Excellent grunge inspired album that inspired many new female artists. The music matches the title of the album, dry yet heartfelt and well-executed with some great standout tracks like "Joe", the chaotic "Plants and Rags" and the in-your-face lyrics of "Dress". Definitely deserving to be on the 1001 list, mostly for the fact that it is one of the best female "grunge-raw" style albums out there.
This is among my favorite Stones albums, but not quite up there with Satanic Majesty, Beggars Banquet, Black and Blue and Some Girls. The overall feel of this album is based on a bluesy-rock-country twang that give the Stones what I consider their best sound. 4.5 stars.
This is not an album that I feel should be one of the albums anyone needs to hear before they die. I have nothing against noise rock or lo-fi, but this album is not one of the best examples of that. The band obviously takes their inspiration from punk and the sound of groups like Velvet Underground and such, so it's not like they were the first or the last, and this album is not the best example of it either.
There's no doubt that this performance is full of energy and that the crowd was having a great time. Nobody could bring it on with a piano like Jerry Lee could and this album captures that energy. For me, the album tends to wear out by the time it gets to the end because I prefer more variety, however, the fun level pumps this album all the way through and is effective in demonstrating for the listener, the amount of energy present in a Jerry Lee concert.
This album sits in the perfect place that is post-hardcore, but predates grunge making it that link that so many people unfortunately miss. Dirty, messy, noisy, lots of fun and perfectly imperfect. Love it!
This is an excellent post-punk album made like a snubbed nose to the new wave craze that was happening at the time. Solid and catchy, yet it was still giving the finger to the corporate man.
Over the years, Prince had a lot of great albums, but he also had a lot of bad ones. This was one of his best and that is saying a lot. Lots of variety and emotion makes this a must-listen.
Great live blues from the legendary master. There is a lot of excitement in the crowd, but it takes a few tracks before Waters feels their love...then it all breaks loose.
This is such a beautiful and original album. There was nothing like it before it came out, and, even though the band wasn't that happy with it saying that it sounds unfinished, that might be the thing that made it so perfect. Wonderfully layered with the two voices weaving in and out and around each other, the music here floats like a wispy cloud, but the more you listen to it, the more you hear. Absolutely brilliant. For many, it will take several listens to get it, but be patient and you will.
This album is both historically and prophetically important. It is an excellent commentary on the societal division in the US, but from the 90's when most of the racial tension was glossed over, this album gives insight into the reality of racial tensions and realities. As such it becomes prophetic for 2020. This is why this album is important, not because of it's ingenuity or musicality, but because of it's look into the realities of being black.
One of Prine's best albums, this is the country side of Dylan, but on the side that has inspired so many great alternative country and indie-folk bands. This is simple music with an attitude, a huge sense of humor and sarcasm, this is the way it should be done. Prine was an ignored artist most of his life, but at least his music became appreciated before we lost him to Covid-19. Prine will be sorely missed.
The Stones isolated themselves to come up with this double album and jamming out tunes using their unused riffs and songs plus adding completely new songs. The style is a combination of blues, rock, gospel, r&b, jazz and country, yet with so many genres and tracks, the music still manages to sound the same and get stale by the end. The Stones have done much better than this.
I was never much of an Oasis fan, it just seems like 1-dimensional rock to me, not much feeling, not much variation, sort of boring. I never quite got it I'm afraid
The first album by the King. Actually, it accumulates some singles, outtakes and other things from the Sun sessions and brings them all together in a surprisingly cohesive album. It's Presley without the bells and whistles, the way he was meant to be heard. Lots of rockers and ballads, all compressed into less than a half an hour, yet still the best of the best.
This is the album that allowed the band to break through and become the legends they were destined to become. Jack White became the guitar god of a new generation and deserved the status. A hard blues rocking album, but with Jack's twists that gave blues rock a new sound and opened up the ears of the pop-drenched culture. He could be responsible for the vinyl and classic rock resurgence, but also gave hope to many that rock was far from dead.
This is the album that I think of when someone mentions "industrial-electronica". One of the best and deserving to be on the list.
There are a few of the Unplugged series that will go down in music history. This is one of them. Who would have guessed that these Nirvana songs and covers would translate so well into acoustic gems to make an amazing album. Performances are top-notch and memorable, and you only want to revisit this concert again and again.
Real blues untouched by pop music done by a master with Johnny Winter allowing Waters to do what he does best, no restrictions. What more can I say?
The dawn of thrash as evidenced in Bad Omen and Black Friday. I remember those import bins during the 80's thinking the deliverance from hair metal was there, but they usually disappointed. But not this album. It was everything evil and harsh that I always imagined those others should have been. Where would music be today if we paid attention to this kind of music instead of that crappy hair metal?
Great album, but not one of the band's best. However, they did start to delve into a more variable sound while establishing the unique and full guitar sound and multi-layered vocal style they would eventually become famous for.
Nicely understated and under appreciated. Soft and lovely, the album can sound a bit the same at first, but the songs quickly grow on you and become your favorites.
An excellent jazz record that shows all of the shades of the Samba, and a beautiful example of Latin jazz with the ever popular version of "Desafinado" that all will recognize once they hear it.
Perfect jangle pop, it's never been done better. If only The La's could have been happy with this album and released many other albums, the world would not have needed or noticed the overrated Oasis. I don't know why the band couldn't be satisfied, but I'm glad, at least, that this got released. It's happy and poppy, yet it is still one of the most enjoyable albums of the 90's
It's great to see this much innovation in popular music and hearing an artist explore a concept album like this. She obviously put a lot of work into this. Some of the tracks individually don't connect with me, but others definitely do, especially when she explores styles that aren't quite so obvious as in "Come Alive" and "Mushrooms and Roses". Very ambitious! This is one that I wish was more popular among popular music even if it doesn't always speak to me, it still shows what amazing things can happen if people break the mold of popular music and explore, leaving behind the cookie cutter world.
