Mekanïk Destruktïẁ Kommandöh, also abbreviated as MDK, is the third studio album by French band Magma, released on 6 May 1973. Mekanïk Destruktïẁ Kommandöh is a rock opera concept album telling the story of a doomed Earth caught in endless war, and a prophet's prediction that sparks a large demonstration march by Earthlings to kill him.
Mekanïk Destruktïẁ Kommandöh went through a long compositional process of around two years. It marked a large stylistic shift in the band away from jazz-rock and towards a more dark theatrical, Wagner-esque sound, leading to a huge personnel shuffle in the band. The original recording of the album was refused by A&M at the time, but was eventually released as Mekanïk Kommandöh in 1989.
MDK is the group's most famous and acclaimed record. The French edition of Rolling Stone magazine named the album the 33rd-greatest French rock album. In 2015, Rolling Stone ranked the album 24th on its list of the '50 Greatest Prog Rock Albums of All Time'.
A singular musical achievement that absolutely belongs on the list. This is as prog as it gets. How prog you say? So prog it's sung in a fabricated language. There are many good live versions of this on Spotify. The 1974 Marquee version is quite rousing, despite not having the best sound quality, but I particularly recommend the 1976 Reims version for the over the top guitar solo towards the end of the piece. Fucking bonkers.
Mekanik destruktiw kommandoh is a fantastic rock opera by Magma. This sounds a lot like a piece of minimal music (Philip Glass, Steve Reich) on steroids with rock instruments. The vocals in a fabricated language that sounds mystical and sometimes quite funny. Something that should have been on the original list.
Oh! That's my modest contribution to the user list alright. Christian Vander's mind must be quite the maze. At the death of John Coltrane he wanted to create something to honor him and that was the birth of Zeuhl. There's some jazz in there, for sure, but it's heavily mixed with wagnerian opera and outer space military rythms under the prog rock stamp. One of the craziest albums I've ever heard and a concept that spans over their whole discography. It's something I think everyone should hear at least once, even if it's clearly not made for every ears. Hope you enjoy it!
I’ve had many music friends rave about Magma, so it was fun to hear the hype realized on this insane LP. Short but sweet for a prog effort, yet manages to fit in so many different facets and worlds that kept me enthralled throughout. Could’ve done without the screaming near the end, but it does make sense within the context of the LP. Just something so different and unusual from the standard fare on the user list, great listen and a stellar add!
This is the kinda prog rock bullshit that one should aspire to. Why not make an album in a made-up language? That's the dedication other prog rock acts should aspire to. And you know what else? They are concise!! It was a brisk 40 minutes which is perfect.
Musically I found it fine. This is the kinda stuff that the OG list needs more of. Weird French progrock from the 70s.
My personal rating: 3/5
My rating relative to the list: 4/5
Should this have been included on the original list? Yes.
Well, that's something, innit? Wagnerian, sure. And 33rd-best all-time French rock album sounds about right, too. The more orchestral and operatic side of prog. Also, only possible in the '70s, probably, and while it sounds a bit new and different now, was likely more normie-level of weirdness/ambition/overreach then. No need to add to list proper but pretty good fun to hear and be introduced to so thx, recommender.
What do you know about Zeuhl?
Christian Vander, founder of the band Magma, conceptualized Zeuhl as an avant-garde style of jazz fusion that embraced fantastical, mystical elements of science fiction. Depending on what weirdness you find in Zeuhl, you might encounter the hypnotic rhythms of krautrock, the technicality of prog rock, or the epicness of western classical music. Regardless, many stylistic origins can be traced back to the french band Magma, who has become largely synonyms with the genre of Zeuhl. Outside of a few other French bands who got sucked into Magma's orbit throughout the '70s and '80s, Zeuhl would find itself to be quite popular in Japan starting in the '90s. Outside of those two countries, you'd be hard-pressed to find much zeal for Zeuhl. Huzzah!
Mekanik destruktiw kommandoh (MDK for short) is about as grandiose as they come: big sweeping movements with operatic singers and a lot of instrumentation. Credited musicians on this album reaches a crisp dozen, with a half-dozen more credited for engineering this thing. Despite sounding so massive, it clocks in at just short of 40 minutes, making it a fairly digestible experience. And thank god too, because I don't think this album needed to be any longer than it already was. Past a certain point, bands that attempt to sound this epic can come across as self-aggrandizing. This is not helped by all the made-up lore surrounding Zeuhl which, if we're being frank, isn't really necessary for listening to an album like this. Ideally, it should be able to stand on its own two feet, and it does, kinda. It's certainly interesting enough to warrant a decent rating, but I don't think I was mesmerized by it in any capacity. MDK just has a lot of unearned moments that try to impress the majesty of its sound. To me, it was mostly fluff, but at least it was competent fluff.
CONTENDER FOR THE LIST: Too niche, too weird!
Well, it's not like anything else I've listened to recently... bordering on Outsider art (maybe more than bordering?) Did I like it? I didn't dislike it... Certainly I am uncomprehending (and sounds like it is canonically incomprehensible, right?) I appreciate the extreme wierdness and dedication to an extraordinarily singular vision. But I am bound to say, at length I found it fairly exhausting.