Sleep to Dream: 4/5. Strong start, meaningful lyrics throughout.
Sullen Girl: 2/5. Suffers from slowness and meh instrumentals.
Shadowboxer: 2/5. The "cabaret" style gets lost with tíme; gives off Adele.
Criminal: 3/5. Good "driving music", but lyrics don't stick out.
Slow Like Honey: 1/5. Wish this song were faster unlike honey. Skipped!
The First Taste: 2/5. Had good start, it turned slow again, falling asleep.
Never is a Promise: 1/5. Suffers from slowness, my god!
The Child is Gone: 1/5. I'm glad or sorry that it happened.
Pale September: 1/5. I didn't even notice the song change to this, so sleepy!
Carrion: 2/5. Somewhat better, but late to redeem oneself.
Jacqueline: 4/5. The kind of upbeat that motivates you.
Tell Her Tonight: 3/5. Not bad but the high pitch sounds a bit whiny.
Take Me Out: 5/5. No way, it's this band that sang this song?!
The Dark of the Matinée: 4/5. I dig the opening and all the rest.
Auf Achse: 5/5. Great build-up and strong narration. What's not to like!
Cheating on You: 3/5. An unexpected drop in quality.
This Fire: 4/5. Don't admit to crimes, especially not in songs! But this is fire.
Darts of Pressure: 3/5. It's alright.
Michael: 3/5. Did Michael come and dance with him?
Come on Home: 3/5. Dynamic start but gets slow in the end.
40': 4/5. Kind of like a serenade, good stuff.
Mis-Shapes: 3/5. It's alright, nothing to note.
Pencil Skirt: 1/5. You're horny, we get it.
Common People: 2/5. Good message but the plot and music are lacking!
I Spy: 3/5. Mediocre, but it's picking up good rhythm.
Disco 2000: 2/5. I don't know, I'm just not vibing with this one.
Live Bed Show: 3/5. Good plot.
Something Changed: 2/5. I'm yawning, but good for you & your love story.
Sorted For E's & Wizz: 2/5. Uh-huh.
Underwear: 1/5. Weirdo.
Monday Morning: 4/5. Truly captures what Mondays feel like. Good pace.
Bar Italia: 2/5. Uh-huh.
So Much Love: 3/5. Good lyrics, but not much else to say.
Just A Little Lovin': 4/5. Best advocacy for orgies I've heard in a while.
Son of A Preacher Man: 2/5. As an atheist, I have to say, this is sinful.
I Don't Want To Hear It Anymore: 2/5. Slooooow.
Don't Forget About Me: 2/5. Might forget about this song though.
Breakfast in Bed: 3/5. Alright, now we're talking.
Just One Smile: 4/5. Not bad!
The Windmills Of Your Mind: 5/5. Splendid pace, motivating!
In the Land of Make Believe: 1/5. Meh.
No Easy Way Down: 1/5. Eh? Skipped.
I Can't Make It Alone: 2/5. What a drop in quality.
1999: 3/5. It's a classic, but nothing special by today's standards.
Little Red Corvette: 4/5. Nice beats, I'm a fan of synth.
Delirious: 3/5. Nothing remarkable.
Let's Pretend We're Married: 1/5. Lyrics get real awful by the end, so sad.
D.M.S.R.: 1/5. Yawning...
Automatic: 1/5. Cease the cheesiness at the end, my god.
Something in the Water: 1/5. This song could turn frogs gay.
Free: 1/5. Uninspiring.
Lady Cab Driver: 1/5. Song not to hear in public, and maybe not at all.
All the Critics Love U in New York: 2/5. One minute song gone for too long.
International Lover: 1/5. And here I thought this was post-nut clarity. Nope.
Mellon Collie And The Infinite Sadness: 2/5. It's a lullaby at best.
Tonight, Tonight: 1/5. Sorry, can't stand the voice.
Jellybelly: 1/5. It's an artistic dissonance, I'll give them that.
Zero: 3/5. Somehow I like this more than its predecessors.
Here Is No Why: 1/5. Unintelligible.
Bullet With Butterfly Wings: 3/5. Actually good, this one has structure.
To Forgive: 2/5. An attempt for clerical redemption after the hard rock.
An Ode To No One: 4/5. An odyssey in and of itself.
Love: 1/5. Not what I had in mind.
Cupid De Locke: 1/5. Okay then.
Galapogos: 1/5. Sleepy.
Muzzle: 1/5. Right, more lullabies...
Porcelina Of The Vast Oceans: 1/5. So, from intense music to bedtime?
Take Me Down: 1/5. I was asleep here.
Where Boys Fear To Tread: 1/5. None of these stand out!
Bodies: 1/5. Aaaand we're back with the whiny rock. (Love is not suicide!)
Thirty-Three: 1/5. So monotonous, I'm skipping.
In The Arms Of Sleep: 1/5. Just ugly-sounding. Skipped.
1979: 1/5. Okay this album is clearly not for me. Skipped.
Tales Of A Scorched Earth: 1/5. Torture but musical. Skipped.
Thru The Eyes Of Ruby: 1/5. Oh my god, skipped.
Stumbleine: 1/5. This album has more mood (genre?) swings than bipolars.
X.Y.U.: 1/5. Can't catch a breath with this album's nonsense.
We Only Come Out At Night: 1/5. Ugh, this is tiresome. Skipped.
Beautiful: 2/5. A nice change of pace and style, even if very minor.
Lily (My One And Only): 1/5. Meh, whiny again, skipped.
By Starlight: 1/5. This is bad, deadass. Skipped.
Farewell And Goodnight: 1/5. And goodbye, I'm not wasting my time.
Tears Of Rage: 2/5. Right off the bat, I should say I don't like roots rock.
To Kingdom Come: 2/5. Slightly better rhythm, but the gospel's meh.
In A Station: 4/5. Really loved this one, great narration and playfulness!
Caledonia Mission: 1/5. Very surrealist lyrics, was not easy to the ear.
The Weight: 2/5. And we're back at the church motifs...
We Can Talk: 1/5. Those Canadians are crazy.
Long Black Veil: 3/5. Has good pace, but what's the message here?
Chest Fever: 3/5. Good beat, weakened only by the surrealist wordings.
Lonesome Suzie: 4/5. Despite the church vibes, the lyrics are fantastic.
This Wheel's On Fire: 4/5. Excellent instruments, lyrics are also fine.
I Shall Be Released: 1/5. Whiny and uninspiring, sad way to end the album.
