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Tidal
Fiona Apple
1996
Wikipedia
Reviews
Like a review? Give it a thumb up to help us display relevant reviews!When I was a little girl first hearing this album I was like “geez she’s angry” Grown woman Jordan gets it though
Practically have this album memorized. 9 fantastic songs on a 10-track album. The composition, lyrics, diction are all off the charts and she was 18/19 when she recorded it. Blows my mind.
God damn what an album. Every song is varied and yet fit together excellently. Her voice seems to add something different to every single track. It's one of those albums where as soon as you try to think of your favorite track, a small part of the first track to naturally pop into your head - maybe a specific rhythm, an interval, an instrument, the tempo, anything - reminds you of another equally good track, which then reminds you of a third, and so on until you've gone through every track and returned to the first one again. And you can do so many such loops because every time a track pops into your head you identify a new aspect of it that you liked.
Fiona é incrível e esse CD tem algumas das melhores músicas da carreira dela. Ainda descobrindo na personalidade dela e seguindo algumas fórmulas, mas você já sente o que viria pela frente. Um dos meus CDs favoritos
Holy fuck. i had been avoiding this album much to my detriment. its one of the best albums I've ever heard. its also likely going to be a favorite. also sorry, my wifi had been out all week but I'm back and I'm finna go through these albums
There is a theatrical quality to Fiona Apple's voice that uniquely colors this record, which is inherently a marriage of alternative indie and soft-rock/jazz. Resonant and deep characteristics of her voice paint robustness - while unconventional for female vocals, it stands as a mesmerizing complement to the overall arrangement. Musically conducted in unison and uncomplicated, 'Tidal' serves as a great invention that subtly yet faithfully reflects Fiona Apple's life journeys.
Yes, I fancy her. I would shave off her pubic hair and keep it in a jar to eat at a later date.
Le piano est très fort, il est en parfaite symbiose avec la voix. Une découverte très plaisant à écouter. J’ai bien aimé Je l’évite, écouter l’album en boucle, les tounes se ressembles beaucoup Je levite le piano fou raide
I was always given the impression that people with external genitalia we're not equipped to "get" Fiona Apple. So I didn't really listen to anything she'd done until this album. I was pleasantly surprised by the first few tracks. Then I was pleasantly surprised by the next few tracks. Then... the whole thing fell apart. "Slow Like Honey" marked the beginning of the end. The album just drowned itself in self-indulgent, singer-songwtiter twaddle. Shame.
Woah! What an amazing album. This is my first time listening to Fiona. Shocking, right. What a vocalist and what a lyricist. Every song is amazing and just hauntingly beautiful. Long live Fiona!
hell yea fiona apple kicks ass! great debut album. Criminal is awesome. just a banger. The First Taste is also a good one
9/10. Was stuck between a 9 and an 8 on this one, but I am feeling generous today, and if something stands out to me as good while I am working, that's a good sign. Shadowboxing was a good track, and I remember liking Sullen Girl as well, but I wasn't paying as much attention to what track I was listening to later on, but everything was pretty solid.
Wow. One of the most immaculately produced albums I’ve ever heard. Everything is powerful, dark, and sexy. The singing and playing are all too-notch, and lyrically each song has a little bit of fierceness and a lot of mood.
This album is so fucking good. Fiona Apples vocals are unbelievable, she has different delivery on each track its Super impressive. Add in some really good song writing and instrumentation and you really got something special. God the jazz influences on slow like honey are just so good. Incredible.
I was excited when I got assigned this album as Apple's reputation was high and was not disappointed. A great album for chill vibes, for house duties and walking. Listened to Criminal several times today which says enough for the 5 star rating.
Había escuchado muy poco de ella, despues de este disco FAN! Todo muy bien, gracias 100001 discos por obligarme a escucharla
Fiona Apple will always gets 5 stars from me. She is one of the most authentic, human, and original artists that I know of. She puts herself out there in a way that can make her vulnerable and I think it's really brave. That she consistently manages to make that vulnerability sound so beautiful and powerful is nothing short of amazing. She is one of those rare artists who I view as having a nearly flawless discography because she only makes an album when she truly has something meaningful to express.
soncially cohesive, even on tracks like slow like honey and never is a promise, where it seems to diverge from the usual 'sleazy' like guitar sounds, it makes its way back from the jazzy piano tunes. I still think the songs with the sleazy guitar sounds with fionas aggressive tone are standouts
I think I knew at the time (but I had since forgotten) that Fiona Apple was still a teenager when Tidal came out but this album has never sounded like a teenager wrote it. It is emotional, raw, and definitely more musically complex than the standard radio fare of the mid to late 90s. To teenage me, these songs were permission from an older, wiser, much cooler girl to be whatever I wanted to be, whether that was sultry, angry whatever. It's a message I still need to revisit sometimes and this album will forever be in rotation for me.
I first heard this album live when she played the Capital Ballroom in Washington, DC. The album had barely been released and Shadowboxer was just starting to get some airplay on the alt-station here. I instantly fell in love with her sound - the growling, alto voice that can soften achingly on a dime, the almost classically-based piano creating the bedrock of the songs, the bass-heavy riffs and lush instrumentations that fill in the gaps. A 19-year-old writing so clearly, so confidently, so movingly about her experiences, some so horrific that might rather forever silence a young woman, elevates the music to another level. Many laud the musical experimentation with which Apple pushed the envelope in her later albums, but this one is stronger to me for being more traditional. There is a counter-point between the sound, reminiscent of adult contemporary artists like k.d. lang, and the poeticized angst of her painful youth - and that brings her message and music home with more feeling, more resonance. This album only gets better with repeated listenings, deeper as more time passes. A masterpiece of a debut.
This album is unbelievably brilliant. It's mature and soulful and witty and snarky and just really, really impressive. And... yeah, what's that, Kate? She was 19 when she made this!? I just don't know what to even compare that to. I'm more used to 18-19 year olds singing someone else's lyrics in the poppiest most button-pushing way possible. How was Britney Spears' debut just 2 1/2 years after this? The only thing I can think of that comes anywhere close to what Fiona Apple pulled off would be maybe Lorde, who was a couple years younger when "Pure Heroine" came out, but while it was impressive and refreshing it is nowhere near the level of "Tidal." If you're not blown away by Fiona Apple, you might not like music.
Really good album. I can’t believe she has such a vocal range at that age, but she was excellent. The music was really well crafted too. Just a great album.
I loved this album for a long time. From the opening drum beat to the last pluck of the hard, this is mellow and subdued and lovely.
talented, brilliant, incredible, amazing, show stopping, spectacular, never the same, totally unique, completely not ever been done before
I would listen to Fiona Apple’s answering machine and still fully believe that it is High Art. She is just so phenomenal. This isn’t my favourite album of hers however, it is SO GOOD.
Absolutely 10/10 for me I remember being 17 and obsessing over Fiona's vocals in Shadowboxer and Criminal, and then in lockdown I came back to this album after years. Not to be dramatic but Sleep to Dream felt like a mantra to me when I was stuck at home trying to plan out my next steps and keep my head above water
Pros: - It's so good. - Her sound checks so many boxes of what I would like for an artist. It's approachable, it has great hooks that are not only catchy but unique, it is confident, it's exploratory, it's memorable. - Her lyrics are so incredible and unique and have a quality that makes them sit in your head long after the song is over. - Amazing for a debut album. It sounds like someone who has been working on their sound for years and years! Cons: Misc:
YESSSSS. For both objective and personally subjective reasons, this is easily a 5 star album for me. She is so raw, and in your face, and unafraid to be "imperfect" with her sound, but it all somehow sounds beautiful just the same. "Criminal" was obviously a cornerstone in my early development of musical taste way back in middle school, and this whole album has been revisited several times since then, most recently two weeks ago! Love her, and love her art. Forever a fangirl! <3
One of my all time faves. I love Fiona. We were approximately the same age when this album came out. I was a senior in high school. I had always loved music, but I had never related to an album as much as I did this one. I haven't listened in years (other than occasionally catching Criminal on the radio) and I remembered every word. Masterpiece.
What a debut. Such mature singer songwriting from someone so young, powerful voice, powerful mood. It’s really very good indeed.
é inacreditável que esse álbum tenha sido gravado quando a fiona tinha só 19 anos! confesso que nunca parei para prestar atenção nas letras, mas ela carrega tanta emoção na sua voz, uma energia, uma raiva na interpretação, em meio a arranjos tão bem trabalhados que uau. é uma das maiores cantoras em atividade, sem dúvida.
another fucking 90s album are you fucking kidding me. oh my GOD. listened late relative to when i woke up. 11pm. not that late but im still fuckin rtired bc i woke up at like 8. this is a good thing because it gives me more time with my girlfriend star (or yufi? not sure which shed rather be called here). the album is good too but not as good as my girlfriend. not rly a fair comparison though since no album is. sorry all you nerd asss bitches making music u cant even compare. anyway ummm this album is pretty cool. ive been tired this whole time so ive just been letting it wash over me. first 4 songs and the first taste are all really good, shadowboxer is my fav. rly good sound. idk. nice mixture of energetic and kinda dense and alternative and a tiny bit edgy with some piano grace and restraint. after that it leans too far into the slower side of things and its very pretty and shes a good singer but it doesnt hold my interest quiiite as much. it.s worth checking out this album though :)
really moody, full voice with thinner instrumentals and just a powerhouse of a voice, kind of darker tone, i really like the way this feels to listen to... as in, i feel pretty Kool while listening to it
Love it! Hadn't listened to the whole album, but Criminal is such a bop--probably still my favorite on the album, but pretty solid overall.
Pretty enjoyable. More in line with my preferred genre. Will probably keep listening to this artist
I remember her hits and they are still amazing but some of the ones I didn’t know hit lyrically too. Better than I knew.
holy.fuck. this album was amazing! I never listened to Fiona Apple much, and i'm kicking myself (which seems to be a running trend with this musical list, lol), but man, "Sullen Girl" has got to be my favorite track on this album, hands down. beautiful composition, track placement is perfect, and just the rawness of this is amazing
Great Listen. Never heard of Fiona Apple before but will seek out more of her music. What a voice
That album takes me back in time to the time of the release of that album And what I was doing at that time to pass the time which in turn makes me reflect on the time I spend thinking about old times. That's good times. I give this album four Cameron Diaz's
cinematic moody alternative vibes. bumping up to 4/5 since I'm digging the variety of moods here
Aina tässä samalla pitää wikipedioida artistia ja levyä. Varsin vaikuttava levy siinä mielessä, että levyn kappaleet ovat syntyneet 17-18 -vuotiaan kynästä. Pääosin savuisten baarien hidastempoista pianon säestämää tunnelmointia, mutta siihen päälle paljon väriä eri jousisoittimista ja aina muodissa olevasta kellopelistä. Se on onneksi varsin lahjomaton mittari, vangitseeko joku levy huomion vai soiko musiikki vain taustalla. Minulla levy ei jäänyt vain taustamusiikiksi, vaan tartuin levyn luomaan tunnelmaan kiinni. Olin antamassa kolmosta, mutta palasin levyyn vielä seuraavana päivänä ja 3,5 pyöristyy nyt ylöspäin. Tykkäsin Fionan tavasta tulkita.
Some brilliant tracks on this album, Shadowboxer and Criminal to name but two, stunning voice and talent. Lacks the spoken word poetry bullshit that could get it to a five
Spoken word poetry bullshit. But, in a good way. A great songwriter with a great voice who has carved out her own sound and style. How d’ya like them apples?!
Before: I heard Criminal a little while ago and liked it. Looking forward to listening, should be a good start to this! First listen: Wasn't expecting to love the slower stuff more than the louder songs at the beginning. Love her voice, piano parts are excellent, and a lot of good percussion too. Favourite song is Pale September
1- Sleep to Dream- Decent song, not the most suited to be a intro, good empowerment themed lyrics. Probably not top 5 in the album 2- Sullen Girl- Probably the most emotional song in the album, where Fiona speaks about how the fact that she was raped when she was 12 affected how her family viewed her, the piano is captivating and matches the emotion of Fiona's voice, overall great song, might add to the playlist. 3- Shadowboxer- Great chorus, talks about her fear of falling back in love with an ex lover which makes her defensive, pretty good vocal performance. 4-Criminal- This album's biggest hit and a pop banger, femme fatale energy, talks about how women can play men when they want to, not necessarily the best lyrics but pretty bumpable with a cool outro 5-Slow Like Honey- The gravitas with which she sings the words that give a name to this track astounds me and even gave me goosebumps on first listen, might be top 3 in the album, great track that almost has a James Bond feel to it. 6-The First Taste- Funky. No better way to describe it, when that chorus comes in it just sweeps you off your feet and the whole song from there on out is just pure sex in a good way, the way her voice glides across such a playful instrument makes this probably my favorite song of the album. Outro also rocks. 7- Never is a Promise- The piano absolutely takes over this song in a hauntingly beautiful way while Fiona has one of her best vocal performances of the album as she sings about being betrayed by the first boy she had sex with. Pretty good and powerful song. 8- The Child is Gone- Another song with a bit of a 007 vibe sound wise, the lyrics are good and it has a good subject matter but I wouldn't consider it one of the highlights of the album 9- Pale September- Nice themed lyrics but I feel like this song should do more for me than what it does, maybe with a few extra listens it will. 10- Carrion- Has a good vibe for the last song of the album and ends it well, not necessarily a stand out song but decent enough. Overall thoughts: Good album even though it's not one of my favorite genres it has some pretty good and fun songs, I could definitely see myself revisiting it soon and even adding some of them to my playlist, seems like the type of album to bump in a light breezy spring afternoon. Fav Songs: The First Taste, Slow Like Honey Least Liked Songs: Pale September, The Child is Gone
First time listening: 8/10 songs liked Unlike her 2020 album (while lauded, I personally found noisy and annoying) this one is the right amount of tasteful experimentation. Very soft alternative rock, and I'm always a sucker for piano. 3 songs saved
Fiona has a fantastic voice. Great album. The first 4 tracks (through "Criminal") are very strong, but it's weaker through the midsection. "Carrion" is a great finish, though. I don't know if it's really worth 4 stars, but it's worth more than 3 to me, so I'll just have to go with 4. If you had told 1996 me that I'd give a Fiona Apple album 4 stars, I would probably have laughed at you, but here we are. Oh also, this is surely a better album on headphones than on speakers in a crowded room. Easier to hear the great production.
I didn't think I knew her, but Criminal is a classic where I just didn't know the singer's name. This album is fantastic and while it clearly fits into the era it was released, you can hear the older rock influences in it. It's very bluesy overall, but then songs such as Shadowboxer sounds a bit like Grace Slick from Jefferson Airplane. You can really hear where many recent singers where influenced by her, Billy Eilish being the most obvious recent influencee Favorite Songs: Criminal, Sleep to Dream
It was slow and that'll probably keep me from listening to it too often but I really enjoyed the music. 8
The songwriting here is stunning, both on its face and in retrospect: Apple never lost that skill. Hers is a smooth voice, but there are some jagged songs and the sequencing also has its peaks and valleys. The instrumental palette is wonderful, and could use a little bit more space.
A strong first album from Fiona Apple. I love her voice as well as the compositions of piano and drums. My biggest complaint is that the back half of the album kinda merges together and bores me a bit. Highlights: 1, 2, 3, 4, and 10.
It is such a nice and calming album, and Fiona's voice is so nice too. Is an easy listen if you're doing other stuff, but if you want to pay attention it also has nice parts that you can follow without it feeling boring.
I felt like this album went by really fast, but mostly in the background. I like it overall, and I can see myself listening to it again in the future 4/5
Another album defined in my mind by the very heavy presence of videos in the MTV rotation, during what turned out to be a relatively brief window when what MTV broadcast meant dick in the world of popular music. Going back to it I find it still very good but with limitations showing. There is the perennial eye roll of a teenager delivering super deep, world-weary relationship drama with irony-free gravity. The music was produced to a high gloss that’s to some degree superficial. There was never any doubt that Apple was the real deal here though.
Approaching this album as a fan whose first exposure to Apple was 2020's wild, unrestrained and cathartic Fetch the Bolt Cutters. It's strange hearing her more "conventional" beginnings, but the seeds of greatness and thematic ties with her later work are here in spades. This is a striking listen and very assured debut. Generally simplistic arrangements allow Apple's strong and soulful vocals and insistent piano playing to take front and centre for most of the album. The lyrics don't immediately jump out, but her delivery is fantastic. "Criminal" and all its brooding intensity is a highlight, as well as the slow build of closer "Carrion" (my favourite here) and the lovely chorus in "Never Is A Promise" when she darts into the upper register for the first time. Knowing what's to come from Apple makes me give this a 7/10 but rounding it up, partly because my attention was held and also because I gave Robbie Williams 3* yesterday and no way am I putting her on the same level as him.
Привет, я Фиона, мне 17 и я выпустила альбом Альбом звучит очень новаторски для своего времени. Я бы даже предположил, что он задал вектор музыки след. десятилетия. Потому что всё время прослушивания, меня не покидало ощущение, что я слушаю альтернативный альбом 2000х, но никак не 90х. Кстати, за песню “Criminal”, Фиона получила Грэмми. Песня затрагивает проблему сексуальная девиация в подростковом возрасте, которая актуальна до сих пор.
The cover itself deserves some stars. Simple, elegant, unpretentious. The music is strong and melodic.
I’m often not a huge fan of typical singer-songwriter albums like this but Fiona just has such a powerful voice and creative and lush instrumentation that I can’t help but love it. Absolute classic album totally worthy of being here.
A stunning debut album by at the time teenager Fiona Apple. The album is a bit all over the place but every once in a while like on Sleep to Dream, Criminal, Carrion and especially Shadowboxer she hits the sweet spot and the results are pure magic. A talented pianist and vocalist, this debut points to the musical riches to come. 4 🌟
I liked it a lot more than I thought I would! I enjoy this much more than most pop out there, especially pop from the last few years. It's much more than just autotuned 4-chord bs. Lots of nice soulful jazz and alt influences here. It had lots of chord progressions that interested me, and many songs had a lot going on in the background i appreciated. Her voice expresses real emotion very effortlessly. Would recommend, I will definitely return to this one
Starts out with a bang with that killer rhythm in Sleep To Dream. Criminal is an impressive song that will continue to age impeccably. Unfortunately the album slows down in the second half for me, but still a remarkable debut.
Apple's excellent debut. She is a unique songwriter for the end of the 20th century, giving her haunting production a jazzy edgy as she plays along on her piano. Apple's on the stage at the back of a smokey club, but she's no background singer. An aside, I love the drummers on this album. Matt Chamberlain and Danny Frankel are so tight, yet so smooth. Great job by Fiona Apple
This album starts out very strongly with 4 of the first 5 songs, Sleep to Dream, Shadowboxer, Criminal, and Slow Like Honey. Her vocal delivery on Slow Like Honey is intoxicating and sounds likes the voice of a much more seasoned, mature singer. There is only one song I don’t really like, The First Taste. Some of the songs drag on unnecessarily. Like Criminal for instance, it should have ended with over a minute remaining. The final 4 songs are decent, but not as good as the opening half. All in all a solid debut.
This world is bullshit. And you shouldn’t model your life — wait a second — you shouldn’t model your life about what you think that we think is cool and what we’re wearing and what we’re saying and everything. Go with yourself. Go with yourself.
Though this isn't the first time listening to Tidal, I missed this when it was first released. Though I did become a fan of her later work. I was assuming that Jon Brion had something to do with this album. I find his influence here and know they'd collaborated before, but he's nowhere to be found on the credits. Highlights on this album are the ones that you'd expect because they were played on MTV / radio endlessly. But the one that stands out for me is the opening track, Sleep to Dream. It's just so badass, and unique. I love the sound of the strength coming through in her voice.
I once next door to a married couple. Whenever the wife was on her own, she'd play Tidal, loudly. Singing along, loudly. The couple used to have terrible rows and it seemed like their marriage was a youthful mistake that they were grappling with as they headed towards their 30s. A lot of the time she never made it pas the first three tracks, usually replaying "Criminal" a few times. But now that I've heard the full album, I hope that she made it to the final track because that's all about having the strength to leave a shitty relationship.
The first impression of this album was a bit misleading, as it opens on the only bad track of the album, which made me restart the album after a few songs to give it the proper listening it deserves. And that was well worth it because it's actually very good. Good enough to make me curious about the rest of Fiona Apple's catalogue. Fiona Apple is a pretty ridiculous artist name by the way - but what's in a name.
It's nice that this influential album's cover was used, a decade after its release, as the inspiration for the Doctor Who villain Lady Cassandra. The music itself is strong. It holds up well as any of its direct contemporaries, and I think I'd go for this over Jagged Little Pill. Some tracks, naturally, are better than other but overall, I'd probably listen again.
Right from the first few seconds there's a darkness to this album that made it one of the more impressive debut albums I've heard. I can't remember why I originally bought this album but likely for something in the first single "Shadowboxer" - there was something there but the rest of the album proved how deep this all was. The opening track "Sleep To Dream" is bold and creepy, minimalist but powerful - a really unusual album opener and a captivating one - it feels like it's going to explode at any moment but it's all kept together by that tension... ...and then she hits you with "Sullen Girl" which starts with a gorgeous piano line and soon Fiona enters with her dry intimate vocals. And when the band gently kicks in after the first few lines it's hard to not be fully engaged - there's so much emotion and melody in this music and I particularly love the piano-driven aspect of it - here and in the rest of the album. "Shadowboxer" and "Criminal" were the big singles and very worthy/catchy bluesy hit tunes. But the rest of the first half shows so much more. The fact that she was a teenager when writing this albums ideally shouldn't have much bearing on how likable it is but... a teenager!? Borderline unreal to display this much depth in singing and restrained songwriting. The downside: I always felt this album started so damn strong over the first 5 songs and faded after that - I'm a sucker for at least a killer album closer - this second half really drags; needed at least one big uptempo track. But overall the strength of the first half is enough that I can listen to this album pretty much any time and in any mood. Love it. 7/10 4 stars
Probably my least favourite Fiona Apple record, but still a hell of a lot better than most artists' best albums
I had no idea what this was going to be going in, but I was pleasantly surprised at what I heard. A chill mostly low-key album, jazz singer vibes. I think it fell off towards the end, but the closing track was my favorite. Favorite song: Carrion
I’d only ever heard of Fiona Apple and after this she might be one of the best female rock artists from the 90s that I’ve heard. Much better than Aimee Mann. Fav: criminal
Great. Not as far away from Fetch the Bolt Cutters as I thought it would be. Lost some traction by the end but the same can be said about her new stuff. First 3 songs are hit after another.
Well that's more like it, this is a beautiful album. All of Fiona Apple's stuff is great.
While I don't love every single song of hers, I've grown to really like Fiona Apple as an artist. Her songs are incredibly unique and I keep learning new things about her as time goes on. This album was a good one with hits like Sleep to Dream and Criminal. Each song feels familiar yet all are different from each other. She is just a very dynamic artist, great way to end the week! Also we watched Eyes of Tammy Faye last night so this album cover hits today.
4.2 - listened to this a bit when it was originally released and feels like it still holds up well. Solid soulful blues with an amazing set of pipes on her. “Shadow boxer” remains a solid listen.
She has such a sonorous voice! When the Pawn...tops this, I think. But as debuts go, it is something special
I bought this album back when it came out and listened to it for a year or so, but drifted away and haven’t really revisited it since then. I’m glad it has come back to my attention, because this is a great album. It’s strong, feminist themes pull no punches as the songs explore strength, vulnerability, anger, exploitation, fear and a myriad of other emotions and isn’t afraid to create some discomfort. The feel of the album has a Tori Amos meets Alanis Morissette kind of vibe, two artists I really love. While this album’s more subtle approach doesn’t quite grab me to the level of those two artists, it’s still a very good listen.
I was quite enamored with this album. More than I think I was in the 90s. I'm not sure why. Maybe because I am more aware of its older jazz influences. A pretty amazing talent all around.
This album is so dense and lush. Beautiful music. At times the tracks are hit and miss but the first half of the album utilizes an elegant darkness. Sleep to Dream and Criminal are bangers.
First artist on this journey where I know virtually nothing about them, but managed to captivate me quite quickly. Love the swelling piano and strings on the first track and Apple has a great voice, which especially powerful on the swingy "Shadowboxer" and the piano rock song "Criminal" (also the bassline on this is sick). Middle run is a little less exciting, but picks up again with the beautifully fragile piano ballad "Never Is a Promise". First half is definitely the most engaging but I found this very good.
Was a fun jaunt. The singles were as good as I remembered, and the songs I didn't know were mostly as good as the singles. 4/5
Album starts great; cool drum-machine sample, great piano hook with lots of spicy dissonance added at the end along with ambient effects. Such a cool track. Pedal steel guitar, vibrophone, and mellotron instrumentation is great on Shadowboxer. I've never noticed all the great counter-melody in Criminal, though I think I've only ever heard it on the radio or on PAs; this is the first time listening on good headphones. Rest of the album continues to be interesting and dynamic. All in all pretty good.
Mind blowing that this is from 1996. The mood of this is bitter and resolute. She bares her heart, no matter if it hurts. The Technical proficiency here is stunning for a debut and its Angrier and subtler then other albums of the same time. Like it a lot. 4/5
Very good album, I really liked her voice and the style of the songs. Favorite songs: Shadowboxer and The First Taste
Solid through and through, haunting, tortured and catchy piano tunes. Highlights - Sleep to Dream, Criminal.
This was a change of pace from all the rock we've had for awhile and I truly enjoyed it. Relaxing smooth music while I cut and welded some steel!
This is my first repeat review, as I did a few ratings before creating a group. Here's what I said last time: 'Probably my least favourite Fiona Apple record, but still a hell of a lot better than most artists' best albums' It's really good though and grows on me with every listen
Before this I'd only listened to Fetch the Bolt Cutters and Chloe belting out a few of her other hits around the house, so I had high hopes and was a little disappointed by the album in the end. But her voice is great and full of emotion, and there's some proper bops here. Really enjoyed criminal and shadow boxer especially.
-An interesting enough alt rock album, with also hints of a blues-y sound in a few songs. -I liked the more rock-focused vibe of the first few songs. "Criminal" was probably my favorite -"Carrion" was a good ending track. Cool vibes in that one.
What a stunning debut album. How was she this good right out of the gate? Her singing is powerful and expressive, her lyrics are razor sharp and the music is rich and complex. I love how she turns the piano into something aggressive and angry. Or on “Never Is a Promise,” how that one sour note complicates the whole song. “Criminal” is a classic (even better than I remember) and “Sleep to Dream” and “Shadowboxer” are incredible songs too.
A wise-beyond-her-years vocal tour de force. De facto her weakest album but so so strong and beautiful
Four stars An all-time classic, and an album which still holds its own many years after it was released. As is usually the case with those classic albums, I won't write a full-blown review here given that others have already written wonderful stuff about them and there's not much I can add that I feel could be relevant and interesting. *Tidal* is just a timeless gem for anyone who has even a remote interest in Fiona Apple. Go and listen to it a.s.a.p. Number of albums left to review or just listen to: more than 900, I've temporarily lost count here Number of albums from the list I find relevant enough to be mandatory listens: approximately a third so far (including this one) Albums from the list I *might* include in mine later on: a quarter Albums from the list I will certainly *not* include in mine (many others are more important): the last quarter
Enjoyed this one. Lots of cool mellow vibes. Some great songs although some not overly memorable. Sound got a little old for me by the end but I enjoyed it.
Just my luck to get two albums by the same artist on consecutive days, although this came up second... I'm glad I listened to this before Fetch The Boltcutters, which is mostly 51 minutes of shite. There are some good tracks on here - Criminal, Sullen Girl and Never Is A Promise were good. Pale September the standout.
Fiona Apple is one of those artists I know I should check out more because I'm sure I'd dig what they're doing, and this album confirms that impression. Really enjoyed it. Can see it rising to five stars with more familiarity! Fave track - "Criminal" maybe?
I actually quite liked this album. Definitely some bob dylan elements but I liked the piano and lyrics
Can't decide. Some of this is standard mid-90s interchangeable Morrisette/Liz Phair/AFP/Tori Amos landfill. Lots of it is much more interesting, sleazy jazz style stuff. Enjoyed, but wouldn't listen again.
Ain't that something. I'm actually surprised how popular this was considering how non-pop it is. Good!
I always thought she was cool but never really listened to her. Although the last third of it lagged the rest of it was awesome.
Is there a word for something that is both catchy and offbeat? Its funky but i like it. Definitely unique and I think it works.
Enjoyed this, wouldn't have been anything I'd have searched out for but enjoyed it. don't know if I'd seek more out from this artist but still enjoyed it.
Can definitely see where artists like Taylor Swift and Haim get a lot of inspiration from. I thought the second half of the album was way better than the first.
Really nice voice, definitely listen to her again. The First Taste and Never Is a Promise were the best.
I guess it's an okay mid-90's album. Didn't want to just give it two stars, because I didn't finish it, but I could leave it playing in the background... without paying much attention.
Très belle voix. Plaisant à l'écoute. Mon hit: Sleep to dream. Un peu plus de rythme, j'aime ça
C’est bon et la chanteuse au e belle voix. Ressemble a bcp d’album de meme genre. 3.25
Not a bad album, but it doesn’t leave me with much of a memorable musical personality.
Like a flopped Italian, this album is kicking goals. Nothing too over the top, just decent talent
C'est très relax mais on sent le côté revendicateur de l'artiste dans certaines pièces. Enfin une voix de femme pas trop gossante! Bon album pour relaxer, un petit feu ou un bain genre.. J'aime bien l'instrumental. Y'a quelque chose dans l'ambiance qui me fait penser à Norah Jones. J'ai pas haï Sleep to dream.
I know the more recent work of Fiona Apple and listen to this old version of her work is very interesting. This is not any piece of art in my opinion, but it includes many good songs and worth the almost 1 hour of her voice. I prefer the most recent albums from her, but this was a good experience
I listened to this and then decided to listen to her release from last year that all the critics were raving about, and that spotify keeps sending my songs from. I think her recent release is more experiemental while this is more melodic. Nice enough songs. They grow on you. With a few more listens I could become a fan.
liked the first song, album overall is the complete opposite of an album you should listen to before you die. 2.7
A wonderful debut album. The highs are very high ("Criminal"; "Never is a Promise"; "Carrion"), but the lows can really drag ("Shadowboxer": "Slow Like Honey"). Overall, there are just too many songs that feel like they fade back into the album without managing to contribute to an overall picture of the album. In short, the sum is NOT greater than its parts, and might well be worse than some of its best parts. I would say something between a 3-4, but closer to a 3 than a 4.
J’aime bien sa proposition, les 4-5 premières chanson du CD sont bien, mais trop de chansons semblables plus la playlist avance. Meilleure chanson pour faire l’amour: Shadowboxer.
It's fine but hopefully someday in the future when this list is refreshed, this album is replaced by Fetch The Bolt Cutters which is a far superior album.
When one of my music professors didn't like a piece of music, but it was competent, he would say it was "valid." Tidal is valid. All snark aside, Tidal is a really interesting album for a variety of reasons. There aren't really a lot of strong melodies, really, but that's okay. In their place, Fiona Apple has substituted a mixture of blues and modern pop phrasing, which reminds me of Van Morrison's singing on Astral Weeks, where he basically just riffed over vamps. Another thing that's immediately apparent is the breathtaking variety of musical textures and the consummate taste of the arrangements. The instrumentation is mostly acoustic, but when a synthesizer or other digital instrument shows up, it never sucks balls, and it's always integrated seamlessly. I luxuriated in Tidal's sound world. Yet another strong point of Tidal is that it's very original, but not at the cost of being accessible. By this, I mean that the way the songs are structured don't follow well worn patterns the way most modern pop does, thank God. Honestly, there is very little to carp about here (mind you, I didn't really pay attention to the lyrics, so I can't comment on them nor do I especially care). Maybe one thing--there are no songs here that wedge themselves into your consciousness. Tidal is an album that you very much experience in the moment. After it's over, all that lingers is the sense that you've been given a generous tour of a talented artist's musical imagination, and that your time wasn't wasted. Finally, I have to be honest and say that I appreciated this album more on an intellectual level than an emotional one. I admire it more than I love it. Update: I started writing this review 2/3 of the way through the album. Usually, artists frontload their most commercial songs and reserve their more esoteric artistic statements for the last few songs. Perversely, on Tidal, Fiona Apple did the opposite. As the album becomes more commercial, with more predictable and conventional song structures, it becomes correspondingly less interesting, so I'm downgrading it by half a star.
Solid debut. Great production. Songs are a bit heavy at times which can make the album a bit of a grueling experience to sit through but it's a pretty beautiful album.
This album is Fiona Apple's most regarded album and it definitely has some winners on it. Shadowboxer and Criminal are good. I'm a sucker for female vocalists with deep voices though. What's keeping it as a three star? I think she's missing a few things on this album. Mostly fun. Janis Joplin sang serious emotional songs, but could have some humor too. Without humor or collaborations with other artists, this is a moody and lonely album.
This is an alright album. The songs didn’t really stick with me after listening to them and I doubt I’ll be humming them any time soon. But it’s still an interesting listen. Each song does something that allows it to feel different when compared to the other songs also on here
Most of it sounded like a soundtrack to some twisted drama. The music didn’t suck, but hard for me to imagine a setting where I would want to listen to it.
Catchy enough. Like a merge of Florence and the Machine and Alanis Morrissette. Would rate it way better than PJ Harvey.
Oddly enough it was very vibey. In addition to the backing music, the singer's voice is quite nice at times, but sometimes it felt like there was a discontinuity between the band and the singer; they felt like their styles had a mismatch as the band was playing orchestra-like music while she was singing in a punk fashion. Favorite track: Carrion
Vocally Apple is wonderful. The songs are strong and it doesn’t take much instrumentally to assist her as she sings. Delightfully surprised with this. 6.9/10
I liked the whole album, but not enough to add all of the songs to my library. My favourite songs are Criminal and Sleep To Dream. 3/5 stars.
Raw thoughtful lyrics delivered by strong vocals backed by classic piano. Edgy at times with hints of Alanis Morissette. Sleep to dream, shadowboxer, slow like honey
The first four songs of this album are some of the strongest on any album... but then it quickly loses its way. It becomes meandering and boring very quickly, and it only finds a minor twinkle in The Child is Gone and Carrion.
Alt rock album containing several piano ballads with a mature, sexy voice likely inspired by Alanis Morissette. Some praise the album for her songwriting, and they are at times poetic, but I find them to be shallow and heavily carried by the vocals and accompanying instruments. Production is excellent here, but that's nothing spectacular of the era. I like the first four songs, but after that it's mixed.
How have I never heard this big voice before? Songs longer than I’m used to but great lyrics and powerful songs. Hard to put in a genre
This is a difficult one for me. At first I didn't like her voice, but I think it grew on me? I don't think I'll listen to it a lot in the future, but it was an interesting album.
Headnodding start All gets a bit singer-songwritery / plodding Great voice Good production Not interesting enough
Most of it is a little too...slow? brooding? ponderous? for me, but I can tell it's a pretty good album. My favorite songs are Sleep to Dream and Criminal, and I'll give an "okay for me" to Sullen Girl and Shadowboxer.
Kinda wanna like Fiona Apple more than I do. Lovely voice but there could be a lot more interesting things musically done. Still, stuck out as a good 90s performer back in the day.
I listened to this album close to when it came out, to find out more than what I'd heard from the singles and the videos on TV. I liked the music enough back then, but I probably haven't listened to anything from the album in close to 20 years. I like the album more now that there's some time separating the music from the personal history of Apple. "Sleep to Dream" is a track I would come back to.
Never even heard of Fiona or this album before this. On first listen reminds me a bit of Tori Amos in both style and songwriting. A pleasant listen and some nice songs "Sullen Girl" a highlight for me. Good but not great in my opinion.
Bra album med bra sound. Låtarna är rätt lika och albumet känns lite same:y genom det hela. Ökar och sänker energi:n men kör samma grunsound genom hela(?), don't get me wrong, det funkar och resultatet är bra men är ett minuspoäng till albumet i sin helhet. Kommer nog plocka tre-fyra låtar ifrån denna platta och nöja mig där.
Un album tres agreable, mais qui n'arrive malheureusement pas a la cheville de Lana del Rey, malgré des efforts evidents en ce sens.
Un album assez agréable à suivre dans son ensemble avec toutefois des notes chantées complètement fausses par moment. Ce n'est d'ailleurs pas un hasard puisque la voix de Fiona Apple a entamé sa mue pile au moment de l'enregistrement de cet album. Bref... Ce n'est un secret pour personne, mon compagnon d'écoute eltrapeze et moi nous apprêtons à passer les fêtes de Noël chez nos parents respectifs, qui, et c'est bien là tout le problème, habitent dans la même ville de France (ceux d'eltrapeze habitent dans une commune de banlieue assez malfamée mais là n'est pas la question). Vous comprenez dès lors qu'une rencontre inopinée entre eltrapeze et moi peut causer des débordements importants pour ne pas dire explosifs, pouvant largement troubler l'ordre public. C'est la raison pour laquelle Robert a mis en place un périmètre de sécurité couvrant l'ensemble de la zone. Je vous tiendrai informés si jamais il se passait quelque chose dans les prochains jours.
I am familiar with Apples. i am familiar with Princess Fiona. And I am familiar with Fiona Apple. I knew one song, Criminal, and I was unfamiliar with the rest of the songs. The album as a whole is just ok.
Pretty unique album. Wasn't really my style personally, but did enjoy it regardless. Kind of reminded me of Alanis Morisette.
I've never been all that into Fiona Apple's music, maybe I haven't heard the right albums. I have heard this one, and I actually have it on vinyl thanks to a record club I used to be in. I had no idea that she released this debut when she was 19, that makes it significantly more impressive. The music is solid, and there were a few standout tracks. Overall, I wasn't blown away, but it's certainly a good album. Favorite tracks: Sleep to Dream, Criminal, Never is a Promise. Album art: Mr. DeMille, I'm ready for my close-up. 3.5/5
Decent album, has a good voice too much the same for too long, a lot of it feels like the same song again.
Fits in well with Alanis and Tori, definitely with the emphasis on the piano. Less quirky voice than either - quite jazzy and likeable. Good album. Would listen to more of her music. High 3.
She has a great voice I'm really liking some of these songs, such as Shadowboxer or Slow Like Honey. Some of these tracks feel timeless, while others feel a little dated.
I am shockingly ignorant on Fiona Apple. Enough so that when her last album blew up, my initial response was "when did you guys start caring about her?" I might have listened to this before, but I remembered nothing about it. All I really knew was "Criminal", which I think was alright, but hardly among my 90's favorites. But after giving this a spin, I kind of get it. This sounds a lot like if PJ Harvey and Elliott Smith combined forces. Although I personally greatly prefer the former's music, and did generally prefer when Fiona pulled out her rock credentials. Some of the ballads worked nearly as well though, enough so that I think that this could become a serious grower for me. But just a grower for now. A C for now, could see it raise if I give it more rotation in the near future.
Somewhere between Amos and Alanis. Doesn't sound particularly dated for a 1996 album. Totally ok, but totally didn't grab me.
Piano-driven, lyrically charged and focused. Tight performances. One of those "this record doesn't interest me much, but I definitely see why it's on this list" records. Favorite tracks: "Sleep to Dream", "Sullen Girl", "Criminal"
Listening to this I’m transported back in time to when I was a preteen girl sitting pathetically in my room wondering why all my friends had gotten their period and I still hadn’t. Of course this is very difficult memory for me since I’m a guy and I never really went through that experience, just feels like it listening to this album.
Good album overall, a little slow for my liking, but Fiona is a talented singer and the piano playing on the tracks was great
I know this is an unpopular opinion but Fetch the Bolt Cutters was a bit too weird for me, so I wasn't sure what to expect from her earlier work. I found myself pleasantly surprised and did enjoy it more than expected! Same great songwriting but a little less weird
Listened Before? N Pretty decent. Much better than the previous album. Criminal and Shadowboxer are well known singles in the US. They're good. I also really like Sleep to Dream. All that said, I don't understand why an artist like Fiona Apple has multiple entries on the list. Added to Library? N Song added to Playlist: Sleep to Dream, Shadowboxer
I've heard a song or two off this before. It's not bad, just kinda soulsey jazz piano stuff. bit of Gen X wank going on, dragged on too much by the end. Bored me more than it interested me. But I remember seeing the video for criminal in the 90s and thinking jeez i'd be up there like a rat up a drainpipe. 2/5.
Varsin yhdentekevä levy. Periaatteessa ihan mukavaa rallattelua, mutta yksikään kappale ei jäänyt positiivisesti mieleen. Miksiköhän on mukana tällä listalla? Köyhän naisen Tori Amos.
Another album that's simply ok. Quite pleasant but I don't really see the need for it to be on this list.
God, I'm so bored. It's like somebody made one song and recorded it a dozen times to pad out a an album made to fulfill some record contract. The artist obviously has musical ability, but no talent for writing anything compelling.
"Shadowboxer", Slow Like Honey,"Sleep to Dream", The First Taste, "Criminal" and Never Is a Promise.
Yeah this was fine. All the songs kind of sound the same. Favorite track: The first taste
Tämä oli vähän niin kuin valkoinen versio eilisestä Lauryn Hillin levystä. Ei juuri puhutellut. Oli liian laahaavaa ja hidastempoista omaan makuun. Tykkään enemmän joko kepeämmistä naislaulajista tai sitten oikein teatraalisista, jotka maalailevat isolla pensselillä. Tämä oli vähän sellaista väliinputoajaosastoa, joka ei osunut kumpaankaan kategoriaan.
this is weird, it felt like it was nearly good. it teeter totters like its just about to be good and then crumples to the floor as a shit mess of wank pissed on by the curse of a female singer overcomplicating singing to show off her voice at the detriment of a good song. its like we don't let it slip, so close to glory and then stumbling to be just embarrassing. its shit, but it kept tricking me into thinking it might not be.
Instrumentals were nice. Apple sounds like she's trying too hard to be breathlessly sexy. She failed
Bardzo się znudziłem przy nim, pani Fiona ma ładny głos i super imię i nazwisko o ile to jej prawdziwe imię i nazwisko
nie miałam vibeu za bardzo. ładne pianinko i wokal spoko, ale nie jest to giga odkrycie nowe. takie okej, bez szału
This was just alright. Similar to Florence + the Machine vocally I feel. It started off well but was a bit boring towards the end. Fav track: Sullen Girl Worst track: Slow Like Honey
musically not bad as pop but not a fan of vocals or lyrics 2 - not for me but doesn't hurt my ears.
There is absolutely nothing wrong with this album. It's nice, she has a beautiful voice and her own style. I have nothing bad to say about it. It just doesn't move me, at all. It's nice, and nothing more.
It sounds like Mazzy Star meets Portishead. I listened twice and got bored both times. Probably will not revisit this.
Another album I'm not entirely sure why it made the list - sure it's impressive the songs were written by a 17 year old, but they sound like it too. It's pleasant enough but there's not a single track I could pick out, the overwhelming impression I've been left with is that music from the mid-90s really sucked if this album got picked, and given what was going on in the UK at the time that's a real shame.
I never understood the appeal. Gave it a chance, but it’s still not music that I can connect with. It’s an impressive debut from an impressive artist on paper. It just doesn’t go any further than that with me.
i can totally see why people like her however.. her voice just really annoyed me for some reason. it just wasn’t appealing to me and the vocals, although really good, bothered me.
Pleasant enough listen one time. I don't feel it will stand up to further visits though. File in the "good for one listen" box.
Objectively speaking, this is very musical music (you know what I mean). Subjectively, it passes right past me. You know what I mean.
So sleepy it made me miss my junction and nearly end up on the motorway with no idea where I was heading
Album ktory przesluchalem, a zapomnialem dodac jakiegos wpisu listowego, wiec jeszcze raz musialem przesluchac, co wyjasnilo brak zapalu do opisywania plyty, bo jest to tragicznie nudny popowy rok bardzo niebabskiej baby, ktora zostala dobrze wyprodukowana, bo wszedzie slychac napracowanko zarowno wsrod instrumentali, ktorych jest od groma pianina, cymbaly, klarnety i dwadziescia innych wydawaczy dzwiekow, ktorych nazwy nawet nie proboje zgadywac, po produkcje bo wszystko brzmi czysto, az dziwne jak na album debiutancki material 18 letniej wokalistki, ale to jest jeden z tych albumow pod tytulem robimy gwiazde, bo bacground sie zgadza, tragiczna historia sie zgadza, wiec czemu by tego nie sprzedac, dodatkowo przewijajacym motywem na plycie jest pokazanie innym, ze sie do czegos doszlo, robiac muzyke na taka skale, oczywiscie glownym punktem jest milosc, oczywiscie smutna, niezrozumiana, po przejsciach, wiec 18 letnia fiona opowiada jak jej ciezko w zyciu po gwaltach w mlodosci i ciezkiej pracy aby nagrac ten material, jak to ciezko kobiecie zrobic kariere z powodu zbyt szykjownego wygladu, material sciskajacy seruszko kazdego sojowego zjadacza popu, ciezki odsluch przez swoj klimat naturalnej sztucznosci, wokale tak samo nie draznia ucha, ale nie sa czyms co by sie chcialo sluchac, bo nie slychac tego kto wydaje dzwiek, dobrze przedstawia to okladka, ktora prawdopodobnie jest mugowym szotem fiony i wyglada on rowniez nijako, niebieskie oczy w ktorych nic nie widac, taki tez jest caly album, na plejke wrzucam criminala, najbardziej cringowalny trak, wiec przynajmniej sie czyms wyrozniajacy
Fiona is one of the greatest artist in the last 30 years, but still like When the Pawn album better
Not a fan
Trochę jak pj harvey