I had never thought about but I think is correct. The complexity of the arrangements, the eschewing of traditional song structures... the band just existed in a different space from most of their peers. There are moments that are genuinely lovely, like the intros to "One" and "To Live is to Die," which makes the contrast against the heavier parts even more striking. What a great album. An hour+ of Metallica can be a little exhausting, even if you like them. But it's been a long while since I've listened to them, so today was a gift. Fave songs: One, Blackened, Eye of the Beholder, To Live is to Die

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Funny the first repeat artist on 1001 is muthafuckin Metallic-AH. Justice for All-AH. Longer tracks-AH. Bigger jams-AH. Thrashier thrash-AH. Less melody-AH. Technically precise-AH. Respect their intellectual property-AH. Vague commercial-libertarian messages-AH. I like better this Metallic-AH. Too same for too long-AH. C+

Hearing tracks like "One" on this album bum me out because it shows that Metallica has the talent and the capacity to make more interesting music but just generally chooses not to, instead focusing on the monotonous every track sounds the same except for one or two on every album. Technically super talented band.

Look, James Hetfield is a singularly silly man. In fact, Metallica are a singularly silly band. They'd possibly be a good one if they wore their silliness more proudly. Hell, if they wore it at all. But I was weaned on metal so I can tolerate the fundamental dumbness here (that muscly rage is the answer) so long as it's accompanied by shreddy breakdowns like the one that starts at 4:30 in One and carries on until next year, or the glorious combination of brutalised guitar and drums at the start of Harvester of Sorrow. Of the albums we've had so far, this is the one that delineates the directness of the path from Prog to Metal most clearly. Really, the differences between this and Made in Japan are negligible. So well done Metallica, you kept me chuckling, but nowhere near as much as Maddy singing along from the other room to deliberately misheard lyrics. Pride of place comes from the title track: "Pin your plimpsoles to your rear". Go on, listen again and find it.

A masterpiece of thrash metal. One of my favorite albums of all time. "One" might be the best metal song of all time.

Never been a huge fan of Hetfield’s voice, but I do understand that lyrically and sonically Metallica is one of if not the best metal bands out there. “One” is probably my favorite track. Shocker. I also like the opening track “Blackened”. I probably just need to listen to more Metallica to get used to Hetfields voice.

Couldn't get into this one... As much as I enjoy metal I find a lot of Metallica kinda dull

Metallica makes good pump-up and hype music for crowds, but not so much music to listen to on a regular basis, at least for me. Didn't really enjoy this, actually liked their live album much better

Because of their reputation, I had written off Metallica and was surprised by how sophisticated and interesting it was.

Classic thrash metal. Doesn't have the melody or nuances of some of the other metallica record but it's all about the riffs. Solid riffage for some long ass songs. Great record but they needed to turn Jason's bass up.

Well, it's a classic for a reason. It's mostly fire from top to bottom. I have a few issues with the mixing (why is the kick scooped out like a used melon rind?) but not enough to take the score down from full marks.

Crazy guitar riff after crazy guitar riff. So influential. Even though this isn't an album I will probably return to a lot, I can appreciate everything it does and created.

* not what i typically listen to * very good album, sick instrumentals * would listen to again

This album felt like Metallica dropped a lot of the melodies featured in Puppets and went back to the thrash of earlier albums but combined lots of riffs and changes into longer and more complex songs. I liked it overall, the mix is weird, but the album feels meaningful and is a great listen.

Unfortunately this band named Metallica (repeat that to yourself a few times, really roll it around - Metal-lica, Metallica, Met-al-li-ca) take themselves too seriously to take seriously. They are really good at guitar solos, of that there can be no doubt. They are less good at… well most of the other things that make music music. Maybe that’s too harsh - but their lyrics, their delivery, the overblown length of their songs, the fun-void at the centre of it all… it all points to the same logic that propels the ever more serious, ever more gritty reboots of Batman: you cannot laugh at this thing, this is serious - look how serious it is, it’s actually making some really serious points about… serious things. Hella good solos though.

One of my favorite Metallica records. It's not quite my favorite, and I rated it a five probably due to nostalgia reasons, but the riffs on this are too addictive to rate it anything less. Of course, the bass could be a little more present, but that's Hetfield's problem. The lyrics on this are as poignant as ever and the drumming is brutal without sounding like garbage like it does in their later records. I highly recommend this to any metal fan that hasn't listened to it already. Highlights: 1, 2, 3, 4, 6, 8, and 9.

I think this album was Lars reaching peak narcissist- his drums are pulled far too forward in the mix, but the album still sounds fresh today. Probably my 3rd favourite album by the band

This is amazing! The playing on this track is phenomenal and the energy and power off the charts. This is not a genre I’m familiar with but I get the appeal - absorbing and exciting, an incredible sound. I kind of enjoy the angry political lyrics, less so the rebellious teenager stuff (but hey maybe this is as therapeutic as seeing a therapist), but overall a musical smack in the face.

Metallica’s 4th album is refined from earlier works. It’s clear they found their footing with their new bassist Jason Newsted following the tragic death of bassist Cliff Burton in a tour bus accident. This album boats “One” which is a beautifully crafted piece of work even for being over 7 minutes long it’s easy to get lost in masterful guitar work. This is a solid thrash metal album (4th of 5 in a row masterpieces in their genre) from arguably the greatest Metal band ever assembled. Giving 4 stars, but would give it a 9.4 out of 10. “Hold my breath as I wish for death”.

Remember when Metallica was labeled "sellouts" for making the One video? It was a game changer. Yes, it was.

I liked Metallica a lot more before my prefrontal cortex finished developing. Since then it's . . . less.

Yeah I can see why people like them, but I'm not one of those sorts of people.

Trop de similitudes avec Ray Charles.

As a bassist, I feel for Metallicas bass player on this album... Would be nice to actually hear him... Love master of puppets, but not this one...

Daar was ik wel even aan toe.

Very cool, but one thing I wasn't crazy about is how many of the songs had no ending, they just stopped (and sometimes changed partway through like they know how to do a transition but not at the end of a song?) Also, fun fact: Keegan's house used to be owned by Lars Ulrich, the drummer

The mix on this album was crap - it was very bass-heavy and I don’t like not being able to make out James Hetfield’s voice and lyrics. However, the drums were phenomenal and while this version of Metallica is less melodic and more thrashy than the Metallica that I prefer, there is definitely a place for this album in my heart. I loved the last track, “Dyers Eve.” What a way to end.

I remembered this album to be better than it is. Granted, One is sublime, and one of the best songs Metallica have ever made. But the rest is really uninspired; Thrash riffs chugging along with hardly any real original idea. Except for One, only To Live Is To Die offers something for the more melodically inclined. Yes, Thrash is not my favourite sub-genre, but Metallica can do (and have done) better even before this album. It doesn't help that massive disrespect was shown to bass player Jason Newstead, who was the new guy at the time, by making the bass tracks almost inaudible, and ruining the whole album's sound along the way. Compared to all the other albums on this list, this is slightly above average, which makes it a 3.5/5.

All that's missing is Jason Newsted. Dyers Eve contrasts tragically with a song ten years later, "Mama Said."

…And Justice for All, but Bass for None. As a teenager in the early and mid 90’s, I was a pretty obnoxious Metallica fan. They were the greatest band on earth, the band that mattered most to me. I’d stay up late nights in the summer watching Live Shit: Binge and Purge on VHS on my 13” TV with built-in VHS player (at least until 12:30, when I’d switch over to the antenna and pick up Late Night with Conan O’Brien). They’re the reason I started playing guitar. My identity as 14 year old was tied in very closely with being a Metallica fan. Justice, as us heads call it, was peak Metallica for me. It’s heavy and aggressive, technical with tons of twists and turns, and, most importantly it questioned authority - the long held past time of any American teenager worth their salt. Listening to it today, at 42, I can’t help but like it still, it’s practically ingrained in my DNA at this point, but holy fuck is this album longer than I remember. Maybe it’s just that time moved slower back then or my span of attention was longer. That there’s no bass on this record bothers more than it used to, as well. I get it and appreciate that it’s a homage to Cliff Burton, whose death left a massive hole in this band, but a lot of these songs would be better served with some kind of low end other than Lars’ omnipresent kick drum. About 40 minutes into this record, the sound of it starts to grate on your ears. In terms of runtime, less would be more on …And Justice for All. You could probably cut “Frayed of Sanity” and the record would be just as enjoyable. Conversely, in terms of instrumentation, less definitely isn’t more - this record is all high end and suffers as a result of that production choice.

...And Justice for All, Metallica, 1988 -Starts boring and very generic (i.e. - sounds like every Metallica song ever) but I mean hey: listen to those drums, nothing not to love there. -Metallica: incredibly skilled instrumentation paired with near-total inability to make their songs distinguishable from one another. They set the bar high with their preceding album, Master of Puppets, and I'm curious what they could pull off just 2 years later. -Really loved the opening for ...And Justice for All; the song doesn't evolve into anything to write home about though. 9 minutes in and I realize: this album is going to feel long as hell. Thanks Metallica... -Eye of the Beholder is a pretty decent song but forgettable -One has some absolutely delicious guitar licks and their shot a stylistic shift in the vocals really pays off - they communicate a sentiment both hopeful and devastated. We love this one of course and it does a good job hoisting the album out of snoozefest territory. -The Shortest Straw returns the album into snoozefest territory. Like so many of their songs, we build and build and build up to some self-indulgent drum and guitar ram-jams and fall back into some repetitive lyrics. Yawn. -Yawning continues through Harvester of Sorrow as the formulaic-metal intensifies -Did I just hear the WIZARD OF OZ flying monkey chant sample used in The Frayed Ends of Sanity, like what?????? LOL sure why not. It works. -Basically zoned out the rest of the album. Snooze snooze snooze. Great instrumentation but mastery of your instrument and your genre only counts for so much.

it's trite. it's been said. it's been a punchline and a dead horse and a nickel in the jar. but man -- not having bass (i will not be saying that word again in the review) on your thrash metal album REALLY makes you come to terms with how fucking bad Lars Ulrich is as a drummer. so many complex songs and all he can do is pound the same three patterns. he's like the guy in "Deacon Blues" who learns to play the saxophone as part of a midlife crisis, and you get the feeling this is his skill ceiling. instead of being OK with his cover band and job as a forklift operator, he's part of the biggest metal band in the world and earns millions from fucking up drum parts in front of thousands of adoring fans for over 40 years at this point. it's equally frustrating because for all the shit around Ulrich, Hetfield and Hammett are going insane on the guitar -- their most ambitious song structures and solos and scooped tones yet. and Lars, he's just not up to snuff. the whole band has to make room for him as he plods through each track. i also don't think that this album should be as long as it is, but i also really couldn't tell you what to cut. there's so much of it; i feel fatigued. "One" kicks ass though -- makes the whole thing worth it at least a little. the key to being a metal superstar is probably "writing songs based off of a book you read" if it and Iron Maiden's "Rime of the Ancient Mariner" are anything to go on.

МОЙ РЭП - КУЛЬТУРИСТ И ОТЗЫВАЕТСЯ НА "ВИН ДИЗЕЛЬ"

Metallica’s …And Justice For All is their fourth and most ambitious album. It features some of their longest and most complex songs, such as Blackened, One, Harvester Of Sorrow, and the title track. The album explores themes of injustice, corruption, and oppression with a dark, heavy, and technical sound. However, the album also suffers from some flaws, such as the poor production quality, the absence of bass guitar, and the tediousness of some tracks. This album is often underrated in Metallica’s discography, as it is sandwiched between two classics: Master Of Puppets and the Black Album. It is a great example of progressive thrash metal and deserves more recognition, but it is not as accessible or enjoyable as their other works. I appreciate the album for its ambition and intensity, but I prefer to listen to their more balanced and dynamic albums. Therefore, I give it a solid 3 stars out of 5.

boring

It's so...edgy. Not really a fan.

Quelle déception ... Le début de la fin pour Metallica ! Fan absolu du groupe depuis le premier album (découverte du trash metal, grande évolution dans ma vie musicale qui m'a amené aux metals dits 'extrêmes'), je me souviens avoir acheté l'album dès sa sortie, et ... avoir été vraiment très déçu à la première écoute : - mauvais mixage, basse inaudible, son de batterie mauvais - morceaux terriblement longs et peu intéressants - album globalement mou, malgré les quelques accélérations ici et là (trop peu à mon gout) : où est passée l'énergie des précédents disques ? Même après d'autres écoutes, je n'ai pas changé d'avis et ai fini par abandonner l'album, puis abandonner Metallica avec l'album suivant ... A l'époque beaucoup d'autres groupes de trash faisait bien mieux ! Cette nouvelle écoute ne m'a pas fait non plus changer d'avis. => 2/5

Metallica what happened? One was great but the rest not so much. Full of their trademark sound but with none of the hook to make you come back. Its also very repetetive. And 9 songs still pushes over an hour.

It's a bit boring tbh. The songs don't merit going on on for so long. Also where is the bass?

Where's the bass?

Nr. 145/1001 Blackened 3/5 ... And Justice For All 2/5 Eye of the Beholder 2/5 One 2/5 The Shortest Straw 2/5 Harvest of Sorrow 2/5 The Frayed Ends of Sanity 2/5 To Live is to Die 4/5 Dyers Eye 2/5 Average: 2,33 Not the biggest fan of metal. Combined with the great lenght of the songs, made this not really fun to listen to.

this album is pretty one dimensional. I didn't really like that dimension.

Metallica is the Elvis Stojko of metal. This album in particular is straight ice dancing. Yes, like Olympics ice dancing. Everything is excessively choreographed, rehearsed to oblivion with the goal to be as robotic as possible and all the audience is waiting for is for you to fail. No failures here, congratulations, you're all robots.

This album sounds really thin and has some of the most unimaginative drumming of all time. No clue how this band got so big. This sounds terrible.

This is the third Metallica album I've had in this project, and I was not as taken by it as Master of Puppets or the Black Album. Not that there aren't some classic Metallica elements that I recognize and like. I get that they seem to be going for a bit more of an epic feel with the extended songs and changing tempos, but it lost me a bit. I'm also not sure what I think of environmentalist peacenik thrash metal. I like the message but it doesn't FEEL quite right.

I think I've aged out of Metallica. It's all so repetitive and dull anymore.

This felt like the longest album I've ever listened to. Goddamn these songs all go on forever. I will never "get" Metallica. Favorite track: One

LOUD NOISES - MORE LOUD NOISES - I LOVE LAMP

it's called bass, guys.

Guitars, guitars, for adolescents only

Makes me nervous.

That’s one very long song.

сука как же скушно, сухо, нудно муторно

Christ, no

Metallica is an iconic band in the overall metal style, there's no arguing about that. But let's try to be honest for a second: generally speaking, James Hetfield's delivery of his bland vocal lines is totally dull and unimaginative. Another guy actually *really* screaming his lungs out would have taken those songs up to another level. As for the music itself, it sounds way too paper-thin on this particular record compared to a lot of stuff that was later done in said genre, including Metallica's own "black album" (yep, a lot of critics were right: where's the goddamn bass?). So I guess that as far as albums go, you can keep *Master Of Puppets* and *Metallica* in your list of potentially essential LPs, if only for their cultural importance, and throw everything else into the "thrash" can. Number of albums left to review or just listen to: 798 Number of albums from the list I find relevant enough to be mandatory: 106 Albums from the list I *might* include in mine later on: 50 Albums from the list I will certainly *not* include in mine (many others are more important): 46 (including this one)

Just a bit dull really - too much grunting and gnarling.

This is a classic for me, it's not Metallica's best but still a solid album and it's the reason I learned guitar. One was the first tab I learned, starting with just the opening and eventually getting through all of the solos and the song front to back. Definitely would like to hear the version that still has the Bass track audible, but otherwise a big fan of this one and will give it 5 just for the personal impact it had on me.

Metal classic. One is a great song

Yep, exactly what I expected from one of the classic Metallica albums.

One of their best. And they have had some great albums. This was the first one I bought from them. I have them all now, It is pretty great, start to finish.

Great album 5/5

One of the greatest metal albums of all times!! the good times of metallica

Fantastic album. Metallica rocks.

Best

This is still in my running rotation and is probably still my favorite Metallica album due to the sheer artistry and ambition of every track. There's a lot of virtuosity here, great messages, and it holds together as a full album.

A classic of the genre

Love

justiça e metal pra todos

Absolutely fantastic. The best album by Metallica in my opinion.

I don't know how many times I've listen to this album, but it's enough.

Glorious album

I may be the only person on the planet that loves the production on this album and i'm not sorry. 5/5

It's Metallica, 5/5.

Just a few days ago we had the previous Metallica album Master Of Puppets. I gave that one a 4 and liked this one a bit better. It's more straightforward and more focused & relentless. Also, Master Of Puppets came across as somewhat pretentious at times, while And Justice For All doesn't. There were a few really good tracks but One and the instrumental track To Live Ist To Die in particular were excellent. 4.5 rounded up because of how fantastic To Live Is To Die was.

If for One alone. Nostalgia probably plays a factor for me.

Klassiska One!

Metallica grows on me...

Great stuff

A good record, easily the fourth record by this band.

The essential metal album. Not exactly my type of metal but I cannot disrespect the greats

Absolute metal masterpiece, and perhaps Metallica's best album.

Love this album.

Hell ya!

Best Metallica Album ever!

Incluye la mejor canción de Metallica

Quintessential heavy metal album.

10/5. In 4th grade I had a mullet and an ....And Justice For All glow in the dark tee shirt; I rocked the shit out of that thing. This album complemented my panty dropping style.

This album was my introduction to metal and I will always have a soft spot for it. Classic album even without the backstory.

-"Blackened" is totally jamming -Nice, solid Metallica album

Fantastic album, peak Metallica, my favorite, and possibly their best

Joya. Siempre es agradable recordar un discazo musical, de lo mejor del thrash.

Awesome awesome album. I just miss the bass.

Another excellent album from this great band

Grateful for being in a lifetime where this album exists

great high school throw back

Almost a perfect album. Love it!

Metallica at their most technical, as lover of all things bassy I have to admit, the lack of bass is really felt in this album but ultimately it doesn't get in the way of some truly masterful songs