Blur
Blur
1997
Album Summary
Blur is the fifth studio album by the English rock band Blur, released on 10 February 1997 by Food Records. Blur had previously been broadly critical of American popular culture and their previous albums had become associated with the Britpop movement, particularly Parklife, which had helped them become one of Britain's leading pop acts. After their previous album, The Great Escape, the band faced media backlash and relationships between the members became strained. Under the suggestion of the band's guitarist, Graham Coxon, the band underwent a stylistic change, becoming influenced by American indie rock bands such as Pavement. Recording took place in London as well as in Reykjavík, Iceland. Drummer Dave Rowntree described the music on the album as being more aggressive and emotional than their previous work. Producer Stephen Street claimed that lead singer-songwriter Damon Albarn had started writing about more personal experiences while Coxon revealed that listening to his lyrics it was clear to him that "he'd obviously gone off his head a bit more". Despite worries from Blur's label, EMI, and the music press that the change in style would alienate the band's predominantly teenage fanbase and that the album would flop as a result, Blur, as well as lead single, "Beetlebum", reached the top of the UK charts and the album was certified platinum. The album also reached the top 20 in six other countries. The success of "Song 2" led to Blur becoming the band's most successful album in the US where the Britpop scene had been largely unsuccessful. The album received positive reviews from most music critics, many praising the stylistic change as well as Albarn's songwriting. This is the last album to featured longtime producer Stephen Street, until his return for The Magic Whip (2015).
WikipediaJust what I needed to hear right now. Sounds like they are really having fun in the studio with this one. Love how Blur can be kind of all over the place soundwise and yet it still feels like a cohesive album. Like it could be a soundtrack to a movie, having to cover this whole broad range of moods/emotions/tones for different scenes. Something to aspire to in my opinion. To me, in the 90s (and only in the 90s), Blur is the silver to Radiohead's gold in the arena of British rock music. And while I do think Radiohead is ultimately the greater band on many levels, I feel Blur is somewhat more versatile and that counts for something. Listened to special edition with bonus tracks.
Beetlebum is probably Blur’s finest moment and one of the best songs of the decade. The stabbing guitar, liquid bass line, heavy drum sound playing over the outro is sublime. Song 2 will always be a classic, thrilling track. But for me the rest of the album just doesn’t hold up. I like that they moved in a different direction and the intent with sonic experimentation was fine but it just doesn’t work overall. Some songs rip off Pavement; some rip off Bowie; some rip off old Blur (Look Inside America is a slowed down Country House!). And Damon … as a frontman, I’ve never been convinced he’s enjoying being a rock star. There’s an archness, a distance, a sneer in his lyrics and vocals that at times disconnects me from the music. He’s singing songs about his observances of life around him; he’s at his best when he’s singing from the heart. I want to like this album more but it’s not for me.
This album was heavily promoted and toured so it's no wonder why they chose to place this Blur album on the list. However, there are other, read BETTER, albums by this band and I'm not even a big fan. Song 2 is most notoriously used pretty much whenever your favorite team scores a goal or cuts to a commercial break, but even then it's only about a three second blip. Some may not know that this was originally used in the blockbuster (I use that term loosely) epic Starship Troopers. Listening to this more than twenty years later, the album is a chore to get through, even Look Inside America, the song that IMO was underutilized on the airwaves lacks luster today. To make matters worse, the 'special edition' which is hard to avoid on Spotify includes more than two hours of material. It burns a little to say, but even with some background on the band, it's difficult to get into this album. The long drawn out repetitions and the lyrics delivered with phone-it-in laziness is a huge turn off. The success of this album relies too heavily on the fans of previous work. I can't imagine what it's like listening to this for the first time. Hugely disappointing.
Blur is a band I've only heard a few songs of but always wanted to dig a bit deeper into. Song 2 I've heard a ton of, it sounds so 90s and captures that Nirvana-esque angst. I heard the rest of their stuff is a bit different, and so far I'm liking it! Some really cool guitar stuff on this album too. Like that stuttery-effect on M.O.R. and the glitch guitar on On Your Own. I also like the singalong/gang vocals a lot. Reminds me a bit of some of our RCE energy actually. "Movin' On" 2:42 sounds just like the Atari Punk Console from our songs! It might be a super fuzzed out guitar though, hard to know! "Essex Dogs" intro with the drums coming in is siiick. It has the same Hot Team synth glide! This song even has a long freaky guitar part. I love this one. On the Special Edition, some of the b-sides definitely sound jammy like Hot Team do. If Blur used a drum-machine instead of live drums, I think you could make a case that RCE ripped off Blur. This album is just fun energy, but has some interesting technical things going on as well.
Had never listened to a Blur album before (although obviously know quite a few of the singles). Song 2 always transports me back to 1998 and playing the world cup Fifa game (think that was the one where they had the indoor mode too)? Overall, though, decidedly underwhelmed. Maybe there's a better Blur album out there (there must be, surely?), but if there's not then I've no idea how Blur vs Oasis was even close. 2/5.
10/5 stars. I haven't listened to this album in probably 15 years. Good music like this always reminds me of Megan Robbin, who was my musical awakener. I will be downloading this album on pandora.
Definitely some hits I've been sleeping on. Love the Gorrilaz, but have only ever listened to surface level blur songs.
This is an iconic album that really goes all over the place. Song 2 is such a big one for me personally and a specific time in my life. I’m biased, but aren’t we all?
First 5 star. Forgot how good this album was. Years ago, always on the oasis side of the blur Vs oasis arguement. Oasis didn't have an album as good as this
Such a varied album. Psychedelic moments, electronic elements, straight up acoustic songwriting, rock, punk, hiphop beats, fun singalong vibes but also some slightly more challenging/experimental songs. This is why Blur are one of the best British bands of all time and why this album is one of their finest. It also resonated heavily in the US and is a favourite of the band themselves. 10/10
My favourite Blur album for lots of reasons. So many good tunes on here that turned my attention away from Oasis and towards Blur. Beetlebum is probably my favourite Blur song if I were to think about it, and it sets the tone for the whole album. Can’t give it anything other than 5 stars.
Mijn favoriete Blur album! Hier kwamen ze echt los van dat 'Britpop' stempel en kwam er veel meer diepgang en experiment in de muziek. Erg fijne plaat.
The album which showed that Blur could do more than just Brit-Pop (and could actually evolve unlike some other band at that time).
This album came out the same week as Pavement's Brighten the corners. The two best indie albums of the decade in my view, and both share a sonic signature. It was definitely Pavement influencing Blur rather than the other way around, but it doesn't matter. This is my favourite Blur album by a country mile, and just edges Pulp's "a different class" for best britpop album
Man, I have really slept on this band, this album slaps. I also learned something new today (i.e. Gorillaz)
Sticks in you like a burr. Bull-at-a-gate kind of energy, which I enjoyed very loudly on a road trip
WOOOOOOOOOO HOOOOOOOOOOO!!!!!!!!!! ST PAULI! ST PAULI! ST PAULI! ST PAULI! Sorry, drifted off there, it's good that one though innit? The rest of the album is great too. Blur's best in my humble opinion.
Blur innit. WOOOOOOOOOO HOOOOOOOOOOO!!!!!!!!!! ST PAULI! ST PAULI! ST PAULI! ST PAULI!
More eclectic and willing to experiment than MLIR, and I really feel it benefited from it. I can even hear some underpinnings of what would become Gorillaz sounds in here. Not to mention Damon Albarn really comes out as a great songwriter. Great record.
A band really hitting their stride with this album. A brave move away from Brit-Pop that really delivers.
favs: - strange news from another star - beetlebum - country sad ballad man - you're so great - death of a party - song 2 - m.o.r.
Possibly the best Blur album, depends what you like. It's not as Brit Pop as Parklife/The Great Escape but I think it sounds a lot better - musically more substantial. Beetlebum is a fantastic opener, Song 2 is overplayed to death but if you squint, you can still see the appeal. Other highlights include the mournful Death of a Party, Strange News From Another Star, Coxon's bittersweet solo 'You're so Great' and the Bowie aping On Your Own. It's a bit of a bridge to the far more experimental 13 and Think Tank, plus you can see elements of Gorillaz in some of Damon's vocals. It could just be the sweet spot between everything they've done and everything they'd go on to do.
Este es un disco fundacional para mí. Beetlebum fue una obsesión y Song 2 una canción inescapable durante ese año.
So why was the blur/oasis thing even a thing? This album is fkn gold. Also how did we not know Damon albarn was gorillaz. I have a 2 disc version of this with some great bonus stuff, definitely gonna dig it out again. I recently read that when Malkmus left pavement the other guys were largely relieved cos they weren’t that good at being musicians, I wonder how the rest of blur feel post blur. Didn’t know I’d been missing this one, it’s not faith no more’s the real thing, but it’s certainly one of the greats
This is 1000 times better than that twee stuff they farted out when Britpop was a thing. (In England, mind you. Here in Oz we liked Oasis, but Blur and Pulp? Nah.) It rocks in places, there is homage paid to psychedelic Beatles, and a couple of tracks score quite highly on the weird shit-o-meter. Great stuff. Much better than I thought it would be. Woohoo!
Brilliant, really reminds me of being a teenager back when it was out. Some big hits (in the UK at least), including song 2, but i think some of the lo-fi low key tracks are my favourites.
I love this album definitely blurs best one of their longest but the only one that doesn’t drag for a minute. Obviously (like most albums) the album is known for a couple of hits starting with the 1,2 punch of the drowning beetlebum followed by song 2 a mockery of grunge that actually sounds like the best grungy song of the 1990’s. M.O.R (like what it stands for) is a middle of the road track that stolen so much from David Bowie that blur had to add him as a writer. On your own is the ultimate party with one of the catchiest choruses on the album. All of this happens within the first 5 songs so on the surface level this could be seen as front loaded but some of these non singles really make this album special in particular : You’ve got the beautiful you’re so great filled to to the brim with little crackles and pops like it’s been on a record player. Death of a party provides a dark side to the album that only gets more prominent as time goes on, with a riveting bass line and a darkly memorable hook. Strange news from another star reminds me of early 70’s David bowie and serves as my personal favourite track; the track ends in a rampaging march intro the punky moving on before going into the spoken word closer Essex dogs a very off putting but unique song. The other tracks certainly each provide a new layer to the album and blurs career going away from a greater but catchy Britpop singles act to a dark album track act showing their verity in a consistent album definitely deserves a 5!
9/10 there’s some really, really good moments here I did get a little bored with the pop but I really loved it for the most part
it says a lot that the song done entirely as a joke on the of-the-moment alternative rock is one of the better alternative rock songs of its era blur albums are like episodes of seinfeld. they're not really about anything, and nothing really happens. that's completely alright, because damon albarn is really good at putting together an album that doesn't say much, doesn't do much, but is still really enjoyable. it's kind of wild that blur was pitted up against oasis back in the day, but none of these songs other than song 2 are the cultural staples that songs like wonderwall and don't look back in anger are today. there's no one playing beetlebum or on your own on an acoustic guitar at a party, even though both of those songs are better than wonderwall blur is cool. they've always been cool, and they'll probably be cool forever. there's a very kinks-ian "i don't care" kind of attitude to so much of their music, but they're a little more innovative than their equally pompous predecessors.
This was great. I've listened to a couple of songs by Blur, but didn't hear the similarities with Gorillaz and make the connection that there is an overlap in members. I went on to listen to all of the Blur albums and it was fantastic.
At a time when I seriously thought Blur were going to either call it a day or deliver another Brit Pop follow up to Great Escape, they go head and release what is my second favourite album of theirs. Definitely their most ambitious and successful album. Sure Song 2 got a flogging but it is a fun tune which is world's away from Country House but a natural sequel to Popscene.
I like Blur. I like this Blur album. This is one of my most played albums my senior year of high school and freshman year of college. Always happy when Blur comes on.
Song 2 is great even if it was overplayed for a while. The rest of this album works for me. I thought it was funny reading the wiki that it was influenced by Pavement.
An excellent indie britpop classic. There's some heavy bias towards one song in particular for me, but generally this was just great. It felt like both a mixed-bag jam session and a cohesive album. I think this is one of those albums I certainly need to seek out on physical media as it's just a classic. Favourite: Song 2
Brilliant segue album between „Oily waters“ of the past. Not „The Great Escape“ in total from everything that defined Blur so far but at least a two sided head facing also towards more experimental approaches of the following up Pop-deconstruction on „13“. 4.6
Beetlebum has always been one of my favorites, but this was the first time I had listened to this whole album. I enjoyed every single song, and liked it more that I expected. So many of these tracks are hauntingly charming. Fave track(s): Beetlebum, Song 2, On Your Own, Death of A Party
This album came out when I was getting back into metal. So other than Song #2 I missed it. This was very close to being a 5-star album....the last song wasn't right.
I think this is a really interesting record, definitely a precursor to a ton of Gorillaz stuff. Alt Rock, Art Rock, Garage rock, maybe some mild psych rock. Some tracks though that I just don’t care for. Maybe I’d warm up to em with other listens, but for now I’ll call this flawed but very interesting. I will say it’s a very unique sounding album. Doesn’t sound like much else
I liked this album, I really didn't expect anything from Blur but they got some good songs.
Awesome album, really fun to hear, the last song was kinda boring but outside of that, I really enjoyed it. 9/10
Fun record. Song 2 is an all-time classic, still gets my blood hot. Hadn't listened to this LP previously. Fun distortion.
I always forget this was the Gorillaz guy. I also never heard this entire album, and it was surprisingly good!
Interesting find. Everyone has heard Song 2, but got the memory jogged hearing M.O.R.. Enjoyed On Your Own and will listen to Essex Dogs a few more times to form an opinion.
I enjoyed it very much. I had no idea who they were but I recognized the type of music.
More of an Oasis person in the 90s but I liked this. It was a bit more varied.
I could have been into this back in '97. Standout track is "Strange News From Another Star"
It was pretty good. I’ll have to give it another listen when I can focus on it more and am not too focused on judging a speech and debate tournament. Favorite songs: Beetlebum, Song 2, M.O.R, On Your Own, Death of a Party, Look Inside America, Strange News from Another Star Strong 7/10
Britpop goes Rock. Song2 würde bei FIFA 98 und auf den Scheunenparties totgedudelt und gefällt trotzdem irgendwie noch. Man hört die 90er aber eines der zeitloseren Rockalben der Zeit.