Trout Mask Replica is the third studio album by the American band Captain Beefheart and his Magic Band, released as a double album on June 16, 1969, by Straight Records. The music was composed by Captain Beefheart (Don Van Vliet) and arranged by drummer John "Drumbo" French. Combining elements of R&B, garage rock, and blues with free jazz, avant-garde approaches, and other genres of American music, the album is regarded as an important work of experimental music and art rock. The album was produced by Frank Zappa and recorded in March 1969 at Whitney Studios in Glendale, California, following eight months of intense rehearsals at a small rented communal house in Los Angeles. The lineup of the Magic Band at this time consisted of Bill "Zoot Horn Rollo" Harkleroad and Jeff "Antennae Jimmy Semens" Cotton on guitar, Mark "Rockette Morton" Boston on bass guitar, Victor "The Mascara Snake" Hayden on bass clarinet, and John "Drumbo" French on drums and percussion. Beefheart played several brass and woodwind instruments, including saxophone, musette, and natural horn, and contributed most of the vocal parts, while Zappa and members of the band provided occasional vocals and narration. The well-rehearsed Magic Band recorded all instrumental tracks[a 1] for the album in a single six-hour recording session; Beefheart's vocal and horn tracks were laid down over the next few days. Trout Mask Replica sold poorly upon its initial release in the United States, where it failed to appear in any charts. It was more successful in the United Kingdom, where it spent a week at number 21 on the UK Albums Chart. In recent years, however, Trout Mask Replica has been widely regarded as the masterpiece of Beefheart's musical career, as well as an important influence on many subsequent artists. Its highly unconventional musical style, which includes polyrhythm, multi-octave vocals, and polytonality, continues to polarize audiences and has given the album a reputation as one of the most challenging recordings in the 20th century musical canon. It was ranked number 60 on Rolling Stone's 2012 edition of the 500 Greatest Albums of All Time list, and has appeared on the "best of" lists of many other publications.Wikipedia
This is not a bad album. On a technical level, what they are doing takes immense amount of skill and you can tell that all musicians involved are virtuosos in their own right. On the question of how enjoyable it is, it is unbridled creativity, a storm of brutal sound that can also be quite intriguing at times, like an LSD-infused dadaist poetry slam. But I won't be listening to it regularly, I imagine. It is TOUGH to get through. The best use for this album is as a palate-cleanser. It doesn't matter what you were listening to before, Napalm Death or Mariah Carey, Iron Maiden or Stevie Wonder - by the end of this album, your brain will have thoroughly reset and by any chance, you won't even remember how you got here. But it's going to be an uncomfortable 80 minutes until then.
This album is a lot of fun, chaotic and pretty all over the place. Captain Beefheart's sound is truly unique and he is truly an artist. This album is a trip to listen to.
Word is that you have to listen to this double album six times before it doesn't sound terrible. While I can appreciate the creativity and difficulty in producing this unique work, it might take a while for me to appreciate it. Trout Mask Replica was added to the United States National Recording Registry for the year 2010 by the Library of Congress. Wow. I may have to check back with an update at a later date.
I understand this album is incredibly complex, creative, and original. I also find listening to this type of polytonal, polyrhythmic music to be a chore. Because certain arrangements are possible does not mean they'll sound good. I'll let music scholars sing the praises of this album; it sounded horrible to me.
Always meant to get around this this one and was surprised to not hate it or find it that much of a challenge---must have heard enough music inspired by it over the years that it doesn't seem that crazy. I really like Double Nickels on the Dime by Minutemen and today realized that Trout Mask Replica was likely a huge influence.
I totally dug that offbeat album. It’s obvious to see the influence it had on Tom Waits and I look forward to giving it another listen.
The strangest album so far.
I bet this was an influence on Victim's Family.
Als je hem aanzet en iets gaat doen is het alleen maar soms heel kut, meestal best oké en heel soms best vet
Eerste 5 nummers: Alsof iemand een muziekwinkel van de trap gooit Moonlight on Vermont best leuk Klinkt een beetje als pre-alpha-Zappa geen fan, maar ook niet heel erg om het een keer gehoord te hebben
I feel like it’s actually brave to sound good?
If you like avant garde music this is for you, for the the rest, no.
This is a pure chaotic mess yet it’s weirdly fun and hard to stop listening. I probably won’t come back to it but I definitely had fun while it was on!
Uh, what was that?
That was rough.
Nope. Definitely too much acid for these guys. There's a reason I've never heard of this.
I don't like this style, sorry.
It's like you got a abstract jazz band, put them in the same room as blues band and told them to play different songs at the same time. I see moments of potential but it is a little too all over the place for me to enjoy this.
There's not a single moment on this bloated mess that's enjoyable in any way. Weird for the sake of being weird. At last Zappa's shit jams. Also, that's a catfish. Best track: N/A
What the the fuck is this shit? Made a bad mood a million times worse.
Is this art?
weird collection of what feels like free-form, somewhat spoken-word, often oddly specific-to-topic and political