- Very stripped-back/minimalistic
- Simple guitar lines which seem to take emphasis over the vocals, distracting from the driving force of the album
- Unenthusiastic vocals (bored?)
- Romy's vocals can be driving, but most of the time sounds disinterested
- Romy and Oliver's vocals do complement each other (evident on 'Islands')
- The synth towards the end of 'Islands' compliments the other instrumentation, which should've been used for the rest of the album, evident in 'Intro' which ironically is one of the standout tracks, when it should be setting up for the subsequent tracks
- As background music, it partly fulfils its purpose, however, it lacks any driving emotion to make it worth paying particular attention to listen to
- The drums and bass sound very mechanic, and the simple, repetitive beats leave much to be desired
- 'Shelter' is definitely one of the best tracks, with its evident pop influence, which would have been nice to see shown a lot more throughout the album
- The reverbed guitar on 'Shelter' is a tone which should have been utilised more, as it makes an easier listening experience, complimenting Romy's monotonous vocals much more than the dull guitar tone found in the majority of the tracks
- Some replay value, however a lot of the tracks do blend, creating a forgettable listening experience
- Oliver's vocals are uncommon but can be standout on the tracks he features on, again which would have been nice to see shown more
- Good lyrical work, but it can only be praised when reading the lyrics separately, as the vocal work is not particularly standout
- At points, I hadn't realised that a new track was playing, as many sounded very similar
- The final track has some emotional impact at points, but the minimalistic design and bland vocals doesn't leave anything to be remembered
- I looked up synonyms of 'dull', which is never a good sign when writing about an album, but I feel that that word summarises this album entirely, there is no particular standout track, and each track is comprised of simple guitar lines, with mechanical drums and bass, and a very monotonous vocal delivery. I feel like the album had the potential to achieve so much more, maybe if they lent into more of their pop influences, but this album falls flat, achieving no emotional impact. I would consider replaying this album as background music, but it would be difficult to replay it solely for its musical value.
- Great bright guitar tone, catchy riffs
- Distinct vocals
- Good lyricism, even if it can become simple at times
- Amazing opening track, followed by iconic lead single 'Song 2'
- Strongly emotional ballads
- Good variety of upbeat to mellow tracks
- Lots of replay value, really fun to listen to
- Great drums and bass instrumentation
- Upbeat Brit-pop, 'summer' feeling
- Iconic singles
- Can be very experimental at times, not as poppy as some of their other work
- I found myself not paying attention to the individual instruments, instead enjoying the track as a whole
- This album already has a legacy which speaks for its greatness, containing Blur's most popular song and serving as one of the defining albums of the Brit-pop genre, making Blur a household name, partly because of their rivalry with the other mainstream Brit-pop band Oasis. However, I found myself enjoying this album much more than any of Oasis'. The upbeat guitar style, combined with Damon's iconic vocal style and lyricism, mixed with just enough experimental work to make this album really stand out in its space creates a truly enjoyable listening experience, something which I found myself replaying not just for the review - but out of enjoyment.
- Great bass lines, but can be repetitive
- Simple R&B lyrics, mainly focused around the themes of love and dance
- Opening track is one of the weaker tracks on the album
- Good production
- Really great vocal performances
- Tracks can feel like they go on for too long
- Nice upbeat guitar lines
- Really fun to listen to, great funky vibes
- Could be more complexity in the instrumentation
- Easy to listen to, but the simplicity of the tracks make it more suited to background music instead of a focused listen
- Some experimental guitar in the instrumental track
- Can be oddly somber at points, such as in 'Sometimes You Win'
- Great closing track
- Even though dance is not my initial choice of genre, I found myself really enjoying this album, and lost myself in the funky bass lines and soulful vocals. The albums strong points are its great use of instruments, occasional experimental sections, and the great singing. However, it does have a few weak points which stop it from reaching greatness, notably its simple lyrics (even if they are a feature of the genre) and the repetitiveness of the tracks, where they can feel much longer than their actual length, as you are at points just listening to a looped guitar riff or lyric sung repeatedly. Despite that, the atmosphere of this album is impossible to ignore - you can't help but be absorbed in the groove.
- Great guitar tone
- Noticeable absence of bass in the mix
- Amazing, iconic vocals by James
- Masterful guitar riffs
- Simple, but fitting drums
- Drums are slightly too loud in the mix, but can sound very thin, noticeably in the opening track
- Really powerful lyricism
- Tracks can drag on at times, many songs could have been trimmed slightly, which would have helped each have their own identity
- Really memorable guitar riffs, tune stays stuck in your head after listening
- Instrumental sections are not boring to listen to, even when looping the same guitar riffs, just fun to listen to
- With 'One' it is easy to see how it gained such fame, as such a deeply emotional track, with a slow start leading into a really powerful message about the tragedy of war, and those left abandoned after suffering it
- Powerful imagery, on topics of war and injustice
- Such an iconic, powerful guitar tone, its worth mentioning twice
- Tracks can blend together, especially as you start to lose attention as the tracks have such extended length
- I tried so hard to love this album, as the cultural impact it had was huge, and while I can appreciate the tracks individually, as whole the album was just exhausting to listen to, with most tracks overstaying their welcome, and lacking identity in comparison to each other. Despite this, I do love each track, and it is understandable why Metallica is the figurehead for their genre, as they make truly great metal music. However, I do feel a lot of their previous work has trumped this album, and it felt like it could have been polished so much more.
- There is a reason this album isn't on any streaming services
- Sounds like the whole album was freestyle in one take, by band members who have never met each other
- The vocals are nothing to write home about, but does have some nice rasp it
- The instrumentation may be so complex that they are actually a work of art, but are just a chore to listen to, and to the average ear nothing compliments each other, everything sounds out of time and unrehearsed
- This may have been the hardest time I have ever had listening to an album
- I would have preferred to listen to kidz bop renditions of diarrhoea
- This may be unfair, but I had to stop this album after listening to 3 tracks. But can you really blame me? At the risk of sounding hyperbolic, this is one of the worst albums I have ever heard. This album isn't on streaming services to protect young children from being permanently scarred by listening to it. There is no synergy between any of the instruments, each plays in its own time scale and absolutely NOTHING compliments each other. The only (slight) redeeming quality of this album is its vocals, which are not as unpleasant to listen to as the instruments. This album may be musically complex and worthy of praise for its abstract absurdism, but it is not nice to listen to. I had to listen to another album directly after hearing this to cleanse my palate from the foul aftertaste it left me. I hope to forget this album, and if there was a 0 star option this album would receive it.
- Really funky guitar riffs and bass lines
- Great vocals
- Catchy guitar rhythm
- Possibly dance music?
- Very groovy
- Sounds similar to world music
- Experimental enough to sound different, but not too much as to where it is difficult to listen to
- Abstract lyricism
- Even in the longer tracks, they do not feel like they drag on
- Enticing groove with the bass lines
- Feeling of constant motion, never given a chance to slow down
- Oddly psychedelic at points
- Songs fly by, you are completely absorbed into the listening experience
- Lyrics can be very introspective at times
- Loads of replay value, as a whole or as tracks individually, as the tracks are just so fun to listen to, having an undeniable allure to them
- This is definitely the best album I have listened to so far, as its instruments, vocals, lyricism and overall emotions are extremely strong. This album gets a lot of praise in online music circles, and rightly so. It encorporates aspects from world music, funk, and new wave, and overall creates a hypnotising listening experience, one which does not feel a chore to listen to, rather an unconscious listening experience, where you lose yourself in-between tracks, and soon the album has ended. Then you replay it.