Still think this is subpar. Lithium and come as you are are good. Screw the rest.

I get it. For its time it is sonically unique. I prefer the singles. Pollution and where it’s at are the strongest tracks.

M and In your House and At night still slap. Excellent start of their dark decent to Pornography.

Jaco! Amelia and coyote are fantastic

Cry and Bobby macgee and Mercedes Benz I mean, there is a reason this is classic. Not my preferred music, but superb artistry.

Mannish boy. I want to be loved. If it’s blues, like rock n roll blues, it came from this sound.

Slick classic jazz.

F**k. I actually liked this album. What has become of me? Actually, this was very solid. Do it again, reeling, quite a lot of crafted pop.

I can’t believe this was recorded live. Simply incredible rock music. Recordings like this help explain the why The Who are legends.

This fucking sucks. Hard pass. At least it makes you appreciate how great other artists are? On the other hand, I hate the velvet underground and Lou reed too, so… Sounds like Hawkwind or Motörhead without uniqueness.

Precursor to the cranberries and other angular female voices. I had forgotten how much I liked this one. Black boys on mopeds and three babies

Born on the baaaaaaaajou! Proud Mary. Really solid swamp rock blues. Not the biggest number of hits.

Meh. Country.

Other bands did it better

Meh. Country.

Yeah. Peter frampton is like The Bee Gees an example of 70s excess. But damn it, they are wonderful. So well crafted. Stand outs are of course show me the way, baby I love your way, and do you feel like we do.

Enjoyable from start to finish.

Yeah. Peter frampton is like The Bee Gees an example of 70s excess. But damn it, they are wonderful. So well crafted. Stand outs are of course show me the way, baby I love your way, and do you feel like we do.

Well played. Queen Elizabeth II just died. I listened to this album minutes after it was announced. Lo and behold this album came up the very next day. Every single track is wonderful, but particularly the title, cemetery gates, and the boy with the thorn in his side.

No thanks

Yeah. Peter frampton is like The Bee Gees an example of 70s excess. But damn it, they are wonderful. So well crafted. Stand outs are of course show me the way, baby I love your way, and do you feel like we do.

Meh. I liked the first song. Hated their grapevine cover.

Classic tracks the kids are alright and my generation. Entwistle is awesome.

Still think this is subpar. Lithium and come as you are are good. Screw the rest.

Classic.