One of my more favored Prince albums. Disc 1 and most of 2 is fun pop songs and some slower ballads with drum machine and minimal instrumentation. Includes a long live track with lots of energy.
This is the most Elvis I've ever listened to. Really fun album, love the reverb soaked guitar and quirky little lead lines. Elvis drips with style and swagger on this album and this album doesn't drag at all.
Steeped in psychedelia and proto-drone with 'classic' rock and roll guitar work. From chill and laidback to more pressing and driving, this album covers some wide ground and doesn't skimp. Great listen, not an album I've listened to a lot but definitely appreciate the tracks that I've heard multiple times
Sleepy cover album. Nothing outstanding, I'm not familiar with these tracks but they all seem pretty standard to me. Not the outlaw country I know Willie from but not terrible at the same time.
Pleasantly surprised with this album. Very dense songs with tons of riffs and fantastic bass lines. Moments of Rhodes funk, crunchy rockin', chill ballads. I only knew of 'Bloody Well Right' and other singles and always thought Supertramp was kinda corny and this album definitely changed my mind.
Some of my favorite guitar work from Radiohead on this album. Still has that Britpop vibe before they branched off into more electronic elements.
Three tracks stood out to me - 'Gotta Get Up', 'Coconut', 'Jump In the Fire'. Everything else is fine, nothing bad just nothing I'd be motivated to return to.
My core memory of Henry Nilsson comes from the only time I saw Sonic Youth. (Starlight Ballroom in Philadelphia. RIP). This album is on as they are coming on stage and the music is brought down for them to start. Thurston asks the sound person for more Nilsson so he turns 'Coconut' back up. Thurston jams for a second before saying 'ok that's enough' then they launch into Incinerate.
Driving and grooving. Great background music while trying to get something done. Anyone complaining about the repetitive nature doesn't get what this genre is or how groundbreaking this album was when it came out.
First time hearing this entire album. Paradise City and Sweet Child O Mine I can do without forever. Welcome to the Jungle and Mr Brownstone are the bangers. The production is huge on this album, probably my favorite part. I would probably never willingly put this on again but I'm glad I gave it a shot.
Fun, vibey album. Love the singles 'Typical Girls' and the 'Grapevine' cover.
Absolute classic hardcore punk. Only album with 2 guitars and a definite maturing in their sound. Bass work is amazing.
For me not a huge band or album. Never understood the appeal and Morrison always seemed kind of hacky. Manzarek's organ is grating after a while and that's coming from someone who loves late 60s/early 70s Dead.
The End is probably the coolest track followed by End of the Night. Alabama Song doesn't make any sense for this album.
I'm glad I'm hearing 'classic' albums but this one won't be revisited.
I love early Yes. Sonically this album has a lot of grit and Chris Squire's bass tone is out of this world. The hits are the hits, the only 'filler' is really The Clap. Perpetual Change is a great closer. Great album all around.
Not my favorite Neil Young album but can appreciate it for what it is. The final 3 tracks are my favorites on this album. The orchestral sections can be a little much at time but they definitely add to the emotion of it all.
Not my fave Can album but great none the less. Has some more 'challenging' tracks but nothing beats that Can drum groove.
Great album front to back. Lots of energy, never drags and before you know it it's over! Haven't listened to this much Bruce ever and I'm glad I did.
Classic 77 punk album. Hell of a debut as well. Solid through and through and makes an immediate stance that lasts their entire career. Great production as well, love the bass tone through this entire album
Interesting album, heavy on the world music vibe. Very interesting tone/instrumentation choices. It can come off a little corny if you focus on that too much, but these are great songs that cover a lot of different ground. Not entirely my thing but can still respect it.
Very fun listen. Goofy lyrics that made me laugh out loud at certain times.
The Lip, (I'll Be Glad When You're Dead) You Rascal You, Banana Split for My Baby stood out, and I Ain't Go Nobody instantly put a picture of David Lee Roth in my head
A simple and straightforward ambient chiller. Not too dense and changes tone each track. A wonderful companion during a walk on a warm sunny day.
1/1 and 2/2 are my favorites
Not really into this album. Nothing about this was pleasing to listen to. Could barely get through it.
Superb album front to back. Opens with an emotional guitar onslaught and the rest of the album is a funk throwdown. I've always loved 'Hit It and Quit It' and 'Can You Get to That'. 'Wars of Armageddon' is rocking groovy funked out closer. Love this album!
Skronky and feral post punk weirdness. The influence that The Jesus Lizard took from this is uncanny and if any of them deny that they are full of it. Not a huge Nick Cave fan but this isn't a terrible album. Sounds like an early punk album from the 80: thin and hollow. Bass is constantly driving and the guitar has wild bluesy hooks all over.
probably my favorite RH album. so many great tracks, i love the uptick in piano and 'chiller' moments as compared to previous works.
2+2=5, Sail to the Moon, There There, Myxomatosis are my faves
As a Tribe fan this album isn't super memorable. The production is great but the lyricism doesn't stand out IMO
After digging into the history of this album, you can't help but appreciate how this was manifested from the ashes of the Beatles and what he was going through mentally. Paul did everyone on this album by himself with some vocal help from Linda and it's simplicity and raw/lofi aesthetic is very cool for that era.
Not all goth rock is good (see Type O Negative, yikes) but this album was great. Love the chorused bass and the melodies all throughout. Really doesn't drag at all, no filler to be found
I love this type of 70s new wave punk. The bass on this album kills me, great lines that I feel like I'd pull from. Also when do you hear a 7/4 time signature in music like this?
Fun production, lyrically gets old fast. I've heard 'Passin Me By' so many times at an old job that I can go without that track for a long, long time.
Not a bad album, just nothing stand out for me. Good musicianship and song writing. This style is a blindspot for me and I have avoided Wilco for a long time due to preconceived notions of Jeff Tweedy.
Waaayyy too long, couldn't even finish. Not into this over done pop music.
