I Do Not Want What I Haven't Got

It's pretty hard to think of an artist who was done dirtier in their time that Sinead O'Connor. Her career was destroyed because she ripped up a picture of the pope to protest the Catholic Church protecting pedophiles, and yet she herself was a victim of the church, as were thousands and thousands of other people world wide. She was 100% right and had so much shit talked about her. So anyway, the album. It's good. Not particularly my style of music, but her voice is great, and there's a lot of gravity to her songs. Nothing Compares 2 U is a fucking banger for such a depressing song. It's also nice that she can mix things up with more upbeat songs like Jump in the River. Using a loop from James Brown's Funky Drummer was a nice touch (I also hadn't realized before this that the same loop was used in Scarlett Begonias by Sublime). Overall a really good listen from an artists who should have had a much bigger career 4/5

Bang pints of Guinness together for Sinead!! This is not only my favorite record of her amazing catalog, but one of the most personally satisfying of the 80s, 90s, and beyond. O'Connor's hauntingly emotional voice is a delicate and powerful instrument, and one I fell hard in love with as a teenager. The Emperor's New Clothes and her cover of Prince's Nothing Compares 2 U were the first singles that dropped on our local college radio station, THE BUS. I believe it was that very next week that I counted my bills and headed over to Chicago Records in Kankakee to grab this on cassette. An example of Sinead's vocal diversity is the moody transition from Feel So Different to I Am Stretched On Your Grave to Three Babies. Without sounding too crazy, I really don't know what more I could ask for in a record, both vocally, lyrically, and instrumentally. It is folk, it is rock, it is alternative, it is Irish...and its beauty and spiritual ascent spans a vast spectrum, from stories to meditations. And just when you think you've had enough Jameson and know what's next, Sinead surprises you with an unexpected shift (i.e. Black Boys to Nothing Compares to Jump In The River) that many times has left me in tears. The last 3 songs on the album tell all. Truly, thank you for sharing your gift and touching me deeply. I Do Not W*ant What I Haven't Got, unless I don't got Sinead. xo ** I would put this is in my top 10 flashback records that I spin on a regular basis

*I Do Not Want What I Do Not Have

Haunting, melodic, political, spare, heart-rending & heartfelt. Sinead brings it all and more with this album. Both the vocals are the production are stunning in their simplicity. The anger, desperation and plaintiveness of the lyricsm bring an emotional wallop to every track, especially when paired with her yearning vocals. This album is sublime.

I don't plan on handing out too many 5 stars. But Sinead hits on every level. She sings, composes, writes and produces her own music which I might add is damned good. Her haunting voice with simple melodies. She had to balls to stand up to the Catholic church way before it became a trend and almost lost her career for it. If iIcould give her a 10 I would.

I love black cherry iice cream but it’s pretty easy to hate Sinéad if you're a fan of the Pope / Catholic church or were watching SNL in 1992. There are also some difficult-to-unsee dancing in her MTV videos that also may give you pause. But if you were lucky enough to listen to her before the aforementioned, you’ll probably agree 'I Do Not Want What I Haven't Got' is the best album of 1990. In an age of maximalism, this album shows that maximum impact is achievable with basic tools and simple beats. There are no gimmicky production tricks, flimsy bass or wild synth-y sounds to date this album by. It holds up well, unlike ice cream on the beach or Prince’s Sign of the Times. From an a capella title track to the steady power chords of Jump in the River, the beauty in the album is its simplicity. Wikipedia says that this album was almost entirely devoted to the family of Colin Roach and presumably he is the subject of Black Boys on Mopeds. That song itself resonates stronger today than it did when it was released. This fact catapults it into the another realm. Nothing Compares 2 the use of James Brown's Funky Drummer backup on Stretched Out On Your Grave, or the gentle strum and steady build of Last Day of Our Acquaintance. I love how the tenor of that song creates liberation from a stifled existence. The entire album is great, but The Emperor's New Clothes keeps me coming back to listen to the rest. Emotionally, this album rides the line of somber relaxation and unrealized power on the brink of erruption. Without being too heavy, I could listen to this on my way to a protest rally or any Sunday morning. This is a Five for sure, but to put the five into context, I’ll offer this. If I was stranded on a desert island forever and had one album to take, this might be it, this and an everlasting supply of black cherry ice cream with a cooler.

I feel this woman and her music resonates so me with me on another level,I feel the music she makes deep inside

boring, not awful but i dont want to listen to it again ever.

Somehow manages to be angry and dull. Nothing Compares is a banger though obvs

When I think of this album, the video comes to mind that they did for "Nothing Compares 2 U." It was unusual at the time, very simple. For much of the video the camera was trained closely on Sinead O'Connor's face. No bells or whistles, the camera forces you to confront only her voice and her face, and all the emotion that passes over her as you watch. It's such a striking visual, one I can't watch without tearing up a little. This album functions much in the same way. The best arrangements are simple, with a gorgeous use of strings, or sometimes not much more than a guitar and O'Connor's voice. Some songs have more of an alt-folk-celtic rock vibe that suits O'Connor's voice well, but she is at her best when the songs use a less is more approach. For baby me in 1990 (my freshman year in college), having someone like Sinead O'Connor to listen to was so emotionally and personally affirming. She didn't sing go-girl anthems like a lot of pop singers do now. She laid everything she felt on the table, holding nothing back. She could make her voice sound lovely and ethereal, or make it crack with rage or sorrow when she wanted to. She didn't care if she came off as abrasive or strident or weird; she also didn't care if she was a pop star. She suffered for that though, didn't she? But, for all O'Connor's personal struggles over the years, she's as uncompromising now as she ever was. We could use a lot more like her in music. The songs range from unabashedly political to painfully intimate, with incredibly eloquent lyrics that read like poetry. Her devastatingly lovely rendition of the Prince-penned song "Nothing Compares 2 U" is splendid, best thing on the album. All this to say, I feel really lucky to have experienced this album the first time around and I'm happy to report that the album has aged beautifully. Fave Songs (All songs, from most to least favorite): Nothing Compares 2 U, Three Babies, The Emperor's New Clothes, Black Boys on Mopeds, I Do Not Want What I Haven't Got, I Am Stretched on Your Grave, You Cause as Much Sorrow, The Last Day of Our Acquaintance, Feel So Different, Jump in the River

Sinéad's voice is quite amazing. It can go from etherial and angelic to deeply powerful and sharp as a razor. I think that range was really what made "Nothing Compares 2 U" so notable. This album had all of it. It sometimes felt religious in that O'Connor sings with such emotion and fervor. This is quite a work!

This is a great album. Songs are distinct, both musically and thematically, and O'Connor's adept vocals still haunt even thirty years later. Lots of good songs that add up to a satisfying, unified whole.

This album gets all the love because of Nothing Compares to you. But to be honest, there are so many other amazing tracks on this album that I'd choose 100% of the time instead. Some of my favourite Sinead O'Connor songs are here, Three Babies, Emperor's New Clothes, Black Boys on Mopeds and Last Day Of Our Aquaintance, which hits me in the feels every time with it's power and angst. Such a great album and was wonderful to revisit.

Wow! What an album. I've been familiar with Sinead's version of "Nothing Compares 2 U" for most of my life, but this was my first time hearing any of her other music, and I was blown away. Her unique and powerful vocals punctuate every word of her emotional lyrics. The instrumentation on these songs is varied, but each song is gorgeous and beautifully arranged. I figured this would be a good album, but I did not count on it being incredible. I will definitely be listening to this again some day soon.

If you want to look longingly somewhere this is the album for you

I fell in love with this album when it was released and listened to it a lot through the 90s. But somewhere in the last thirty years I sort of lost touch and hadn’t listened to this in a very long time. Listening to it tonight is like reuniting with an old friend. I feel completely at home here. Loved. Warm. Wonderful. I’d call out favorite tracks but I’d end up listing them all. It’s an album that’s great from beginning to end. It couldn’t reappear in my life at a better time.

Just a bunch of sad, drawn out ballads, nothing interesting in the arrangement or lyrics. Her voice is fine.

Similar to a lot of albums on this list, good singing but too slow and doesn’t grab my attention.

I Do Not Want What I Have Heard by Sinead O’Connor.

Oh goddammit! Another one that I wore out back in the day. So many hours singing along. This record is still excellent. Her voice is incredible. The music is beautifully produced. The lyrics are raw and real. This was enormous when it came out. 5/5

Its hard to listen to this album without feeling sad about how her life panned out (same feeling as listening to Whitney Houston's I wanna dance with somebody). She has a fantastically powerful and emotional voice and I really enjoyed it. Stand out track - Blackboys on Mopeds. Was going high 4 - but think it just edges into 5.

Wow! I only knew that one song but I should have listened to her more. So much passion in the slow songs but she sings beautifully in the faster numbers.

In an alternate universe, Prince doesn’t give Sinead permission to record “Nothing Compares 2 U”. Sinead doesn’t get huge, but she becomes an indie darling with a long, ultimately successful career. She doesn’t get big enough to guest on SNL for another few years, at which point she picks a different target that doesn’t get the same kind of negative press, and she’s lauded for it. Alas… Most of this is timeless and incredibly moving (which makes “The Emperor’s New Clothes” especially jarring). Mostly great from beginning to end. Rounding up because Sinead absolutely didn’t deserve what happened to her.

I did not fully understand or appreciate Sinead O'Connor when I was a kid. But hearing some great covers of hers by some of my favorite alternative rock artists of the 90's and 2000's made me go back and listen to her more. I'm talking Nothing Compares 2 U (covered by Chris Cornell) and Black Boys on Mopeds (covered by Chevelle). I always liked the former (a Prince cover itself) and it was rightfully her biggest single - she delivers it with so much raw emotion. But I didn't know about the former, yet, wow what a song. Her lyrics are incredible - political, sullen, and fiery - and her delivery is haunting. It has become one of my favorite songs. Period. She brings that raw, emotional, and sombre tone on a bunch of songs and combined with stripped down but soaring instrumentals it is beautiful. Feel So Different, I am Stretched On Your Grave, and Three Babies (spine tingly) make for a great start to the album for that reason, although the middle one is more of trip-hop until the cool fiddle outro. But then she cranks it up with an angsty rocker in The Emperor's New Clothes. Same fiery lyrics but with fiery instrumentals - a new favorite from this album. Absolutely loved it. I don't know if she was directing some of those lyrics at the Catholic church yet, but this line seems so apropos: \"Everyone can see what's going on. They laugh cuz they know they're untouchable and not because what I said was wrong.\" Jump in the River a few songs later is similar - a little grungier, but still a great rocker. She then ends the album with another three raw and stripped-down ballads. Maybe not quite as good as the opening three but still solid. The title track really puts her vocals front and center, almost too much and for too long - you can hear all of her inhales and exhales. I like the acoustic guitar accompanying her vocals in You Cause As Much Sorrow and especially in The Last Day of Our Acquaintance - just Sinead and some strings (and a bit of drums in the final minute), it's really beautiful. Like a protest song, except for the words (which are still excellent, just more personal). This woman was such a talent and she got pushed into obscurity because she spoke her mind. Looking back, she was not wrong. We should all be ashamed. This album is a hidden treasure of the 90's. An absolute gem.

Really enjoyed this album. She had an amazing voice and the songs are excellent. Nothing Compares 2 U is completely worthy of all the accolades. When it first came out, I felt it was ridiculously overplayed on MTV, but many years later (and many years wiser) I gave it a closer listen and realized how powerful and emotional it is. Still think so today. Probably the only misstep of the album is the cheesy fake gunshot sound and revved-up beat that starts off Jump in the River immediately after the amazing mood of NC2U. It's like getting ice water dumped on you. Beyond that, though, it's a great album. Easy 5.

she is missed

Great album from an inspirational artist. I knew of Sinead O'Connor from the SNL protest, but hadn't listened to much of her actual music. This album was a strong showing, I think amplified for me by my admiration for her courage and steadfast commitment to her values throughout her career.

I Do Not Want What I Haven’t Got I found this a genuinely moving listen. I recently listened to a podcast about Nothing Compares 2 U, I knew a bit about her life, but it really is very sad what happened to her as a child with her abusive mother, and what happened later in her life with her mental and physical health struggles, leading to up to her death, and the overall the perniciousness of the Catholic Church in her life and her struggles with religion. It definitely paints this album in a much more poignant light. Her voice, of course, is excellent, she combines tenderness and delicateness with forcefulness and anger brilliantly, and whatever she sings she sings with sincerity. I really love the Nellee Hooper pre trip-hop pre Bjork production on I Am Stretched on Your Grave, it’s a superb track. Three Babies is a lovely delicate tune and vocal with a nicely cryptic lyric. It does sound a bit Enya in places with the swell of the strings, but I don’t think that’s a bad thing. Black Boys on Mopeds is superb as well, balancing the political and personal without being cloying or lumpish. Nothing Compares 2 U is of course excellent, perhaps it suffers from its ubiquity but it is a fantastic bit of music and she really makes it her song, interpreting it so brilliantly. It closes out really well with the final two songs, particularly the excellent I Do Not Want What I Haven’t Got. I was surprised how much I liked this, although it does sound quite late 80s early 90s in places, I wasn’t expecting it to be as good, the lyrics and Irish influenced folk rock is great, without veering too much into The Cranberries or Enya. Easy 4 👩🏻‍🦲👩🏻‍🦲👩🏻‍🦲👩🏻‍🦲 Playlist submission: Could be a few, but I’ll go with I Am Stretched on Your Grave

A lovely record as I’d half-expected. Hadn’t expected the post-punk toughness in places, or the range, which her voice holds together. The medieval, religious ambiance her voice creates is a great space for a super team of musicians to drop in flair and excitement. Marco Pirroni cameos here for the second time in a week!

A big prize from the first time I raided a record company vault (alongside the equally great "The Lion And The Cobra", the Metallica-trouncing "Crest Of A Knave" and "Goodbye Jumbo", perhaps later of these parts - thanks, Chrysalis!), I've always had a fondness for Sinead and this album, with its fresh tunes all carried by her clear and lovely voice. A real rogue's gallery of talent in the credits, I discovered today - Andy Rourke, Jah Wobble, Marco Pirroni, Karl Wallinger! - that keep the backing elements tight without leaning too much on late '80s production cliches. "I Am Stretched On Your Grave" (aka the sophisticate's "Fool's Gold") and "The Last Day Of Our Acquaintance" are highlights but it's all good. Obligatory fuck the pope and his international paedo cabal

I was fully expecting an alright album by a one-hit wonder. Instead, I got an album full of surprisingly personal, varied and especially powerful songs. A great surprise all around.

That three track run there between The Emperor's New Clothes, Black Boys on Mopeds and Nothing Compares 2 U is pretty fucking great. The rest of the albums is not bad either.

Sounds even better than I remember. O'Connor's legacy has has enjoyed a great deal of revisionism since her death. While she was considered to be weird and divisive in her time, it now turns out that she was right about everything. As a result, this album packs even more of a wallop today.

I remember eating in Schatz once when this version of nothing compares to you came on. That was funny as fuck

What a powerful and often misunderstood voice. Such a great vocalist. We dumb humans couldn't look beyond her bald head.... RIP

While this album started out slow I found myself really enjoying everything including and beyond emperor's new clothes. Her lyrics mostly hold up and even the lines bagging on Margaret Thatcher are still true. Combined with her excellent voice, the songs are all thick with emotion and weight. Obviously nothing compares is my fav but I also really enjoyed emperor's new clothes, black boys on mopeds, and the song that had Irish fiddles in it. My biggest takeaway was that she got far more hate than she deserved in her heyday because her songwriting and live performances were no more subversive and edgy than the grunge and metal and rap movements happening around the same time. Satanic panic won't kill your career but tear up one picture of the pope and you're fucked.

I picked up this CD when it first came out. The album is full of haunting and seemingly autobiographical songs. In her biggest hit, Sinead takes Prince’s “Nothing Compares 2 U” and makes it her own. I think “The Emperor’s New Clothes” was a single too. Really good album. I’m glad this came up to listen to when it did. Sinead recently passed and it was good to hear her once again. Incredible talent. So sad she was such a tortured soul. I hope she finds peace.

Half the tracks on this album are exceptional. 'Feels So Different' is a great, confessional, cello-led opener; 'Three Babies' intensely personal and sad; 'Black Boys On Mopeds' hard hitting and political; and 'I Do Not Want What I Haven't Got' closes the album beautifully with an acapella, almost monastic, chant. Whilst not her own words, 'Nothing Compares 2 U' is an achingly beautiful song about loss, which O'Connor has made her own. It could relate equally to a break up or to the loss of a loved one. A timeless classic. As evidenced on this album, Sinéad O'Connor had an incredible voice for conveying hurt, damage and loss, which it seems she experienced all too much of in her life. This album is raw and difficult, but simultaneously beautiful and soothing. Her death yesterday is the sad loss of a great artist. Rating: 4/5 Playlist track: Nothing Compares 2 U Date listened: 27/07/23

Beautiful and powerful, of course "nothing compares to you" is an all time great but it's so consistent with the rest of the album I was surprised. If I was hearing that tune for the first time I'd probably give it a 5. not every tune is a win, but the opener and general vibe of the album makes this so strong. 4

A beautiful album, O’Connor’s voice is sublime and her song choices are intriguing, managing to cross a range of genres and styles without feeling disjointed. Nothing Compares 2 U is the obvious highlight and loses none of its emotional heft (despite its ubiquity at the time of its release). Black Boys on Mopeds is a quietly seething protest song and The Emperor’s New Clothes gives us a glimpse of what O’Connor’s career as a power pop star might have looked like. A fantastic listen.

I felt really Irish while listening to this

Fantastic album with a Van Morrison reference in 'Black Boys on mopeds'. O'connor has often spoke about how the man is her favourite artist and they have appeared on Letterman together in the mid 90's (Van was drunk).

Ethereal and grounded at the same time

sinéad o’connor is an important and powerful figure in music history - unfortunately her music doesn’t do that much for me

Sinead was never really my vibe, but I appreciate her. She can definitely sing and created a unique sound - a sound that likely influenced (at least in part) the Cranberries, Alanis Morissett, and a few other badasses. Respect.

My perception of Sinead O’Connor is forever jagged by the backlash of public opinion that followed her tearing a picture of the pope on SNL. However, in retrospect it was such a punk move and she was fucking right. That doesn’t mean her music is as memorable as that event, but it does deserve a second look after being discarded for decades. Emperor’s New Clothes is actually a fantastic song, and so are a few others like Three Babies and Black Boys on Mopeds. Her cover of Prince’s Nothing Compares 2 U obviously carried her to the level of stardom where she had access to the platform to deliver her polarizing statement, but I still think Prince’s version is much better. But viewing hers in conjunction with the conflicted pain of her mother’s death, it does hold a strong message. I watched the video of her appearance at the Bob Dylan tribute that occurred a few weeks after the SNL event - it is actually such an astounding moment of personal strength as she basically says fuck you to the crowd who is primarily booing her and breaks out in an acappella version of Bob Marley’s War, again repurposing it’s message against racism as one against child abuse. If I ever teach a course on music history, I’m devoting a lesson to that video.

3.8 + So many thoughts and feelings surrounding Sinéad O'Connor. When she first busted onto my radar in 1989, I was utterly fascinated by her beautiful baby face and her rebellious spirit. It seems banal to comment on her bald head but at the time there were absolutely ZERO other female entertainers who had the balls to sport that look. Her baldness made her the butt of countless cheap jokes on American television. Regardless, her two hit videos were on heavy rotation on MTV. \"Nothing Compares...\" is a lush, gorgeous, expansive arrangement that gives Sinéad's voice the backdrop to flutter and soar. The single tear she sheds in the video, with the tight camera shot on her angelic face - for ten year old me, it felt sublime. \"Emperor's New Clothes\" still reads as her mission statement that in retrospect serves as a general narrative to her life as an artists and public figure: \"Whatever it may bring, I will live by own policies, I will sleep with a clear conscience, I will sleep in peace.\" That uncompromising stance has come up again and again - the tearing of the pope's picture on SNL, her born-again Christian phase, coming out as gay, converting to Islam... - she's made choices that have cast her negatively in the limelight but she's stood by what she believes often risking her own image and mental health. Sometimes I wish she were better able to play nice. But surely she'd end up another throwaway whatever-happened-to artist - more so than she is currently. Now, putting aside her status as pop music's Contrarian, we're left with her music. Unfortunately, for me, the quality and luster in these tracks remains inconsistent and sometimes lacking. Setting aside \"Nothing Compares...\", which she made her own heartbreak song for the ages, we're left with songs that might be generously described as \"quirky\" and \"unique.\" Frankly, the arrangements on some of these songs is confusing (\"I Am Stretched On Your Grave\") and the lyrics are sometimes cringe-y in their directness (\"Black Boys on Mopeds\" and \"Three Babies\"). To be sure, there are some solid moments (\"You Cause as Much Sorrow\", \"Jump in the River\"). I've tried over the years to LOVE this album, which is probably her best, because I've often loved Sinead O'Connor's brave, authentic, rebellious persona. But try as I might, I still only like it.

Before today I had never heard of Sinead O'Connor. She is apparently an Irish pop rock singer with Celtic influences. I thought that didn't sound so bad, but man was I wrong. This is the most angst ridden, melancholic heap of trash that I've ever listened to. Why is she so mad? Have a hamburger ffs. Upon listening to this album, I couldn't help but think that I had heard of this persona of hers somewhere else before. My mind kept going to an episode of Father Ted, which is called "Rock a Hula Ted". In the episode, a hateful, feminist, anti-Christian, vegan pop star (named Niamh Connelly) comes to Craggy Island to confront the priests because she blasted the Catholic Church on TV for turning potato factories into child labor camps during the Great Famine. During the course of the episode, Father Ted is trying to convince her that he isn't mysogenistic while keeping his housekeeper Mrs Doyle busy doing hard labour tasks, and judging the "Lovely Girls Competition" on the island. Niamh sings a few of her "songs" during the episode, which are just noise with moaning and angry lyrics (which is what I heard on Sinead's album). Upon researching this episode, it turns out that Niamh IS loosely based on Sinead O'Connor!! That's amazing!!! Anyways, back to this "album". The fiddle breakdown was awesome at the end of "I Am Stretched On Your Grave", and the best song on the record was a cover of Prince's song "Nothing Compares 2 U". These two facts should tell you all you need to know about the album. Overall, not great. I'll give her a point just because she made me remember that hilarious episode of Father Ted. Thank God that album is over. Favourite songs: Nothing Compares 2 U, Jump In The River, The Emperor's New Clothes, Black Boys on Mopeds Least favourite songs: Feels So Different, Three Babies, I Do Not Want What I Haven't Got, You Cause As Much Sorrow, Last Day of Our Acquaintance 2/5

The music here is dreadful. It's boring, repetitive, and lifeless. And it seems to go on forever. And yet, one action made on a TV show raises all of this shit from a 1 star all the way to a 5. She gets a 5. But the record is shit.

C'mon

Great voice, soulful and full of feeling.

I had not listened to this whole thing and it was really great. An incredible spiritual, personal, and painful album, and it's just beautiful.

Day479 - an amazing album. nothing compares 2 u and emperors new clothes never get old

Poetic justice to get this album on the day the pope dies.

Incredible! Nothing more I can say. 5 Stars!

Growing up in a family where Sinead O'Connor is a huge matter...it's nice to revisit her music after so many years and found out it's actually as good as I remembered. It's classic pop songs. I think my favorite is "Black Boy On Moped", especially when after so many years I think I might get some gist of it.

She has such an incredible voice, it gives every song an emotional depth that makes it hard to listen to and not feel overwhelmed. This is an achingly beautiful album.

"I Do Not Want What I Haven't Got" is the second studio album by Irish singer Sinead O'Connor. It is classified as a rock and folk album and was nominated for four Grammy's which Sinead refused to accept the nominations or awards. The album was critically acclaimed and commercially hit #1 in both in the US and UK. The album opens with Sinead speaking the Serenity Prayer in "Feels So Different." Strings and bass. Sinead's emotional vocals. After a couple of ballads, we get more of a rock song in "The Emperor's New Clothes." Sinead takes a look at the world around her and is not happy but will be herself. Through four songs, Sinead has already showed her versality in a ballad, Middle Eastern song and rock song. And then we go into "Black Boys on Mopeds." A ballad about a police cover up of a black boy killed on a moped and Sinead doesn't want her son living in a place like this. No, I'm not crying....you are. This is the best song on the album and one of best songs of decade. Did I say one of the best songs of the decade/century? Well, Sinead covered a Prince song. It's rare that a cover song just blows away the original and that's what she did with with heart-wretching vocals in "Nothing Compares 2 U." She turns up the rock/pop quotient in "Jump Into the River." Her vocals stay at ease with the scratchy and melodic guitars. Fantastic backing vocals at the end. There comes a time and place where you know you experienced the best of what possibly could be and what is...and that's Sinead's vocals. You get that within 15 seconds of the first song with Sinead's incredible vocals.The musical production relies heavily on strings, acoustic guitar and ballads and, of course, Sinead's vocals. On this album, it's pretty clear that isn't a musical where her vocals can't shine. I don't think I ever realize just how great this album is; back in the day, I would just skip to the songs I liked...nevermore. Just an incredible album from a once in a lifetime talent. An album I demand you listen to right now.

Beautiful. 5 stars!!!!!

Cerebral. Gutsy. Amazing.

"I Do Not Want What I Haven't Got" by Sinéad O'Connor is undeniably one of the most powerful albums in the music industry, showcasing her incredible storytelling ability intertwined with deeply personal themes. The raw emotion in O'Connor's vocals captivates listeners, delivering haunting melodies that resonate long after the music fades. Each track unfolds a narrative that is both intimate and universal, cementing this album as a profound exploration of love, loss, and self-identity.

Love Sinéad, I usually reach for lion & cobra, but sitting down and consciously listening to this record really grew my appreciation for it

Sad and I like it

Although most of the compositions are elegantly simple and the phrasing unrushed, Sinead's vocals are pervasively, searingly intense. Some of the performances are like a lightly reverberating lullaby that makes your ears burn from the young woman's scorn. I admit my rating is biased since I have loved her records a long time and admired how strong-willed and self-reliant (though rashly off-putting) she was. I imagine even Prince would abide that 'Nothing Compares 2 U'.

There have been artists I have gotten albums on this project, in which I only knew one song from it. Majority of the time, the album doesn’t do much to impress me, outside of the hit single. For Sinead O’Connor, there is slightly more. I knew one song (take a guess what it is) and her “scandal” of her ripping the picture of the pope. Given the circumstances, I was very intrigued into what I was getting into. But I wasn’t prepared enough. It’s hard to describe what exactly this album is. Part of it is rock, some alternative, some soft tunes. It goes everywhere. But somehow, Sinead makes it all work. Her vocals sound angelic, but with traces of power that adapt to any genre. Seriously, the jump between the calm Irish sounds of Feel So Different to the slight hip-hop of I Am Stretched On Your Grave to the gentle Three Babies. Anytime a song would start and I feel a little disturbed about the direction of a song, Sinead would somehow make it work. And the songs themselves are sublime. From the instrument-less title track to the politically charged Black Boys on Mopeds, the album is chock full of hits. I especially love the Emperor’s New Clothes, which is somehow a very well made rock song, jammed in the middle of this album of all places. Then there’s Nothing Compares 2 U. I “heard” this song before, but I never Heard this song until now. I know it feels like a cop-out to feel moved by the hit single, but this is truly one of the most moving songs of all time. It’s all Sinead’s doing, the whole fucking song. I don’t get emotional over much and this almost got the waterworks flowing. This could have be a case where Nothing Compares 2 U could have easily taken the album over completely. It was the only song I knew from Sinead O’Conner. It happened a lot of times over the course of this project with other artists. But I think I found the exception. Overall, this is as perfect as a 90’s album can get and it will proud hang with the rest of my highest rated albums. Favorite track: Nothing Compares 2 U Other hits: The Emperor’s New Clothes, Feel So Different, Three Babies, Jump in the River, Black Boys on Mopeds, I Do Not Want What I Haven’t Got, The Last Day of Our Acquaintance

Musically, the album is a curious mix of hymnals, ballads, protest songs, and 80s-shoegazer pop. 'Emperor's New Clothes' is one of three with Andy Rourke that are absolutely top-notch indie/shoegaze/dream pop. 'Jump in the River' is the second, and I love Pirroni's guitar work reminiscent of some of his 'Kings of the Wild Frontier' days. It's like a good Jesus and Mary Chain. The final one is 'You Cause as Much Sorrow', Rourke's bass superb in the glorious chorus. Much of it does feel like it overlaps with The Smiths (melody, satire, biting lyrics, great musicianship). The overall production is really well done and restrained. 'Black Boys on Mopeds' could teach Billy Bragg a thing or two - explicit political commentary which doesn't grate in the slightest and is really very moving. Throughout, the vocals sometimes soar, sometimes are breathy, sometimes on the edge of breaking - it really is superb - pre-autotune days where all the human frailties and cracks remain. The album is quite the tour de force.

Fantastic album!!

This is one of my top 10 albums of all time. I love Sinead and this specific album is one of her best. The diversity of songs, the use of strings mixed with drum and bass rhythms. The builds and tension. Then just the pure vocals and lyrics. There isn't a bad or even a just OK song anywhere to be found.

Nothing compares to her.

Love it

Love This.

100/5 stars. Such a great album.

Brilliant

Best Prince cover.

I’ve always loved how Sinead does not hold back. She’s not afraid of showing how heart broken she is, or how pissed off. Everything she says she says with her chest. Her power of will with politics has always been admirable. “they laugh ‘cause they know they’re untouchable, not because what I said was wrong” I’ve had the album on repeat I think 4 times now. I’ve listened before and I’m happy to be back. It’s beautifully haunting, and as poetic as she can be she will sometimes lift the mask off of the metaphor because it’s just such a pure emotion, and needs to be expressed directly and simply. Eirinn Go Brach

What a courageous and beautiful album. Some songs bring tears to my eyes because they feel so painfully honest. I also love the music on here. Emporer’s New Clothes is one of the greatest personal rock anthems.

Really great. RIP Sinead.

A great album from one of Ireland’s finest. Took me a few listens to fully appreciate it but this album is worth it. Recommended if you need something relaxing: for a long drive, perhaps.

Before listening to this yesterday, I mostly only knew Sinead O’Connor as the butt of jokes when I was a kid in the 90s. Nothing terrible, just that she was the only thing to compare other bald women to. And then she shot back into consciousness when she passed away a couple years ago. Between those two things, I only knowingly heard her cover of Nothing Compares 2 U (thanks mainly to it being sampled in a mashup by Girl Talk). Given that, I had little expectation that I’d enjoy this. I figured she would be respectable but not my thing, much in the way that I falsely assumed the same of Tori Amos. But boy was I wrong. I wouldn’t say this is “my thing” or my taste, but I wouldn’t say the opposite either. I was blown away by the rawness of this. The pure bare emotion dripping from every track. And the aforementioned Prince cover is quite the banger. I don’t really have any critiques for her, just for my assuming ass.

I remember Sinéad O’Connor being a sensation when “Nothing Compares 2 U” came out. I’d never listened to this album, however. O’Connor has a truly wonderfully expressive and beautiful voice. https://open.substack.com/pub/richcain/p/project-1001-i-do-not-want-what-i?r=4ztyq&utm_campaign=post&utm_medium=web

I cannot believe I missed this one. Squeezed it in today

Amazing, unique voice! Some of the songs would be quite ordinary without her vocal talent. A very influential singer, controversial for all the right reasons.

Une pépite. Rien à ajouter de plus que la voix de Sinead est hypnotique, l'album est presque mystique, il résonne profondément dès la première chanson. Un album éternel qui ne vieillit pas.

One of the best albums written. beautiful, thought provoking and what a voice.

1001 albums that make you long for listening to anything else. Never heard of this guy, can’t believe the size of his catalog. I’ll assume they are similarly dull and amateurish, no way I’m gonna dig deeper.

Somewhat disappointed that "The Lion and the Cobra" didn't make the 1001, to me it's a groundbreaking debut showcasing a raw and emotional and immensely talented songwriter with an incredible voice. 5 stars easy. This is still very good - and her Prince cover just astonishing. She's clearly been given a bigger budget and less control on this album. Some talented musicians contributing and more polished production. I love her singing style - quirky but not contrived. I'm also giving this a borderline 5.

I can't believe I never listened to this legend sooner. A true masterpiece. "Fight the real enemy!"

This is a heartbreaking classic of an album. While Nothing Compares 2 U is the best known song, other tracks have an equal or greater impact with howls of despair and anger, as well as more upbeat and joyful numbers. The only misstep is ‘Black Boys on Mopeds’ which is a clunking protest song about Margaret Thatcher, but it was 1990 so we can probably let this one slide.

Wow. I knew her by name mostly, but never really listened something from her. This is very powerful. Her voice is amazing, the music is simple but moving and goes perfectly with her singing. It somehow reminds me of Tori Amos (and now I guess I am aware of one of Amos' influences). Great discovery.

Impossible to not feel feelings to this album

You cause as much sorrow kind of has cranberries energy. I didn’t know that the cranberries r Irish. Anyways this album is great

Great voice, great songs ... and *that* single

One of my favorites

5 stars - one for each of the stages of grief. A crisp voice that prays, placates, laments and rages, paired with pitch-perfect arrangements that never overpower the lyrics. Such a strong debut album with one of the most incomparable covers of all time. (See what I did there.) Hidden gem: Black Boys on Mopeds. The lyric "Remember what I told you. If they hated me they will hate you" would turn out to be all too prophetic.

Long time fan of Sinead. First time digging into this album. That's the whole point I hear you all say. Faves: The Emporer's New Clothes, Nothing Compares 2 U

I really like an album where each song is different genre experiment, and a lot of these tracks were great! I only knew the big single going in to it, so found every track a pleasant little surprise. Fave tracks - "I Am Stretched On Your Grave" for proto-trip-hop, "Three Babies" for new age ethereal, "Black Boys On Mopeds" for politically conscious folk, "The Last Day Of Our Acquaintance" for breakup song, and of course "Nothing Compares 2 U" is still spine-tingling....

amazing

I've never been a huge Sinéad O'Connor fan, but always respected her as a person. She stood up for her opinions (which were ultimately found to be 100% correct) against the Catholic church to enormous backlash, and then really leaned into them. When she died, I watched the video of her being booed at the Bob Dylan tribute concert. It's hard to believe that THAT crowd, of all crowds, would have done that. Anyway, I think this is the first time I've listened to this album in full. It's a bit dated, and Nothing Compares was really played to death when I was a child, but it is undeniably a brilliant album. Fantastic singing, great production, and very emotional. Three Babies, Emporers New Clothes, and Nothing Compares are all highlights, and there aren't any bad songs on here. Definitely one of the best pop albums of the 90s. 9/10

**Album Review: "I Do Not Want What I Haven't Got" by Sinéad O'Connor** "I Do Not Want What I Haven't Got," released in 1990, is the second studio album by Irish singer Sinéad O'Connor. The album catapulted her to global fame, largely due to its emotional depth, powerful lyrics, and O'Connor's distinct vocal style. This review delves into the various elements that make this album a landmark in contemporary music, analyzing the lyrics, music, production, themes, and its lasting influence. ### Lyrics The lyrical content of "I Do Not Want What I Haven't Got" is intensely personal and introspective, often touching on themes of love, loss, and self-identity. O'Connor's songwriting is raw and honest, with a poetic quality that conveys deep emotional truths. 1. **"Feel So Different"**: The album opens with a spoken word prayer, setting a contemplative tone. The lyrics reflect themes of transformation and self-realization, with lines like "God grant me the serenity to accept the things I cannot change." 2. **"I Am Stretched on Your Grave"**: This song uses a traditional Irish poem set to a modern beat, exploring themes of love and death. The juxtaposition of ancient text and contemporary music underscores the timeless nature of its themes. 3. **"Three Babies"**: Here, O'Connor delves into the pain of loss and the resilience of the human spirit. The lyrics are deeply poignant, revealing a vulnerability that resonates with many listeners. 4. **"The Emperor's New Clothes"**: This track critiques societal norms and personal authenticity. O'Connor's defiance against conforming to expectations is clear in lines like "I will live by my own policies." 5. **"Black Boys on Mopeds"**: A politically charged song addressing social injustice and the failures of the British government. O'Connor's anger and disillusionment are palpable, making it one of the album's most powerful tracks. 6. **"Nothing Compares 2 U"**: The standout hit written by Prince, this song deals with the deep sorrow of lost love. O'Connor's delivery is heart-wrenching, and the lyrics are straightforward yet profoundly affecting. ### Music Musically, the album is diverse, blending various genres and influences. O'Connor's eclectic tastes and willingness to experiment are evident throughout. 1. **Instrumentation**: The album features a mix of traditional instruments and modern synthesizers, creating a unique soundscape. Strings, flutes, and acoustic guitars are woven together with electronic beats, showcasing O'Connor's innovative approach. 2. **Arrangements**: Each track is meticulously arranged to complement the emotional tone of the lyrics. For instance, the sparse instrumentation on "Nothing Compares 2 U" enhances the song's melancholic atmosphere. 3. **Vocal Performance**: O'Connor's voice is a central element, characterized by its range and emotional intensity. Her ability to convey vulnerability and strength simultaneously is a hallmark of the album. 4. **Genre-Blending**: The album traverses rock, pop, folk, and traditional Irish music, reflecting O'Connor's diverse influences. This blending of styles contributes to its unique and timeless appeal. ### Production The production of "I Do Not Want What I Haven't Got" is a testament to O'Connor's vision and the technical expertise of the team behind it. 1. **Producers**: The album was produced by Sinéad O'Connor and Nellee Hooper, with additional production by Chris Birkett. Their collaborative efforts resulted in a polished yet authentic sound. 2. **Sound Quality**: The production quality is high, with a clear and balanced mix. The use of reverb and echo adds depth to the vocal tracks, while the instrumentation is crisp and well-defined. 3. **Innovative Techniques**: The production includes innovative techniques for the time, such as the use of sampling in "I Am Stretched on Your Grave." This track layers a traditional Irish melody over a modern beat, exemplifying the album's fusion of old and new. ### Themes Thematically, "I Do Not Want What I Haven't Got" explores a wide range of subjects, from personal introspection to political commentary. 1. **Self-Discovery and Empowerment**: Many songs deal with themes of self-discovery and personal empowerment. O'Connor's lyrics often reflect her journey towards self-acceptance and autonomy. 2. **Love and Loss**: The album's exploration of love and loss is both profound and universal. Tracks like "Nothing Compares 2 U" and "Three Babies" delve into the complexities of human relationships and the pain of separation. 3. **Social and Political Commentary**: O'Connor does not shy away from addressing social and political issues. "Black Boys on Mopeds" critiques government policies and societal inequalities, highlighting her activism and social awareness. 4. **Spirituality**: There is a strong undercurrent of spirituality throughout the album. The opening track, "Feel So Different," sets the tone with a prayer, and other songs touch on themes of faith and existential reflection. ### Influence The influence of "I Do Not Want What I Haven't Got" extends beyond its immediate commercial success. 1. **Cultural Impact**: The album has had a lasting impact on popular culture. "Nothing Compares 2 U" became an iconic song of the 1990s, and its music video, featuring O'Connor's tear-streaked face, remains one of the most memorable in music history. 2. **Musical Influence**: The album has influenced a wide range of artists across genres. Its blend of traditional and modern elements can be seen in the work of later musicians who seek to bridge different musical worlds. 3. **Social Influence**: O'Connor's outspoken nature and willingness to address controversial issues have inspired other artists to use their platforms for social and political commentary. Her boldness in tackling issues like child abuse and political corruption has paved the way for more open discourse in music. ### Pros and Cons **Pros:** 1. **Emotional Depth**: The album's emotional intensity and honesty resonate deeply with listeners, making it a timeless piece of art. 2. **Vocal Performance**: O'Connor's voice is a powerful instrument, capable of conveying a wide range of emotions with great precision. 3. **Innovative Production**: The production techniques and genre-blending give the album a unique sound that was ahead of its time. 4. **Lyrical Brilliance**: The lyrics are profound and poetic, addressing universal themes with personal insight. 5. **Cultural Relevance**: The album's themes of self-discovery, love, loss, and social justice remain relevant, ensuring its continued impact. **Cons:** 1. **Inconsistent Pace**: The album's pacing can feel uneven at times, with slower, more introspective tracks juxtaposed against more upbeat songs. 2. **Production Choices**: While innovative, some production choices may feel dated to modern listeners, particularly the use of certain synthesizer sounds and sampling techniques. 3. **Intensity**: The emotional intensity of the album may be overwhelming for some listeners, making it challenging to listen to in one sitting. 4. **Commercial Appeal**: While critically acclaimed, the album's raw and unfiltered nature may limit its commercial appeal compared to more polished pop records. ### Conclusion "I Do Not Want What I Haven't Got" stands as a seminal work in Sinéad O'Connor's discography and a landmark album of the 1990s. Its blend of personal introspection, social commentary, and musical innovation has cemented its place in music history. Despite some minor flaws, the album's emotional depth, lyrical brilliance, and cultural impact make it a timeless and influential piece of art. O'Connor's fearless exploration of complex themes and her distinctive voice ensure that this album will continue to resonate with listeners for years to come.

While deeply familiar with this album, I was able to listen with fresh ears and perspective. I still tapped in to the empowerment this album provided me in my youth but I was also deeply moved by the sorrow she tapped in to craft this (she spent 18 months in a Magdalene Laundry at 14 years old--puts that ripped photo of the pope in perspective). The use of strings both in the Irish fiddle manner and more orchestral came through on my back-to-back listens. Every single song is just so goddamn powerful I get why she just blew up when this album came out. So much angst and heartbreak in one album that when I revisit with the lens of history I dare say it hits harder than TTPD Three Babies - her lullaby to heal herself after the loss of three pregnancies Black Boys on Mopeds - powerful protest of racial brutalities in 80s England Nothing Compares 2 U - The best cover of any Prince song Last Day of Our Acquaintance - ouch I Do Not Want What I Haven't Got - what a closer! And the ultimate banger of all time---The Emperor's New Clothes. This album is a 5 but memories of singing this top volume with Jen certainly turn it into an 11.