1001 Albums Summary

Eclectic and expansive, the songs, production and concept of the early songs were ambitious, but I felt they lacked any strong hooks. It was a kitchen sink approach which utilised classical music, heavy metal guitars, jazz, rap, film score, but nothing beyond an infantile melody. Then I was pleasantly surprised by Oh Maker, which had a directness the rest of the album lacked until that point, and then again by Mushrooms and Roses (I love this title) which was intriguing. The rest of the album I have no desire to revisit. But I'll certainly listen to those 2 songs again.

Soulful, whimsical (at times) and life affirming throughout. There is an inherent musicality in his work.

If you can tolerate his raspy nasal falsetto patois and unconvincing ganta-ism lyrics in a limited register, there are some interesting ideas and some good playing in the background. It's a pity he rarely changes chords which robs the songs of any dynamism.

The songs because so ubiquitous for a time, famously appearing on so many products that Moby has helped sell just about every product class on earth. Because of this it is easy to forget how startling the album is, in its quality, originality and ambition. The songs aim high and frequently succeed. I have listened at times and felt alternatively uplifted, energized and depleted. If I was to make one observation I think the songs on the first part of the album are so strong that it loses some momentum toward the end. I have found myself not listening to the full album on more than one occasion.

Mature, melodic, playful at times, varied and satisfying.

Chirpy pop, cohesive upbeat beepy ambience. I don't love it, but I have found myself putting it on in the background a few times when Im in the mood for this type of vacuity.

Magnificent album a varied and balanced collection of songs.I often listen to this album once, and then afterwards I play my favourite songs (Dreams) again.

Marvin Gaye makes some of the most musical sounds of any biped. From Growling, to smooth or soaring sweetness across all the register, as he does here within the first 40 seconds of Let's Get It On. His best work is not just the result of the quality of his voice. For me the magic is in the beauty of backing singing, either contapuntally or as a refain, which compliment him perfectly, because it's usually him as well. Unfortunately, beyond the title track the strength of these 9 songs, just isn't very high. The presence of Keep Getting it On, (effectively a reprise of the title track) means that a single musical idea comprises 26% (I did the maths) of a 31 minute album, and the other 7 tracks are only suitable as backing tracks for 1970s TV commercials.

Like Bowie and perhaps Blur, I admire Radiohead for trying to develop and experiment from recording to recording. It's probably the third or fourth time I've listened to this album, largely from a sense of respect for their back catalogue. But fundamentally, I just prefer the rocky version of Radiohead. There are no standout songs here. Nothing Is would play on its own, that stands proud outside the the context of this album. It's not bad by any means, but when I listen to it, a part of my brain feels I'd rather be listening to the Bends or OK Computer.

Impossible to review without using the word Cheesy, this is clearly a mod 80's album. But, speaking confidentially, it is also a guilty pleasure. Taken on its own terms the album is coherent and driven and confident.

Pleasant catchy poo. Mercilessly brief, highly listenable.

Their sound is generally appealing hence their success and this is apparent on a number of the tracks here (Doorbell) but too many of the songs made me think their was no edit switch in use. Nothing or no-one to say it's not strong enough. The Rita Hayworth song FFS (Take Take Take). I'm never going to forgive either the them or the next 5 generations of their offspring for inflicting that dross upon me.

Difficult to listen to this without thinking of it as advert or TV music. Possibly a victim of it's own cohesiveness, it's influential and has been absorbed into the general musical vernacular. The music itself is solid, well structured and satisfying, but I can't imagine listening to it again other than as a background accompaniment for a family dinner.

Interesting and melodic. I'm glad I was introduced to this and I would listen again with pleasure. Glad to add something latin to my playlist beyond Buena Vista Social Club.

At last an album I'm familiar with, and possibly my favourite Bowie album. Joyous and inspiring, how on earth could he not remember recording it!?!

My God that was rollicking good fun. This is something that I will add to my favourite listens. I was already familiar with a few of the songs, but I Wanna be Loved, Bus Driver and especially Crosseyed Cat were new to me. I will add this to my regular listens.

Already a regular listen for me.

Quirky, melodic, uplifting, vibrant and I've always been fond of the slow songs on this album but I was surprised relistening how varied and strong the whole album is. The creativity, confidence and panache of a band who would write with unrestrained cockney humour Parklife or Girls and Boys, and transition to the slower songs like This is a Low or Bad head.

Hybrid blues and African music. Not earth breaking, but highly listenable.