Music from Big Pink is the debut studio album by the Band. Released in 1968, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The music was composed partly in "Big Pink", a house shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour (as the Hawks) and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
In 2000 the album was rereleased with additional outtakes from the recording sessions, and in 2018 a "50th Anniversary Super Deluxe" edition was released with a new stereo mix by Bob Clearmountain.
Apparently some people like this.
P.S. Natalie played me three covers of songs from this album. Each one was better than the original, and even these I wouldn’t play again.
An unparalleled fresh and original sound in 1968 with strong ties to the American song tradition, and which served as a huge inspiration for countless acts to follow. The ties to Bob Dylan are strong, but it's incredible for The Band to create a record which sounds wholeheartedly different than what they did while acting as Dylan's backing band.
Music From Big Pink is charming with a production making it sound like it was actually recorded in a basement. The vocal harmonies are raw but authentic, and the highlights are plenty: 'Caledonia Mission', the swinging 'We Can Talk', 'Lonesome Suzie', 'This Wheel's On Fire' and of course 'The Weight'.
I've never been familiar with The Band but this really got me. Obviously 'The Weight' is a classic, but 'Tears of Rage' 'To Kingdom Come' and 'I Shall be Released' were also favorites for me. The whole album has an amazing feel, and it's wild to realize it was all recorded in just two weeks.
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What really struck me with this album was the forging of rock, soul, and sorrowful old country western into an Americana Alloy. Its beautiful American wanderlust. I love it.
What a rich and earthy album from such a mythic era. So much soul it aches. This is the personification of musical brotherhood to me. I think that most all of them share on the vocals is part of this feeling. It's funny cause many times I tend to shy away from rootsy music but this is the genuine article and I can't help but be drawn in to it. "The Weight" is one for the ages. Always loved "Chest Fever" too.
I love this album so much. I had this vinyl for so long and it broke in my move from UT to CA and broke my heart. Tears of Rage and The Weight are two of my favorite comfort songs. I can’t say anything about this album except to say it is sacred and lovely and you should listen to it often.
40. Music from the Big Pink - The Band 20 tracks.
This seems to be a collection of tracks rather than an album. There is no flow. Some amazing tracks surrounded by some real fillers that detract from the whole.
3/5
Classic album, warm and soulful and a delight to listen to. The Band makes it seem very effortless and laid back, like the album just emerged out of some jam session. This is part of their brilliance. This is a group of highly skilled musicians performing at their peak, clearly having a ball crafting music they love. 100 years from now people will still be drawn to these songs.
Fave songs: Tears of Rage, The Weight, I Shall Be Released
An amazing debut from the little band that could
These guys combination of folk and excellent vocals caused the whole late 60’s rock scene turn their head and look at what these guys were doing.
Hell the album make Cream break up due to it being that damn good.
I knew The Weight going into this. I really enjoyed it. I don't really have a track by track breakdown or anything specific to call out. It just felt like a really complete record where all the songs were evenly matched, with The Weight being a standout. Very happy I listened to this.
Wasn't it the guy behind The Cleveland Show who once said that the Band's music was like listening to someone sitting on an accordion?
Quite mean, and his dumbass cartoon sucks, but there's a kernel of truth. There's a pleasantly wheezy feel to proceedings that evokes an old timey sensibility, even if the music was (then) modern.
What strikes me, especially in our age, is just how cohesive not just the separate songs are, but also the musicians themselves between each other. It's very comfy and organic, true, but there's also a generosity at its heart. No big stars, just a collective of lovely instrumentation knitted together to form the overall whole.
Special stuff.
What’s left to say?..a critical moment in the evolution of rock, Americana, alt-country…take your pick…also a demonstration of what can happen when you allow a group of musicians to percolate and figure out what they want to play and how they want to play it…
A masterpiece. Each song is great in its own right, and having multiple band members have lead vocals throughout the album adds to the overall greatness of this album. It’s just so good. 5/5 Listen often
We should talk about the all-time best singing drummers. Any list worth a shit will have the following:
Don Henley: He's mainly a lead singer who just happened to play drums. Henley will never be considered one of the best drummers, but we're not listing or ranking best drummers here, but singing drummers.
Phil Collins: Similar to Henley in that he's a lead singer who played the drums, but Collins gets a little too much credit for his drumming because his drumming sound in the '80's was so distinct. There's also the whole "In The Air Tonight" drum moment people get a little too excited over.
Shelia E.: The best drummer on this short list, and it's not even close. Apparently her career was cut shorter than it should have been because she preferred drumming while wearing high heels.
Levon Helm: His drumming style is actually quite similar to Henley's, but he's thought of as a much better drummer than Henley. He didn't have Henley's vocal chops, but his voice was still incredibly distinct, and it's Levon's voice I think of the most when I think of The Band. It's Levon singing lead on my favorite Band songs (none of which are on this album, for what it's worth). Bonus points for being adept at playing the mandolin.
These are really the best four, and your mileage may vary on where you rank them. Anyone who is just trying to be cute will include Karen Carpenter (she COULD drum, but sort of gave it up after a while, but she gets props every now and then for people discovering old videos of her playing drums well while wearing a T-Shirt that says "Lead Sister"), the dude from the Romantics (who lucked out by singing lead on their most beloved song), Peter Criss (only because he sang on a handful of songs, although I'd listen to an argument for him being the best lead singer of Kiss, which is sort of like claiming to be the world's tallest midget), Roger Taylor (disqualified for singing a song about being in love with his car), Mickey Dolenz (we're not even sure how much drumming he was truly responsible for), Ringo Starr (as John Lennon once famously noted, he wasn't even the best drummer in The Beatles), Dave Grohl (no, also gave up the drums once he became a lead singer), Kelly Keagy (from Night Ranger, but the only people bringing him up are relatives of Kelly Keagy).
Some obvious classics. But (unpopular opinion) The Band doesn't particularly stick out to me as a talented collective. I have heard covers of their hits that are better than the originals.
another album that i cannot be unbiased about. i adore this album. not only was it extremely groundbreaking at the time, the songwriting and the musicianship here is great. i don't expect everyone will like this. the vocals here are a bit rough around the edges, the sound is very laid back. but i love it. robbie robertson's songwriting is great, but also all of them are great and underrated musicians in their own right. it doesn't get much better than this!
I love this album with my whole heart, though I always think about the look they must have had on their faces when Bob Dylan popped in saying "Hey I made this painting for the cover! You guys like it? You can be honest with me!"
This album is not quite my style but I honestly enjoyed it a lot. Their voices are nice and I think each song has a great flow and rhythm. I like "chest fever" a lot the vocals really stick out to me. I think overall this is a great album but not something I usually listen to
Sorry ‘Muricans but this is just tedious. Take A Load Off is decent and I recognise Wheels On Fre from Ab Fab (that version is more tuneful though. The rest just trundles along in a rather dull manner
The Band is everything and now there are no more members remaining. Even if every song isn't a 5/5, this album is a 5/5. I can't in good conscience give anything released before Moondog Matinee less than a 5. It's quite a feat to have a band where technical vocal power isn't really the point, and yet have three great singers (Levon Helm, Rick Danko, Richard Manuel) each bringing something different to the table. Took me way too long to learn that it's Richard Manuel's voice (a rare falsetto turn from him) on I Shall Be Released, as opposed to Rick Danko, who just sounded like that normally.
Tears of Rage has that Danko ache and is the perfect opener. Other highlights are We Can Talk, Chest Fever (Garth Hudson's playing!), This Wheel's on Fire, and of course The Weight and I Shall Be Released.
I Shall Be Released is a religious experience and I've turned to it in difficult times before, and will probably do so again.
this album is stunning front to back, and i really think The Band deserves the level of notoriety given to The Beatles. such a defining and influential band.
I will be forever grateful that Bob Dylan chose not to sing on this record. The Band is such an incredible band, and the fact that they were able to develop their own style and share vocal duties amongst themselves really led to something special.
As someone who has always loved The Band, and watched the Last Waltz multiple times, I’m really glad this record came up. It’s this wonderful combination of blues, folk, and rock n roll. There’s so many other influences sprinkled throughout, but it’s really hard to describe as anything other than just “The Band”.
In my opinion Robbie Robertson is incredibly underrated as a guitar player, and I think this album is a really good example of how talented he was. The solo on “To Kingdom Come” alone is enough to push him into the upper echelons of 60’s and 70’s guitarists.
I’m really happy to have listened to this album again, and I’m also very happy that it exists.
5*
Woah. Just, great shit, truly. This album is just like, pure concentrated Americana right into the veins that scratches your soul juuust right. The Weight is obviously the creme de la creme, but We Can Talk and Chest Fever just fucking rock, man. Hell, they're all great! Can't pick just one.
I know a lot of people think that the Band doesn't stand out much in this day and age, but that's because they did it first, who the hell wasn't inspired by their music? That's why its everywhere. Listening to this album start to finish, I can't help but here all of the great songs that came after as well, from all the people who heard this album, and loved it, too. Beautiful stuff.
Very glad I had headphones for this album. Loved the way the songs built into The Weight. Especially on my second listen through.
The story of both the album and The Band are amazing as well. The fact that both are considered so influential but take their name from the fact they were the backing band for Boy Dylan and then where they recorded most of these songs show the focus on the music rather than the marketability of the group.
When Bob Dylan's band first stepped out from his shadows to record their own material, they made a name for themselves as a creative force in their own rite, and helped popularize the emerging Americana movement. The sounds stood as a refreshing contrast (for some) to the psychedelic rock that dominated popular music of this era. Dylan himself wisely took a back seat on this one, contributing only a few songs and an album cover but no actual performances. It was a smart move as it really let the others shine. I do think there's a unique energy to this album and I kind of love that it was made. But it's also not one that I'd probably return to often, apart from the stunning "The Weight" is stands far above the rest of the tracks. I'm glad I heard it though, as it's a good album and a nice piece of music history.
When Paul McCartney said this was one of the 3 best albums he ever listened to, I came into this with HUGE expectations. And i've gotta say, Paul, if you told me Rebecca Black was a generational Female vocalist, i'd believe you. Some people you just dont question their musical opinions.
However, in this case. I think me and Paul just have different tastes (hence why he's a musical icon and im here writing reviews lol). I like the instrumentation on this album, and this guy is a cool vocalist to listen to. But i cant ever see myself revisting this album routinely, other than "The Weight"
3/5
I love The Weight so I expected to love this, but the killer to filler ratio was a bit off. It probably didn’t help that what I’d always assumed was a comedy “crazy Chester” voice in The Weight might just be how Rick Danko sings?
I had a big Band phase about 20 years ago, must admit I've not gone near them in a long time. The Brown album was a particular favourite over Big PInk, but I bookended both of them.
Sad to say it doesn't really hold up. There are some fine moments, Tears of Rage etc, but surprisingly a lot of the vocals are variable at best. The songwriting is all over the place and I think reflects a lot of the nurdling around that went on with the basement tapes. I'm genuinely surprised by how ordinary it is, odd. But let's leaven this critique with a concessive; what's good about it is really good.
Loved how a couple songs were named for the idea, not an actual line or phrase in it. Took me back to the time when music was less succinct and more fluid. Sounded like it was fun to make. Easy enjoyable listening if you're in the mood for some older feels.
I recognize this is more a failure of approaching a foundational work with the knowledge of what will come next, how people took what was original and expanded on it or altered it, and I'd ideally approach this album in a vacuum.
But I don't like the folksy rock that spawned from this so I'm not loving this either. I think it's fine, but I know it leads to things like Clapton, Eagles, the less good parts of anyone involved in Crosby Stills Nash (sometimes) Young, so on. I'm also never going to get that excited about something with this much Dylan in it but at least he's not singing
2 or 3, won't be sure until it's time actually time to rate it.
not adding to collection (but might revisit it later)
It puzzled me why I don't know this very well, but all became clear within minutes. It's so ploddingly dull, the vocals grate, the music somniferizes (hey, AI tells me that's a word). The Band really are just that - a backing band with no presence. The Dylan songs are marginally better than the rest, but have nothing really to recommend them; there's a good version of "I Shall Be Released" on the Rolling Thunder bootleg with Joan Baez and Mick Ronson, that's about the only positive I can give. The Basement Tapes suck too.
I don't know if it's the remaster but I can barely hear the vocals. This album feels like a more organized Grateful Dead project but without the Bohemian spirit. There are definitely some progressive elements for the time but they try to do too much in every song rather than showcasing the variety of styles and techniques across multiple songs.
"Wait. Let’s try this again. Do you see the band on stage?"
"No, I don’t see The Band, that’s a different group entirely!"
"On stage, Skippy! Look, see the band?"
"No I don’t!"
"Get rid of those John Lennon glasses and look! There, there’s the band!"
"No, that’s not The Band! The Band is performing later on. Who is onstage."
Beautifully engineered, very impressive as it was recorded without overdubs. Full of 60s rock flourishes that harken back to some of its roots in gospel, boogie, country, and rockabilly - loads of piano, Hammond organ, call and response vocals, counterpoint harmonies. The bass bounces about with a vintage thud.
However, it all feels less than the sum of its parts. I can see why critics and other artists raved about them; doesn't mean I have to like it.
Quaalude-soaked bluesy-country-rock, eh? The Weight is one of those classic rock staples, but the remainder of this album felt like a hazy Sunday afternoon that’ll leave a hangover on Monday. Beautiful as it happens, but the details aren’t distinctly memorable and you’ve got a strange taste in your mouth the next day.
The album is a multifaced cube of character. Simply put, I haven't heard such a good album in a while that effortlessly plays with different directions and genres. Manuel's soulful vocals add an incredible dimension to the songs, making them evergreen, while the harmonization of Robertson, Rick, and Helm achieves the ultimate goal of creating infectious pop numbers, which shows the level of synergy these guys had, even if they didn't quite got on when the mics were turned off. Instrumentally, each member contributes in their own way: Garth Hudson might be the best organ player I've heard, which makes the bulk of my enjoyment of this album, while Levon's simple drumming style contrasts with the experimentation of the other members (who add a little bit of everything, from funk, garage rock licks, RnB and gospel), playing the role of a monolith around which the others revolve and creating the foundation for the songs.
Of course, lyrically, there are moments that touch upon some urban myths and American legends, but to a much lesser extent than what will be present on the next album. Mostly, the album resides in this intimate sphere, providing a brief glimpse into the atmosphere in which this album was created.
Summarizing what is found here could be precisely reduced to one word: intimacy. With this unique album, The Band shows us a side of music that wasn't particularly prevalent then, especially not in the mainstream, with its themes of heartache, resilience, and the human experience. I'm extremely pleased that this album has been recognized as a significant musical success, as one of America's most important musical achievements, and as an album that stands strong even today.
Fem killar går in i ett hus och trycker på rec. En timme senare har de spelat in elva framtida klassiker. Bara så där. Inga omtagningar.
Riktigt så gick det väl inte till. Men få skivor kan som Music from Big Pink ge den känslan av att musiken bara uppstår, lika enkelt och naturligt som genialt, som sprungen ur en uråldrig källa.
Nice blues rock album, at first i was a little offput by the vocals, but its really soothing and a compliment to the album. I would really like to highlight the tracks Caledonia Mission and The Weight, i feel the chemistry between all of the members to shine through the most in this track, they just really know how to wield those instruments in a way that it feels like a ride through the sunset, 9/10
Well what can i say really, the dons, its The fucking Band. Multiple listens to this today, The Weight is one of the best songs of all time. Tears Of Rage comes in at #2, and is an unbelievable opener.
5.0/5.0
Best Song: The Weight/Tears Of Rage
No notes. Its a perfect album, and not even their best. 4 Canadian Dudes and 1 American created the Americana genre. Its such easy listening, Richard Manuel and Rick Danko have two of the most beautiful voices of all time. The whole band is so talented and this album is just amazing. I don't think there is a more influential song than The Weight either, it might be the greatest bit of songwriting ever.
I've listened to a lot of the band, but never this album together, fucking incredible, and I didn't realize that Richard Manuel was so involved at first, singing a lot, and writing a bit. That motherfucker may have well had the best voice in rock. Tears of Rage does slow song intensity like no one ever has. Garths organ/electronic experimentation, levons drumming, and singing somehow, danko singing, robertson clean and tasteful. The world didn't deserve these guys.
This is a really special album to me. It was one of my dad's absolute favourites, it was playing constantly. And it's really good. I'll always love the Band and this might be their best.
Real Americana music that is really deeply invigorating and original. This album has everything the mid 60's enthusiast wants without all the pretensions and you can feel the earth under your feet and know you have found nirvana.
Absolutely one of my favorite albums from one of my favorite bands. Who knew a Canadian band could be so good at capturing the American sentiment so well.
Just magnificent. The Weight is among the greatest songs ever recorded, and then throw in the likes of Tears of Rage, Chest Fever and Long Black Veil and you’re on to a winner.
I have to do a backward exercise, putting myself in the late 60s, and then I realize how this album would be one of the first to mix genres like country, rock, folk, blues, and so on.
Some tracks feature distinctive storytelling and a musical style that defies genre boundaries. "The Weight," "I Shall Be Released," "The Long Black Veil," and "We Can Talk" offer different narratives that evoke emotional and social themes. "Tears of Rage" was co-written with Bob Dylan. In fact, The Band emerged as a distinct group after backing Bob Dylan on his 1966 tour.
Finally, I'm not going to pick a favorite because what I really liked about this album was the rich vocal harmonies, versatile instrumentation, and the mix of genres.
A curiosity: The album includes the iconic song "The Weight" (track number 5), which gained greater popularity after The Band’s performance at Woodstock and its inclusion in the film "Easy Rider." Wow!
Nice swing in "Tears of Rage", pretty moving! In a Station is a superb ballad too, I'm really digging this album. It was cheesy but it is for sure a classic, I'm glad I found this album out. Way better than their self titled.
Not having listened to this in a long time I was struck by how it really sounds like a bunch of friends just jamming and having fun playing music together.
The Weight is obviously a classic. But there’s more to this record than that - Tears of Rage, We Can Talk About It and Long Black Veil are the other standouts for me.
This is one of my favourite albums. Discovering the plaintive, folk-drenched sounds of The Band crystalized my lifelong love of roots/folk-rock/Americana (or preferentially, Canadiana, on this side of the border). It was life-altering in the subtle way that art improves and undergirds our lives.
This is another record that I shouldn't rhapsodize too much -- there's been enough ink spilt on its account. Just give this a listen. Keep an ear out for the harmonies and for the strains of each band member's contributions bleeding through: Levon's traditional folk from the South; Garth Hudson's conservatory training; Robbie's fire; Rick Danko's obvious R&B influences (and his utterly unique vocal timbre) and the pure, uncut sadness of Richard Manuel.
It's not easy to write a standard. They've written several -- two ('The Weight', 'This Wheel's On Fire' with Dylan) and stole a third ('I Shall Be Released' is a Dylan composition but it belongs to The Band and Richard Manuel in particular) on this record alone.
If you've ever heard some lazy, jangly bullshit, it was probably trying to get to this place.
I listened to this on a drive from Tallahassee to Jacksonville after a weekend of visiting a friend.
The only song I had heard before was “The Weight.” How I didn’t know any of the others is anyone’s guess, because this was fantastic. I keep mental notes of my favorite songs per album, and each song here could have been my favorite.